Berliner Philharmonie 8 September 2019 - Ensemble Musikfabrik | GoComGo.com

Ensemble Musikfabrik

Berliner Philharmonie, Chamber Music Hall, Berlin, Germany
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5 PM
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Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 17:00
Duration:

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Festival

Musikfest Berlin 2019

From 30 August to 19 September 2019, the concert season in Berlin will be launched by Musikfest Berlin, hosted by Berliner Festspiele in cooperation with the Foundation Berliner Philharmoniker. Over 21 days, 26 events at the Philharmonie, its Chamber Music Hall and at Konzerthaus Berlin will present 65 works by around 25 composers, featuring 22 instrumental and vocal ensembles and more than 50 soloists from the international music scene.

Programme
Ensemble Musikfabrik
Helmut Lachenmann : Berliner Kirschblüten
Helmut Lachenmann : Marche fatale
Toshio Hosokawa: Birds Fragments II - III
Péter Eötvös: Secret Kiss
Péter Eötvös: Sonata per sei
Overview

Visiting: Cologne

Inspiration from Japan is the common thread connecting these works by Lachenmann, Hosowaka and Eötvös which Ensemble Musikfabrik from Cologne will perform, conducted by Peter Eötvös. They will be supported, among others, by the Nō-performer Ryoko Aoki and the Shō-player Mayumi Miyata.

It would be so convenient if we could simply pigeonhole creative artists. Then we would know where to look when we need this or that to lift our spirits. Or we could simply leave them in there. But they refuse to stay. Helmut Lachenmann, for example, just wrote this “Marche fatal” in E flat major, the key of “Ein Heldenleben” as well as C minor-variations on a Japanese cherry-blossom-song. The melody of the march, he said, simply came from somewhere. The air of history is full of such things. You can use them if you can. Modernism, he says, is the plough to break up tradition. Or maybe it is the other way around. Lachenmann’s teacher Luigi Nono demanded: Wake up your ears! Because then, the eye and the mind will wake up too. Toshio Hosokawa is concerned with emancipation from the dictate of the visual. “Bird Fragments” were inspired by (nearly) blind students in Japan who only know birds by hearing, touch or hearsay and have modelled them from clay. Thus, the composer attempts to create the suggestion of a bird from sounds and to reactivate experiences “that are often neglected in the modern era: the sense of materiality, the haptic, the depth and natural spatiality of music.” His main instrument: the shō, this wonderful mouth organ that Lachenmann has also used in his opera.

In “Secret Kiss”, Peter Eötvös draws on a Japanese tradition. The piece was written for Ryoko Aoki. She studied what we call classical music as well as the art of Nō-theatre, which used to be a domain reserved exclusively for men. Ryoko Aoki changed this. Peter Eötvös selected excerpts from Alessandro Baricco’s novel “Silk” as texts for this work. In this very special love story, Eötvös explains, thought and language achieve wave-like motions of time and time measures which allowed him to merge Nō with ideas of European origins. The “Sonata a sei”, twelve years older, is quite different. Bartók’s sonata for two pianos and percussion can be made out in its background, but so can the knowledge of this composer’s odysseys. A keyboard is added, contributing sounds that did not belong to the inner sanctum of modernism. Sister Lowbrow can be refreshingly provoking if you know how to get along with her.

Venue Info

Berliner Philharmonie - Berlin
Location   Herbert-von-Karajan-Str. 1

The Berliner Philharmonie is a concert hall in Berlin, Germany and home to the Berlin Philharmonic Orchestra. The Philharmonie lies on the south edge of the city's Tiergarten and just west of the former Berlin Wall. The Philharmonie is on Herbert-von-Karajan-Straße, named for the orchestra's longest-serving principal conductor. The building forms part of the Kulturforum complex of cultural institutions close to Potsdamer Platz.

The Philharmonie consists of two venues, the Grand Hall (Großer Saal) with 2,440 seats and the Chamber Music Hall (Kammermusiksaal) with 1,180 seats. Though conceived together, the smaller hall was opened in the 1980s, some twenty years after the main building.

Hans Scharoun designed the building, which was constructed over the years 1960–1963. It opened on 15 October 1963 with Herbert von Karajan conducting Beethoven's 9th Symphony. It was built to replace the old Philharmonie, destroyed by British bombers on 30 January 1944, the eleventh anniversary of Hitler becoming Chancellor. The hall is a singular building, asymmetrical and tentlike, with the main concert hall in the shape of a pentagon. The height of the rows of seats increases irregularly with distance from the stage. The stage is at the centre of the hall, surrounded by seating on all sides. The so-called vineyard-style seating arrangement (with terraces rising around a central orchestral platform) was pioneered by this building, and became a model for other concert halls, including the Sydney Opera House (1973), Denver's Boettcher Concert Hall (1978), the Gewandhaus in Leipzig (1981), Walt Disney Concert Hall in Los Angeles (2003), and the Philharmonie de Paris (2014).

Jazz pianist Dave Brubeck and his quartet recorded three live performances at the hall; Dave Brubeck in Berlin (1964), Live at the Berlin Philharmonie (1970), and We're All Together Again for the First Time (1973). Miles Davis's 1969 live performance at the hall has also been released on DVD.

On 20 May 2008 a fire broke out at the hall. A quarter of the roof suffered considerable damage as firefighters cut openings to reach the flames beneath the roof. The hall interior sustained water damage but was otherwise "generally unharmed". Firefighters limited damage using foam. The cause of the fire was attributed to welding work, and no serious damage was caused either to the structure or interior of the building. Performances resumed, as scheduled, on 1 June 2008 with a concert by the San Francisco Symphony Youth Orchestra.

The main organ was built by Karl Schuke, Berlin, in 1965, and renovated in 1992, 2012 and 2016. It has four manuals and 91 stops. The pipes of the choir organs and the Tuba 16' and Tuba 8' stops are not assigned to any group and can be played from all four manuals and the pedals.

Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 17:00
Duration:
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