Proms
Proms
The BBC Proms is back for another summer of world leading orchestras, musicians and conductors. This year's season will run from Friday 18 July to Saturday 13 September.
The 86 concerts this summer will include anniversary celebrations of Shostakovich, Ravel and Boulez, a Traitors-themed Prom presented by Claudia Winkleman – and a record number of female conductors.
A record number of female conductors will be at the podium – 15 – and the Last Night will be the first to feature an all-female lineup of conductor and soloists: Elim Chan will conduct, with trumpeter Alison Balsom and soprano Louise Alder, plus the evening will feature two world premieres, by 34-year-old French composer Camille Pepin, making her proms debut, and by Rachel Portman, who in 1996 was the first woman to win an Oscar for best original score.
Also making her Proms debut will be Claudia Winkleman, who, fully cloaked, will present a Traitors Prom featuring a mix of symphonic pop and classical music exploring timeless themes of intrigue, treachery and betrayal. Suzy Klein, the head of arts and classical music TV at the BBC, promised that the concert would evoke all the drama of the Highland castle where the hugely popular reality TV show takes place. There won’t be gameplay or interaction, she added, but “it is going to be shaped and curated as a dramatic evening. There’s so much music featured in the series that we wanted to take some of that and say to people, ‘Welcome to the world of classical music, you’re already listening to it and loving it without realising it!’” Winkleman will be joined by the BBC Scottish Symphony and the BBC Singers, with other guests.
Among some notable anniversaries honoured this year, there will be a focus on the music of Shostakovich, who died in 1975, and a complete performance – only the second ever at the Proms – of his opera Lady Macbeth of the Mtsensk District, with the chorus of the English National Opera. Proms regulars Aurora Orchestra will perform his fifth symphony by heart following a dramatic exploration of its troubled origins and meaning, and Chineke! will celebrate their 10th birthday with guest conductor Simon Rattle leading the Black and ethnically diverse orchestra through a programme that includes Shostakovich’s 10th symphony.
Ravel – born 150 years ago – features on the opening weekend: his Piano Concerto for the Left Hand will be played by Nicholas McCarthy, which will be the first time the concerto has been played at the Proms by a one-handed pianist since it was performed by the man it was composed for, Paul Wittgenstein, in 1932. Boulez, whose centenary is celebrated this year, features in three proms including a late-night one performed by the Ensemble intercontemporain (the group he founded), which places his modernist music alongside Luciano Berio’s, whose centenary it also is.
Other international orchestras include the Royal Concertgebouw with their chief conductor designate Klaus Mäkelä, the Vienna Philharmonic, and the Budapest Festival Orchestra. Twenty-five proms will be televised – more than ever before, said Klein. “We had record breaking numbers last year, over 5m streams on BBC Sounds, and across TV and iPlayer we reached nearly 13 million people.”
The Royal Albert Hall was full to 96% capacity for evening Proms in 2024, said Jackson. He confirmed that the Last Night will end in its now traditional style, with Rule, Britannia among the closing pieces. “The Last Night always evokes strong opinions and discussion. There are some people for whom it’s a really important tradition, and there are some who say it’s not part of how they would like to celebrate in the summer,” he said. “Our job is to cater for as broad an audience as possible, but also to ask, how can we continue to develop this festival? What can we do differently? How can we introduce new music? And how can we over the course of 86 concerts make sure that there’s a real breadth of repertoire of artists? And then there’s something for everybody.”
About the Proms
The Proms is an eight-week summer season of daily orchestral classical music concerts and other events held annually, predominantly in the Royal Albert Hall in central London. The Proms were founded in 1895, and are now organised and broadcast by the BBC. Each season consists of concerts in the Royal Albert Hall, chamber music concerts at Cadogan Hall, additional Proms in the Park events across the UK on the Last Night of the Proms, and associated educational and children's events. The season is a significant event in British culture and in classical music. Czech conductor Jiří Bělohlávek described the Proms as "the world's largest and most democratic musical festival".
