Astana Opera tickets 2 April 2026 - Boris Eifman «Red Giselle» | GoComGo.com

Boris Eifman «Red Giselle»

Astana Opera, Main Hall, Nur-Sultan (Astana), Kazakhstan
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7 PM
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US$ 83

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Nur-Sultan (Astana), Kazakhstan
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Dancer: Asel Askarova
Dancer: Azamat Askarov
Creators
Composer: Alfred Schnittke
Composer: Georges Bizet
Choreographer: Boris Eifman
Overview

The Stanislavsky Theatre, located in XIX century historical building just 750 metres (9-minute walk) from the Bolshoi, presents Boris Eifman’s legendary ballet Red Giselle — a story of genius, passion, and destiny. Ballet at the Stanislavsky Theatre is the great and affordable alternative to the Bolshoi.

The ballet Red Giselle tells us about the fate of the Russian ballerina Olga Spessivtseva. It is a subtle and masterful interpretation by Boris Eifman of the life story of a great dancer who lived through the turmoil of revolutionary events, emigrated from Russia and, after a series of personal dramas and upheavals, ended up in a sanatorium for the insane.

Nearly thirty years after its premiere, the choreographer has reimagined Red Giselle: the choreographic score has been renewed, and the visual design now reflects the full range of contemporary stagecraft. On stage — a world of piercing emotions, where the heroine’s gift becomes both her blessing and her curse.

“Our performance is not a literal retelling of Spessivtseva’s life, but an attempt to capture the fate of many great talents forced to leave Russia and live through tragic exile. She was a brilliant Giselle — so much so that the heroine’s destiny became her own,” says Boris Eifman.

Stunning choreography, evocative sets by Vyacheslav Okunev, and powerful lighting by Gleb Filshtinsky bring to life a ballet that has already become a modern classic.

“Red Giselle” — a requiem for a ballerina, and a celebration of ballet’s limitless power to tell human stories.

Synopsis

Act 1

Revolutionary Petrograd. A lesson of classical dance at the Mariinsky Theatre. Among all dancers a strict Teacher singles out one whose perfect movements embody his ideal of beauty.

A full house applauds the Ballerina. Among her admirers is a Commissar, who personifies the new power. The Ballerina is attracted and overwhelmed by his force.

The Commissar introduces her to his world where destruction and chaos reign. However, Ballerina’s euphoria fades away. She returns to the ballet class and to the Teacher.

Within the walls of the theatre a new regime is established, with its domination over high art. The Teacher is in desperation. His world is in ruins.

The affair with the Commissar is excruciating for the Ballerina, with fear mixed with attraction.

The Commissar gives the Ballerina permission to leave Russia.

Act 2

Paris, Grand Opéra. A young choreographer introduces the Ballerina to a new plastique which is not familiar to her. He becomes her Partner. Together they achieve triumphant success.

Ballerina’s growing feeling for the Partner is not returned. Unrequited love and loneliness in the alien world push her towards a spiritual breakdown.

Ballerina seeks distraction by plunging into the atmosphere of Parisian spree. But the phantoms of the past continue to haunt her.

Even her favorite role of Giselle, Ballerina’s best part, doesn’t bring her peace of mind. The destiny of Giselle awaits herself – betrayal by the loved man and insanity. The mind of the heroine cannot cope with the upheaval. Ballerina’s image dissolves into the mirror-world.

Venue Info

Astana Opera - Nur-Sultan (Astana)
Location   st. D. Kunaeva, 1

The State Opera and Ballet Theatre “Astana Opera” was founded in 2013 on the initiative of the First President of Kazakhstan N. Nazarbayev. The largest theatre in Central Asia, Astana Opera is constructed according to the best classical architectural traditions. The technical capabilities of the theatre conform to international standards. The Main Hall is designed for 1250 seats, the Chamber Hall - for 250.

The repertoire of the Astana Opera House includes works by the renowned national composers, including the operas Birzhan – Sara by Tulebayev, Abai by Zhubanov and Khamidi, Kyz Zhibek by Brusilovsky, along with the ballet Karagoz to the music of Zhubanova. The world classics presented at the Astana Opera include operas such as Verdi’s AidaLa traviata and Don Carlos, Puccini’s La bohèmeTosca, Madama Butterfly and Turandot, Bizet’s Carmen, Rossini’s Il barbiere di Siviglia and operatic farsa comica La scala di seta, and Tchaikovsky’s Eugene Onegin; ballets such as Tchaikovsky’s The Sleeping Beauty, Swan Lake and The Nutcracker, Prokofiev’s Romeo and Juliet, Khachaturian’s Spartacus, Asafyev’s The Fountain of Bakhchisarai, Minkus’s La Bayadère and Don Quixote, and Adam’s Le Corsaire and Giselle, Delibes’ Coppélia; productions such as Fokine’s Chopiniana and Scheherazade, Eifman’s Rodin, Petit’s Notre-Dame de Paris, MacMillan’s Manon, etc.

Principal Conductor is Alan Buribayev; Artistic Director of the Ballet Company is Altynai Asylmuratova.

Celebrated foreign and Kazakhstani artists who have staged performances include Franco Zeffirelli, Yury Grigorovich, Boris Eifman, Giancarlo del Monaco, Alan Buribayev and others; with the participation of set designer Ezio Frigerio and costume designer Franca Squarciapino.

Along with the famed Kazakhstani artists such as Bibigul Tulegenova, Alibek Dnishev, Aiman Mussakhajayeva, Nurzhamal Ussenbayeva and others, the world-famous stars appeared on the stage of the Astana Opera House, including Plácido Domingo, Zubin Mehta, Elena Obraztsova, Valery Gergiev, José Carreras, Anna Netrebko, Marcelo Álvarez, Svetlana Zakharova, Ildar Abdrazakov...

The Teatro alla Scala in Milan, the Teatro di San Carlo di Naples, the Genoese Teatro Carlo Felice, the Opéra National de Paris, the St. Petersburg’s Mariinsky Theatre and others have performed on tour at the Astana Opera.

As part of the EXPO-2017, the 25th Plácido Domingo's Operalia took place at the Astana Opera House.

In 2014, the Astana Opera went on the world tour (New York - Toronto - Paris - Antwerpen - Rotterdam); and additionally, the theatre had tours at the Royal Opera House Muscat (Oman), Graz Opera (Austria); Mariinsky Theater (Russia), Theatro Municipal (Brazil), Teatro dell'Opera di Roma (Italy), Teatro Carlo Felice (Italy), Palau de les Arts Reina Sofia (Valencia, Spain) and other theatres. In September, the Astana Opera is going to perform at the Bolshoi Theatre of Russia.

The Astana Opera House received two awards: the State Prize of the Republic of Kazakhstan in the field of literature and art for staging the opera Abai by A.Zhubanov and L.Khamidi (2018) and the International Professional Music BraVo Award in the field of classical art, in which the Astana Opera became the leader in the category “The Concert / Theatre Venue of the Year” (Moscow, the Bolshoi Theatre of Russia, 2019).

Important Info
Type: Ballet
City: Nur-Sultan (Astana), Kazakhstan
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h
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