Astana Opera 24 April 2022 - Don Quixote | GoComGo.com

Don Quixote

Astana Opera, Main Hall, Nur-Sultan (Astana), Kazakhstan
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6 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Nur-Sultan (Astana), Kazakhstan
Starts at: 18:00
Acts: 2
Intervals: 1
Duration: 2h 20min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

In 1869, Marius Petipa created a ballet based on the story, adapted from Cervantes's novel Don Quixote. Having travelled extensively in Spain, the choreographer got into the spirit and folk dance traditions of this country, and managed to bring their richness and originality to the stage.

However, Petipa, like many of his predecessors, used only two chapters from the second volume of this great literary source, which tell about the failed marriage of the rich Camacho (in the ballet - Gamache) and the beautiful Quiteria (Kitri), beloved of the village boy Basilio. In late December, the Moscow Bolshoi Theatre premiered the comic play, in which only Dulcinea performed pure classical dance, and other heroes performed character dances.

In 1871, Petipa created a new version of the ballet for the premiere at the Bolshoi Kamenny Theatre in St. Petersburg. In 1900, Alexander Gorsky staged a new production of Don Quixote. He kept the scenario plan and the base of Petipa’s choreography. Simon’s Spanish Dance and Nápravník’s Fandango were added to Minkus’s music. Gorsky did much to organize the crowd scenes in a new way to avoid ‘any traditional symmetry’. Korovin, Golovin and Clodt's innovative scenography was a success. It was this exact performance that became a classic example not only for the Bolshoi and Mariinsky Theatres, but also for many theatre stages worldwide.

The festive, hot-tempered and virtuoso ballet was staged in 1900 (and transferred from the Bolshoi Theatre in Moscow to the Mariinsky Theatre in 1902) by Alexander Gorsky after the eponymous ballet of Marius Petipa, which had graced the St Petersburg stage from 1871.

The young and passionate choreographer Gorsky was heavily influenced by Stanislavski (who had just opened the Moscow Art Theatre) at the beginning of the 20th century. To make the ballet more ‘lifelike and truthful’ he turned the symmetrical corps de ballets, so common in his renowned colleague Petipa’s works, into a playful, lively, and cheerful crowd. The first spectators recalled, "the lively and passionate crowd in the square makes you believe up to a point of delusion in the sun, which makes you fall in love so keenly, tease each other, chase after the running beauty, who hides behind her fan..."

History
Premiere of this production: 26 December 1869, Ballet of the Imperial Bolshoi Theatre of Moscow, Russia

Don Quixote is a ballet in four acts and eight scenes, based on episodes taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by the Ballet of the Imperial Bolshoi Theatre of Moscow, Russia on 26 December [O.S. 14 December] 1869. Petipa and Minkus revised the ballet into a far more expanded and elaborated edition in five acts and eleven scenes for the Imperial Ballet, first presented on 21 November 1871 at the Imperial Bolshoi Kamenny Theatre of St. Petersburg.

Synopsis

Don Quixote's Study

Bachelor Sanson Carrasco is seen covering a bookcase with wallpaper, while Antonina is putting some rusty old armour and a helmet made of pasteboard into a cupboard. Don Quixote de la Mancha enters, reading a book. He goes to the bookcase and, not finding it, believes it has been stolen by evil magicians. Then he settles into an armchair and continues reading. He delights in stories of brave knights, fabulous giants and other fantastical creatures, but most of all Don Quixote dreams of his beloved Dulcinea, a woman that he believes to be so lovely and noble that she must be divinity. Gradually he nods and falls asleep to dream of their romantic adventures. Darkness falls.

Suddenly his servant, Sancho Panza, climbs hurriedly through the window. In pursuit are several angry women from the market from whom he has stolen bread and a chicken. Awakened by the commotion, Don Quixote sends the women away. Don Quixote tells Sancho that he is determined to seek adventures as a knight-errant, all the while searching for his beloved Dulcinea. He shows him the pasteboard helmet, which, with one sweep from his sword, becomes a shapeless mass on the floor. Antonina suggests that he should use a shaving basin instead, which would make a splendid helmet. Don Quixote enthusiastically agrees and, placing it on his head, orders Sancho to bring him his armour, sword and spear, and to make ready his horse, Rocinante.

