Ever since he won her heart, the Emperor has lived with the Empress in a realm remote from the world of human beings. He desires her every night, he leaves her every morning to go hunting. She then flees into sleep and dreams of how she, the daughter of the King of the Spirits, Keikobad, is able transform herself into any animal she wishes – as was the case before the Emperor married her. She would love again and again to be the wild animal the Emperor catches with his falcons. They are both unaware of the threat which hovers over them: if the Emperor fails to succeed in fathering a child with the Empress within a year, he must turn to stone and she must return to the court of her powerful father. The nurse, who lives with the Empress, gives her father’s messenger the same information month after month: the Empress does not cast a shadow, which means she has not given birth to a child.

Act One

A messenger again asks questions of the nurse and announces that the deadline is due to expire in three days. When the Emperor sets out to go hunting for three days, the nurse does not tell him of the danger which threatens. Nor does she tell the Empress of the ultimatum. The Empress, however, hears the Emperor’s favourite falcon bemoaning the fact that his master faces the threat of being turned to stone. She begs the nurse to help her to acquire a shadow in order thus to save the Emperor’s life. The nurse knows of a possibility to cheat a person out of a shadow. She sets out for the human world with the Empress.

The dyer, Barak, lives in very confined space with his wife and his three adult brothers, whom he looks after. The wife is weary of her life with the undemanding Barak and threatens for the umpteenth time to leave him. Although Barak would dearly love to have children, the marriage has so far been barren. His wife blames him for this and rejects his advances.

When Barak leaves for work, the nurse and the Empress offer their services to his wife and describe for her a life of riches and beauty which could be had for the cheap price of her shadow. Suspicious at first, she then agrees to the deal, willingly renouncing her prospects of motherhood in exchange. When she is alone again she is overcome with feelings of guilt. When Barak comes home, however, she does not have supper with him and sleeps in a different bed. Barak is amazed by his wife’s behaviour, but accepts her decision.

Act Two

Barak has scarcely left the house the following morning before the nurse is urging his wife to be unfaithful to him. She tempts the woman with an apparition of a young man from her most secret thoughts. Before she can fall victim to temptation, Barak returns from the market, surrounded by his brothers and a crowd of children, whom he invites to share in their meal. Barak’s feast disgusts his wife. He again responds to her scornful comments with forbearance.

Guided by the red falcon, the Emperor arrives at night at the falcon house in which the Empress planned to spend the days of his absence. The house seems deserted. The Emperor sees the Empress returning from the human world. He is jealous and wants to kill her but cannot do it and flees.

Barak’s wife nervously waits for her husband to leave. The dyer demands something to drink and the nurse gives him a sleeping potion. She then again offers his wife the young man for pleasure, but the wife rejects him flirtatiously. She is suddenly gripped by panic and drags Barak from the depths of sleep. She overwhelms him with reproaches and leaves the house to go into town with the nurse. Barak does not understand what has happened to him. The Empress feels sorry for him.

During the night the Empress is troubled by nightmares. Barak’s tortured face appears to her first, then she dreams of the Emperor’s death. She sees him disappearing into a tomb-like cave. The Empress is roused from her dreams and feels guilty and responsible for the unhappiness of both men.

Barak’s wife boasts to her husband about the fact that she has been unfaithful to him several times in his own house. She then tells him that she plans to break faith with him and announces that she has sold her shadow and with it all unborn children she might have had. The nurse urges the Empress to grab the shadow of the dyer’s wife for herself. The Empress refuses. She wants to undo the deal. Barak thinks that his wife is mad and is about to kill her. Faced with the raised sword in Barak’s hand, his wife sees him through different eyes. For the first time she sees in him a beloved husband. She tells Barak that she has not done what she confessed and is prepared to accept his punishment. When Barak raises his hand to strike the deadly blow, a sudden flood drags him and his wife into the depths. The nurse leads the Empress to safety.

