Abay Kazakh State Opera and Ballet Theatre 10 June 2022 - Coppelia | GoComGo.com

Coppelia

Abay Kazakh State Opera and Ballet Theatre, Main Stage, Almaty, Kazakhstan
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7 PM

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You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Almaty, Kazakhstan
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 1h 40min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

"Coppelia" is a recognized standard of classical ballet, which is included in the repertoire of almost all famous theaters and ballet troupes.

"Coppelia, or the Girl with Blue Eyes" - a ballet to the music of the French composer Leo Delibes, belongs to the genre of a comic performance that is rare on the ballet stage.

Today, the original choreography of the ballet is almost forgotten, and the ballet continues to live, acquiring new colors and new readings. The reason for this is the wonderful music of Leo Delibes, which brought the ballet theater to a new path. Music has ceased to be a "servant of choreography", having become an equal component of the performance. The art of the author was admired by P.I. Tchaikovsky. "What charm, what grace, what melodic, rhythmic, harmonic richness," wrote the great Russian composer.

The ballet "Coppelia" was staged at the Abay KazNTOB in 1937 by choreographer Yuri Kovalev. And after 80 years, on May 20, 2017, "Coppelia" again became a wonderful decoration of the repertoire.

It was choreographed by Arthur Saint-Leon, the choreographer who had relinquished his post as head of the Petersburg Ballet to Marius Petipa. Saint-Leon was also a virtuoso dancer, an expert on dance folklore, composer, and violinist. It was his interest in folk dance that was responsible for the appearance in the music score of such a rich ’selection’ of dance melodies based on folklore. Coppelia is considered to be one of the first ballets to contain Slav motifs.

History
Premiere of this production: 25 May 1870, Théâtre Impérial l Opéra, Paris

Coppélia is a comic ballet originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon two stories by E. T. A. Hoffmann: Der Sandmann (The Sandman) and Die Puppe (The Doll).

Synopsis

Dr. Coppélius is a doctor who has made a life-size dancing doll. It is so lifelike that Franz, a village youth, becomes infatuated with it and sets aside his heart's true desire, Swanhilda. She shows him his folly by dressing as the doll, pretending to make it come to life and ultimately saving him from an untimely end at the hands of the inventor.

Act I
The story begins during a town festival to celebrate the arrival of a new bell. The town crier announces that, when it arrives, anyone who becomes married will be awarded a special gift of money. Swanilda and Franz plan to marry during the festival. However, Swanilda becomes unhappy with Franz because he seems to be paying more attention to a girl named Coppélia, who sits motionless on the balcony of a nearby house. The house belongs to a mysterious and faintly diabolical inventor, Doctor Coppélius. Although Coppélia spends all of her time sitting motionless and reading, Franz is mesmerized by her beauty and is determined to attract her attention. Still upset with Franz, Swanilda shakes an ear of wheat to her head: if it rattles, then she will know that Franz loves her. Upon doing this, however, she hears nothing. When she shakes it by Franz's head, he also hears nothing; but then he tells her that it rattles. However, she does not believe him and runs away heartbroken.

Later on, Dr. Coppelius leaves his house and is heckled by a group of boys. After shooing them away, he continues on without realizing that he has dropped his keys in the melée. Swanilda finds the keys, which gives her the idea of learning more about Coppélia. She and her friends decide to enter Dr. Coppelius' house. Meanwhile, Franz develops his own plan to meet Coppélia, climbing a ladder to her balcony.

Act II
Swanilda and her friends find themselves in a large room filled with people. However, the occupants aren't moving. The girls discover that, rather than people, these are life-size mechanical dolls. They quickly wind them up and watch them move. Swanilda also finds Coppélia behind a curtain and discovers that she, too, is a doll.

Dr. Coppelius returns home to find the girls. He becomes angry with them, not only for trespassing but for also disturbing his workroom. He kicks them out and begins cleaning up the mess. However, upon noticing Franz at the window, Coppélius invites him in. The inventor wants to bring Coppélia to life but, to do that, he needs a human sacrifice. With a magic spell, he will take Franz's spirit and transfer it to Coppélia. After Dr. Coppelius proffers him some wine laced with sleeping powder, Franz begins to fall asleep. The inventor then readies his magic spell.

However, Dr. Coppelius did not expel all the girls: Swanilda is still there, hidden behind a curtain. She dresses up in Coppélia's clothes and pretends that the doll has come to life. She wakes Franz and then winds up all the mechanical dolls to aid their escape. Dr. Coppelius becomes confused and then saddened when he finds a lifeless Coppélia behind the curtain.

(Note: In some Russian versions of the ballet, after getting caught, Swanhilda confesses to Dr. Coppelius about what she and her friends did and her situation with Franz. Coppelius decides to forgive Swanhilda and teach her how to act like a doll coming to life to fool Franz, thus ending Act 2 on a happier note.)

Act III
Swanilda and Franz are about to make their wedding vows when the angry Dr. Coppelius appears, claiming damages. Dismayed at having caused such an upset, Swanilda offers Dr. Coppelius her dowry in return for his forgiveness. However, Franz tells Swanilda to keep her dowry and offers to pay Dr. Coppelius instead. At that point, the mayor intervenes and gives Dr. Coppelius a bag of money, which placates him. Swanilda and Franz are married and the entire town celebrates by dancing.

Venue Info

Abay Kazakh State Opera and Ballet Theatre - Almaty
Location   St. Kabanbai batyra, 110

Modern GATOB named after Abay - one of the largest theaters of the Eurasian space in which creative structure, along with the glorified masters of a scene perfect the art and young talents.

The building of the Kazakh state academic theatre named Abay containing 793 seats is one of the most known sights of the city of Almaty.

The Decision of Board of the National Commissariat of Education Kazakh The Assr of September 29, 1933 in Alma-Ata has Created the Musical Studio Consisting of Fifty Actors, Twenty Musicians Symphonic and Twelve People National Orchestras

On January 13, 1934 the first public performance of the musical comedy "Ayman-Sholpan" put by forces of musical studio according to M. O. Auezov's play, which has marked according to Narkompros's decision, the birth of the first "… the Kazakh musical opera and ballet theatre" has taken place.

Construction of the building of theater on the project of the Moscow architect N. A. Kruglov whose work has been recognized as the best in the All-Union competition announced on this occasion in 1933, has begun in 1936 and has been finished in 1941 by architects N. A. Prostakov and T. K. Basenov

On November 7, 1941 the Theatre has opened in own building. Same year the theater has received the status academic, and in 1945 the name of Abay has been appropriated to him.

From June, 1995 to December 13, 2000 in theatre the general reconstruction which has kept the main architectural style – the empire style which is combined with the Italian classicism and traditional elements of a national form in architecture of Kazakhstan has been carried out.

In general the decor and the main art and style solutions of a construction have been kept, modern finishing materials are added, and the stucco molding of the foyer of the second floor and auditorium has included elements of the ornament decorating a suit of "The gold person". The wealth and a variety of traditions of the Kazakh folk art have found application and in finishing of other interiors of theatre.

Important Info
Type: Ballet
City: Almaty, Kazakhstan
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 1h 40min
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