Act I

A market-place in Barcelona

Kitri, an inn-keeper's daughter, steals out of her house to meet her beloved, the barber Basilio. Her father, Lorenzo, sees the lovers and sends Basilio away, bringing Kitri to tears. Now comes the rich nobleman Gamache, who, likewise in love with Kitri, goes to Lorenzo and asks for his daughter's hand. The innkeeper accepts with delight but Kitri, appalled at the thought of wedding the foppish nobleman, runs away.

Dancing begins in the square and some toreadors try to kidnap the girls they fancy, but their relatives and lovers hasten to their aid. At this moment Don Quixote arrives mounted on Rocinante, followed by Sancho, who is riding a donkey. At his master's command Sancho sounds his rusted horn, causing the townspeople to cover their ears. Lorenzo runs out of his inn, and Don Quixote, taking him for the lord of a famous castle, dismounts Rocinante and, falling to his knees, begs to be allowed to serve him. Charmed, Lorenzo invites the knight to sit on his balcony. Sancho remains in the square where he is surrounded by girls who induce him to take part in a game of blind man's bluff. Then some boys bring in a blanket on which they place Sancho and proceed to toss him into the air. Don Quixote hurries to his assistance and sets him free.

Peasants gather in the square and dancing resumes. Kitri returns and, noticing her, Don Quixote acclaims her as his Dulcinea, whom evil magicians have reduced to human form. Becoming jealous of her affection for Basilio, Don Quixote attempts to woo her by partnering her in a minuet. Lorenzo berates Kitri for carrying on with Basilio. Kitri and Basilio then run away, and Lorenzo and Gamache follow them. Don Quixote orders Sancho to bring Rocinante, so that he may also set out in pursuit.

Act II

Scene 1 – A camp of gypsies among the windmills outside the village

Kitri, disguised as a boy is seen walking with Harlequin from a troupe of travelling actors. They guess she is a girl and ask her to stay with them.

Scene 2 - The Puppet Theatre

A clown is seen walking with Graziosa, the gypsy chief's daughter. A gypsy tells the chief of the approach of Don Quixote. The chief plans a trick for his benefit and, putting on a mantle crown, sits down as though he were a king on a throne. Don Quixote is deceived and kneels to the chief in homage. The chief bids that he sit beside him and orders a festival to be given in his honor. This begins with Gypsy dances and is followed by a performance of the marionette theatre. Don Quixote is delighted with the entertainment but, mistaking the heroine for his Dulcinea and the marionettes for soldiers attacking her, he rises to assault them. The gypsies are terrified. At this moment the clown and Graziosa run away.

Scene 3 - The Windmills

Flushed with victory, the knight kneels and renders thanks to heaven. Seeing the moon, he takes it for his Dulcinea and tries to get to her. As he approaches the windmills he can see the moon no longer and thinks that evil magicians have hidden his beloved mistress. So, spear in hand, he tilts at the wings of the windmill, which he mistakes for a giant. Alas, the knight is caught by one of the wings and flung into the air. He falls unconscious at Sancho's feet.

Scene 4 – A forest

Through the trees appears Sancho leading Rocinante, upon which sits the wounded Don Quixote. The servant lifts his master down and places him on the grass, so that he may rest. Then, tying up the horse, he goes to sleep. Don Quixote also tries to sleep, but is troubled by fantastic dreams.

Scene 5 – The enchanted Garden of Dulcinea

Fairies appear surrounded by gnomes and Don Quixote finds himself dressed in shining armor. Then comes a succession of fearsome monsters, the last being a gigantic spider, who spins a web. The knight attacks the spider, which he slashes in half with his sword. At that same moment the spider's web vanishes to reveal a beautiful garden, filled with dryads and beautiful women, presided over by the Queen of the Dryads and Amor. Among them is Dulcinea and Don Quixote kneels before his beloved. At this moment everything vanishes.

Act III

The Square

Back at the square, Kitri and Basilio join those who are dancing. At the height of the merriment, Lorenzo and Gamache arrive, followed by Don Quixote and Sancho. Seeing his daughter, Lorenzo decides to give his blessing to her union with the nobleman Gamache. Basilio becomes annoyed and, reproaching Kitri for her unfaithfulness, draws a sword and stabs himself. As he lies dying he begs Lorenzo to unite him with Kitri, but Lorenzo and Gamache refuse. Don Quixote approaches Gamache and challenges him to a duel for having refused a dying man's wish. Gamache declines to fight and the merrymakers drive him out of the inn. Taking pity, Lorenzo agrees to unite Basilio and Kitri. At this moment, Basilio pulls out the sword and tells everyone it was a joke.