Act Three

Barak and his wife, separated from each other, are prisoners deep inside the earth. Each of them thinks of the other with love and regrets not having given happiness. A voice announces first to Barak and then to his wife that they are free to leave. They both begin to search for each other.

The Empress and the nurse arrive at a gate which seems familiar to the Empress. She feels that her father is calling her to the judgement hall. The nurse warns her of mortal danger on the other side of the door and tries to persuade her to flee. The Empress wants to face judgement, she bids the nurse farewell and crosses the threshold. The nurse wants to follow her beloved Empress. Keikobad’s messenger refuses to let her enter and bans her for ever into the human world.

On the other side of the gate the Empress calls on her father to reveal himself. She demands her right to face judgement and her punishment and declares her wish to belong to the humans. Her father does not answer, instead the image of the Emperor, turned to stone, appears to the Empress. Although she suffers with him, she refuses to drink of the Water of Life and thus still acquire the shadow of Barak’s wife.
With this renunciation she brings about a change: the Emperor comes back to life. She herself casts a shadow. Barak and his wife, who has regained her shadow, find each other again. The voices of unborn children can be heard amongst the jubilation of both couples, a possibility for a distant future.

The opera's story is set in the mythical empire of the Southeastern Islands and involves five principal characters: the Emperor (tenor), the Empress (soprano), her Nurse (mezzo-soprano), Barak, a lowly dyer (bass-baritone), and the Dyer's Wife (dramatic soprano). A sixth character, Keikobad, King of the Spirit Realm and father to the Empress, sets the plot in motion, but never appears on stage. The Empress is half human: she was captured by the Emperor in the form of a gazelle. She assumed human shape and he married her, but she has no shadow. This symbolizes her inability to bear children. Keikobad has decreed that unless the Empress gains a shadow before the end of the twelfth moon, she will be reclaimed by her father and the Emperor will turn to stone.

Act 1

Scene 1

It is dawn, outside the bedchambers of the Emperor and Empress. The Messenger of Keikobad arrives, and tells the Empress's nurse that the Empress must acquire a shadow within three days, or will be forcibly returned to his realm, and the Emperor turned to stone. The Nurse is excited about the prospect of returning to the spirit world, since she hates humans and having to dwell with them.

The Messenger leaves and the Emperor emerges from his bedchamber. He departs on a three-day hunting trip, seeking his favorite falcon, which he drove away for attacking a gazelle that later turned into the Empress. He leaves his wife to the Nurse's care. The Empress emerges from her chamber and reminisces about times when she had the ability to turn into any creature she wanted.

It is revealed that after being attacked by the red falcon that the Emperor is seeking, she lost a talisman that gave transformation powers, and on which was inscribed a curse that foresaw the fate she and the Emperor are about to face if she does not acquire a shadow. The red falcon appears and warns the Empress that the curse is about to be fulfilled. The Empress begs the Nurse to help her get a shadow. The Nurse, who is steeped in magic, suggests descending to the mortal world and finding a woman who will sell her shadow to the Empress.

Scene 2

Barak, a dyer, shares his hut with his Wife and his three brothers: the One-Eyed Man, the One-Armed Man, and the Hunchback. The three brothers fight about a stolen item and are separated by the Wife, who throws a bucket of water at them. The brothers-in-law then argue with the Wife. Barak enters and stops the argument. The Wife wants to have her in-laws thrown out, but her husband refuses.

The Dyer desires children, but his Wife fears the responsibility and has secretly sworn not to have any. The Dyer and his brothers leave, and the Empress and the Nurse arrive in disguise. The Wife wants them out of her house but the Nurse conjures up visions of luxury and promises them to the Wife in return for her shadow. The Wife agrees to deny her husband for three days during which the Nurse and the Empress will live at the Dyer's hut as poor relatives who have come to work as servants.

