Berliner Philharmonie 15 September 2019 - Les Siècles | GoComGo.com

Les Siècles

Berliner Philharmonie, Main Auditorium, Berlin, Germany
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8 PM
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Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00
Duration:

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Festival

Musikfest Berlin 2019

From 30 August to 19 September 2019, the concert season in Berlin will be launched by Musikfest Berlin, hosted by Berliner Festspiele in cooperation with the Foundation Berliner Philharmoniker. Over 21 days, 26 events at the Philharmonie, its Chamber Music Hall and at Konzerthaus Berlin will present 65 works by around 25 composers, featuring 22 instrumental and vocal ensembles and more than 50 soloists from the international music scene.

Programme
Les Siècles
Jean-Philippe Rameau: Les Indes Galantes: suite
Helmut Lachenmann : Mouvement
Hector Berlioz: Harold en Italie, Op.16
Helmut Lachenmann : Tanzsuite mit Deutschlandlied
Richard Strauss: Ein Heldenleben (A Hero’s Life)
Overview

Visiting: Paris

Les Siècles – this orchestra’s name is its programme. Authenticity is key: Music from various centuries is interpreted on instruments from the respective eras. The concert at Musikfest Berlin will feature works by Rameau, Berlioz and Lachenmann.

In 2003, François-Xavier Roth founded the orchestra Les Siècles (The Centuries). His aspiration: All works were to be played on instruments that would have been customary at the time of their creation and first performance. The orchestral suite from Jean-Philippe Rameau’s musical and theatrical world-trip “Les Indes Galantes” will be interpreted on historical instruments from around the year 1750. Hector Berlioz’ symphony with viola solo was inspired by a literary source and written for the demonic violin virtuoso Niccolò Paganini, who wished for once to excel at the lower string instrument. It will be performed on French instruments from the mid-19th century. Helmut Lachenmann’s “Mouvement (- vor der Erstarrung)” will be played on modern instruments.

These three composers were and are musical thinkers and fantasists, each in their own way. Their thinking in and about music is equally precise, far-sighted and convincing; their imagination transcends what already exists with every work, saving itself and the music from torpor. Conjecture about how music might be played in Turkey or Peru provided Rameau with unheard-of ideas on harmony and instrumentation. In his “Harold”-symphony, Berlioz found prototypical phrases of romantic musical language, integrating a stylised folkloristic sound and the chorale of (and in) nature like gleaming inlays. In “Mouvement”, Helmut Lachenmann poses the vital question of music as the work’s central concern, guiding “perception towards the anatomy of the [musical] manifestation”, where entirely familiar elements appear as something completely bewildering. The design of Les Siècles’ programme and sound reflects what is on Lachenmann’s mind: the materiality of music – and that includes everything that is heard – as its spiritual substance.

Venue Info

Berliner Philharmonie - Berlin
Location   Herbert-von-Karajan-Str. 1

The Berliner Philharmonie is a concert hall in Berlin, Germany and home to the Berlin Philharmonic Orchestra. The Philharmonie lies on the south edge of the city's Tiergarten and just west of the former Berlin Wall. The Philharmonie is on Herbert-von-Karajan-Straße, named for the orchestra's longest-serving principal conductor. The building forms part of the Kulturforum complex of cultural institutions close to Potsdamer Platz.

The Philharmonie consists of two venues, the Grand Hall (Großer Saal) with 2,440 seats and the Chamber Music Hall (Kammermusiksaal) with 1,180 seats. Though conceived together, the smaller hall was opened in the 1980s, some twenty years after the main building.

Hans Scharoun designed the building, which was constructed over the years 1960–1963. It opened on 15 October 1963 with Herbert von Karajan conducting Beethoven's 9th Symphony. It was built to replace the old Philharmonie, destroyed by British bombers on 30 January 1944, the eleventh anniversary of Hitler becoming Chancellor. The hall is a singular building, asymmetrical and tentlike, with the main concert hall in the shape of a pentagon. The height of the rows of seats increases irregularly with distance from the stage. The stage is at the centre of the hall, surrounded by seating on all sides. The so-called vineyard-style seating arrangement (with terraces rising around a central orchestral platform) was pioneered by this building, and became a model for other concert halls, including the Sydney Opera House (1973), Denver's Boettcher Concert Hall (1978), the Gewandhaus in Leipzig (1981), Walt Disney Concert Hall in Los Angeles (2003), and the Philharmonie de Paris (2014).

Jazz pianist Dave Brubeck and his quartet recorded three live performances at the hall; Dave Brubeck in Berlin (1964), Live at the Berlin Philharmonie (1970), and We're All Together Again for the First Time (1973). Miles Davis's 1969 live performance at the hall has also been released on DVD.

On 20 May 2008 a fire broke out at the hall. A quarter of the roof suffered considerable damage as firefighters cut openings to reach the flames beneath the roof. The hall interior sustained water damage but was otherwise "generally unharmed". Firefighters limited damage using foam. The cause of the fire was attributed to welding work, and no serious damage was caused either to the structure or interior of the building. Performances resumed, as scheduled, on 1 June 2008 with a concert by the San Francisco Symphony Youth Orchestra.

The main organ was built by Karl Schuke, Berlin, in 1965, and renovated in 1992, 2012 and 2016. It has four manuals and 91 stops. The pipes of the choir organs and the Tuba 16' and Tuba 8' stops are not assigned to any group and can be played from all four manuals and the pedals.

Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00
Duration:
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