Act IV

The Tavern

A magnificent feast is held in honour of Don Quixote. Suddenly the Knight of the Silver Moon challenges him to a duel, which results in the latter being vanquished. The victorious knight proves to be none other than Bachelor Sanson Carrasco, who forces Don Quixote to vow that he will not unsheathe his sword for a whole year. The sorrowful knight, true to his vow, takes up his warlike gear and, followed by Sancho, sets out for home.

Venue Info

Astana Opera - Nur-Sultan (Astana)
Location   st. D. Kunaeva, 1

The State Opera and Ballet Theatre “Astana Opera” was founded in 2013 on the initiative of the First President of Kazakhstan N. Nazarbayev. The largest theatre in Central Asia, Astana Opera is constructed according to the best classical architectural traditions. The technical capabilities of the theatre conform to international standards. The Main Hall is designed for 1250 seats, the Chamber Hall - for 250.

The repertoire of the Astana Opera House includes works by the renowned national composers, including the operas Birzhan – Sara by Tulebayev, Abai by Zhubanov and Khamidi, Kyz Zhibek by Brusilovsky, along with the ballet Karagoz to the music of Zhubanova. The world classics presented at the Astana Opera include operas such as Verdi’s AidaLa traviata and Don Carlos, Puccini’s La bohèmeTosca, Madama Butterfly and Turandot, Bizet’s Carmen, Rossini’s Il barbiere di Siviglia and operatic farsa comica La scala di seta, and Tchaikovsky’s Eugene Onegin; ballets such as Tchaikovsky’s The Sleeping Beauty, Swan Lake and The Nutcracker, Prokofiev’s Romeo and Juliet, Khachaturian’s Spartacus, Asafyev’s The Fountain of Bakhchisarai, Minkus’s La Bayadère and Don Quixote, and Adam’s Le Corsaire and Giselle, Delibes’ Coppélia; productions such as Fokine’s Chopiniana and Scheherazade, Eifman’s Rodin, Petit’s Notre-Dame de Paris, MacMillan’s Manon, etc.

Principal Conductor is Alan Buribayev; Artistic Director of the Ballet Company is Altynai Asylmuratova.

Celebrated foreign and Kazakhstani artists who have staged performances include Franco Zeffirelli, Yury Grigorovich, Boris Eifman, Giancarlo del Monaco, Alan Buribayev and others; with the participation of set designer Ezio Frigerio and costume designer Franca Squarciapino.

Along with the famed Kazakhstani artists such as Bibigul Tulegenova, Alibek Dnishev, Aiman Mussakhajayeva, Nurzhamal Ussenbayeva and others, the world-famous stars appeared on the stage of the Astana Opera House, including Plácido Domingo, Zubin Mehta, Elena Obraztsova, Valery Gergiev, José Carreras, Anna Netrebko, Marcelo Álvarez, Svetlana Zakharova, Ildar Abdrazakov...

The Teatro alla Scala in Milan, the Teatro di San Carlo di Naples, the Genoese Teatro Carlo Felice, the Opéra National de Paris, the St. Petersburg’s Mariinsky Theatre and others have performed on tour at the Astana Opera.

As part of the EXPO-2017, the 25th Plácido Domingo's Operalia took place at the Astana Opera House.

In 2014, the Astana Opera went on the world tour (New York - Toronto - Paris - Antwerpen - Rotterdam); and additionally, the theatre had tours at the Royal Opera House Muscat (Oman), Graz Opera (Austria); Mariinsky Theater (Russia), Theatro Municipal (Brazil), Teatro dell'Opera di Roma (Italy), Teatro Carlo Felice (Italy), Palau de les Arts Reina Sofia (Valencia, Spain) and other theatres. In September, the Astana Opera is going to perform at the Bolshoi Theatre of Russia.

The Astana Opera House received two awards: the State Prize of the Republic of Kazakhstan in the field of literature and art for staging the opera Abai by A.Zhubanov and L.Khamidi (2018) and the International Professional Music BraVo Award in the field of classical art, in which the Astana Opera became the leader in the category “The Concert / Theatre Venue of the Year” (Moscow, the Bolshoi Theatre of Russia, 2019).

Important Info
Type: Ballet
City: Nur-Sultan (Astana), Kazakhstan
Starts at: 18:00
Acts: 2
Intervals: 1
Duration: 2h 20min
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