Barak approaches and the Wife is worried that dinner is not ready, the Nurse once more uses her magic to have everything ready, including the splitting of Barak's bed in two. The Nurse and Empress disappear, and the Wife is greatly upset by the offstage Voices of Unborn Children lamenting, which emerge from the fish that are cooking on the fire. The Dyer returns to find he is barred from his marital bed. The Wife curtly informs him of the impending stay of her "cousins" and goes off to her separate bed. From outside the Town Watchmen are heard singing of the importance of conjugal love. Barak sighs and lies down to sleep on the floor.

Act 2

Scene 1

The Empress, acting as a servant, helps the Dyer leave for work, but is troubled by her role, because Barak is very kind to her. The Nurse conjures up the image of a handsome youth by bringing a broom to life, which tempts the Dyer's Wife. The Dyer returns with his hungry brothers and beggar children. He has had a magnificent day at the market, selling all his goods, and has invited everyone to celebrate. However, his Wife manages to ruin the celebration.

Scene 2

The Emperor is led to his hunting lodge in the forest by the red falcon. He sees the Empress and Nurse surreptitiously enter the lodge, and is suspicious. When he comes closer, he smells a human odor trailing the Empress. Thinking she has betrayed him, he resolves to kill her. He first thinks of using an arrow, and then his sword, and then his bare hands. Finally he realizes he can't do it. He resolves to seek out some isolated ravine to be alone with his misery.

Scene 3

At the Dyer's house, the Dyer is drugged into sleep by the Nurse. The Nurse again conjures up the young man for the Wife, who grows frightened and rouses the Dyer. Barak is surprised to learn that there is a man in his house but then is quickly turned upon by his Wife, who shouts at him, then leaves for the city, leaving her confused husband. Left alone with Barak, the Empress feels more guilty than before.

Scene 4

The Empress goes to sleep at the hunting lodge, but in her sleep she is further troubled by her crime and by the possible fate of the Emperor. In a dream, she sees the Emperor enter her father's realm. Unseen choruses chant the curse of the talisman. Awakening, she is overcome with guilt and remorse.

Scene 5

The next day, the Wife announces that she has sold her shadow. When a fire reveals that she has no shadow, the enraged Barak is ready to kill her. The Empress cries out that she no longer wants the shadow. A sword appears in the Dyer's hand. His brothers restrain him as the Wife declares her remorse and urges Barak to kill her. An earthquake splits the ground and Barak and his wife are swallowed into the earth. The brothers flee, and the Nurse, recognizing Keikobad's hand, spirits the Empress away.

Act 3

Scene 1

In a grotto beneath the realm of Keikobad, the wife and the Dyer are seen in separate chambers, unaware of the other's presence. The Wife is haunted by the Voices of Unborn Children. She protests that she loves the Dyer, who regrets his attempted violence. A voice directs them up separate staircases.

Scene 2

The Empress and Nurse arrive before Keikobad's Temple. The Nurse tries to convince the Empress to escape but she remembers the doors from her dream and knows that her father is waiting for her on the other side. She dismisses the Nurse and enters. The Nurse foretells terrible tortures awaiting the Empress and misleads the Wife and Barak, who are looking for each other, she to die at her husband's hand, he to forgive her and hold her in his arms. Keikobad's Messenger condemns the Nurse to wander the mortal world.

Scene 3

Inside the Temple, the Empress speaks to Keikobad, asking for forgiveness and to find her place amongst those who cast shadows. Keikobad does not answer but shows the Emperor already almost petrified. The Fountain of Life springs up before the Empress, and a temple guardian urges her to drink from it and claim the Wife's shadow for herself. But the Dyer and the Wife are heard offstage, and the Empress refuses to steal their future happiness and become human by robbing humanity from someone else: "Ich will nicht!" ("I will not!"). This act of renunciation frees her: she receives a shadow, and the Emperor is restored to natural form

Scene 4

The scene changes to a beautiful landscape. Barak and his Wife are reunited and she regains her own shadow. Both couples sing of their humanity and praise their Unborn Children.