Prom is short for promenade concert, a term which originally referred to outdoor concerts in London's pleasure gardens, where the audience was free to stroll around while the orchestra was playing. In the context of the BBC Proms, promming refers to the use of the standing areas inside the hall (the Arena and Gallery) for which ticket prices are much lower than for the seating. Proms concert-goers, particularly those who stand, are sometimes referred to as "Prommers" or "Promenaders".
Many people's perception of the Proms is based on the Last Night, although this is very different from the other concerts. It usually takes place on the second Saturday in September, and is broadcast in the UK on BBC Radio 3, and on television on BBC Two (first half) and BBC One (second half). The concert is traditionally in a lighter, 'winding-down' vein, with popular classics followed by a second half of British patriotic pieces. This sequence traditionally includes Edward Elgar's "Pomp & Circumstance March No. 1" (to part of which "Land of Hope and Glory" is sung) and Henry Wood's "Fantasia on British Sea Songs", followed by Thomas Arne's "Rule, Britannia!". The concert concludes with Hubert Parry's "Jerusalem", and the British national anthem, since 2010 in an arrangement by Benjamin Britten. The repeat of the Elgar march at the Last Night can be traced to the spontaneous audience demand for a double encore after its premiere at a 1901 Proms concert. The closing sequence of the second half became fully established in 1954 during Sargent's tenure as chief conductor.
The Prommers have made a tradition of singing "Auld Lang Syne" after the end of the concert, but this was not included in the programme until 2015. However, when James Loughran, a Scot, conducted the Last Night concert in the late 1970s and early 1980s he did include the piece within the programme.
Tickets are highly sought after. Promming tickets are priced the same as for that season's concerts, but seated tickets are more expensive. To pre-book a seat, it is necessary to have bought tickets for at least five other concerts in the season and an advance booking for the Last Night must include those five concerts; the seat for the Last Night cannot be a better one (in terms of its pricing) than those for the other concerts. After the advance booking period, there is no requirement to have booked for additional concerts, but by then the Last Night is usually sold out, although returns may be available. For standing places, a full season pass automatically includes admission to the Last Night; day Prommers must present five ticket stubs from previous concerts to qualify for a standing Last Night ticket, either in the Arena or Gallery (prior to 2009, the requirement was for six other concerts).
Prommers with tickets are likely to queue up much earlier than usual (many overnight, and in past years, some slept outside the hall for up to three weeks to guard their place – although this is no longer permitted) to ensure a good place to stand; the resulting camaraderie adds to the atmosphere. Some attend in fancy dress, from dinner jackets to patriotic T-shirts. Many use the occasion for an exuberant display of Britishness. Union Flags are waved by the Prommers, especially during "Rule, Britannia!". Other national flags, balloons and party poppers are all welcomed – although John Drummond discouraged 'extraneous noise' during his tenure as director.
Sir Henry Wood's bust is adorned with a laurel chaplet by representatives of the Promenaders, who often wipe an imaginary bead of sweat from his forehead or make some similar gentle visual joke. As with the rest of the season, the cost of promming tickets (standing tickets) is just £6. Many consider these to be the best tickets due to the atmosphere of standing in the hall for up to three hours, albeit with a twenty-five minute interval.
Another tradition is that near the end of the concert the conductor makes a speech thanking the musicians and audiences, mentioning the main themes of the season, noting the cumulative donation collected for the Promenaders' musical charities over the season, and announcing the date of the First Night for the following year. This tradition dates from 1941, when Sir Henry Wood gave the first such speech at the close of that season, which was the first at the Royal Albert Hall, when he thanked colleagues and sponsors. Wood gave a similar speech at the 1942 Last Night, and a pre-recorded version was played at the 1943 Last Night. During his tenure as conductor, Sir Malcolm Sargent established the tone of making the Last Night speech more humorous. Subsequent conductors have generally continued this, although one exception was in 1997 when Sir Andrew Davis addressed the deaths of Diana, Princess of Wales, Mother Teresa, and Sir Georg Solti in 1997.