Berliner Philharmonie 12 September 2019 - Pierre-Laurent Aimard & Yuko Kakuta | GoComGo.com

Pierre-Laurent Aimard & Yuko Kakuta

Berliner Philharmonie, Chamber Music Hall, Berlin, Germany
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8 PM
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Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00
Duration:

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Festival

Musikfest Berlin 2019

From 30 August to 19 September 2019, the concert season in Berlin will be launched by Musikfest Berlin, hosted by Berliner Festspiele in cooperation with the Foundation Berliner Philharmoniker. Over 21 days, 26 events at the Philharmonie, its Chamber Music Hall and at Konzerthaus Berlin will present 65 works by around 25 composers, featuring 22 instrumental and vocal ensembles and more than 50 soloists from the international music scene.

Programme
Pierre-Laurent Aimard & Yuko Kakuta
Franz Schubert: Piano Sonata no. 18 in G major, D.894
Helmut Lachenmann : ...got lost..., for soprano and piano
Hector Berlioz: Roméo et Juliette, choral symphony, Op.17
Overview

Piano & Voice

For this concert, two virtuoso artistic personalities have joined forces: the soprano singer Yuko Kakuta and pianist Pierre-Laurent Aimard. They will leave the path well-travelled with both Schubert’s “Fantasie” in G major for piano and Lachenmann’s “Got Lost” for soprano and piano.

Synopsis

Schubert is a realm of longing. It is hard to think of any exponent of modernism or avant-garde who has not referred to him at some point. At the beginning of his Sonata in G major, the composer seems to be harkening to the fading of the first, quiet chord in quite a Lachenmannesque manner, trying to prevent its disappearance with a touch of melody: the first movement is marked “cantabile”. The finale begins in a way that suggests that the composer is searching for his theme and finds it through sheer persistence. In the second movement, the theme keeps escaping into other directions: The lure of the possible replaces the desire for the definitive. In his thinking, Schubert is circling the end of self-certainty, but not of self-assertion.

For the conclusion of his exemplary passage through the great piano works of the last two centuries, Pierre-Laurent Aimard will bring in the human voice – or rather, a partner with a trained voice, who will apply her mouth in a wide variety of everyday culture and artifice, even encroaching on the piano’s resonance space. Two virtuosos are at work here, but, as is often the case in Lachenmann’s work, virtuosity begins with listening and impulsive dialogue. The composer did not glean the title from the artistic texts of Nietzsche and Pessoa, but rather from a notice of loss. One could attach the final letter of the German title to its first word (Lachenmann is an excellent chess-player). Then we would be rid of god (German: gottlos) and the search could begin.

Venue Info

Berliner Philharmonie - Berlin
Location   Herbert-von-Karajan-Str. 1

The Berliner Philharmonie is a concert hall in Berlin, Germany and home to the Berlin Philharmonic Orchestra. The Philharmonie lies on the south edge of the city's Tiergarten and just west of the former Berlin Wall. The Philharmonie is on Herbert-von-Karajan-Straße, named for the orchestra's longest-serving principal conductor. The building forms part of the Kulturforum complex of cultural institutions close to Potsdamer Platz.

The Philharmonie consists of two venues, the Grand Hall (Großer Saal) with 2,440 seats and the Chamber Music Hall (Kammermusiksaal) with 1,180 seats. Though conceived together, the smaller hall was opened in the 1980s, some twenty years after the main building.

Hans Scharoun designed the building, which was constructed over the years 1960–1963. It opened on 15 October 1963 with Herbert von Karajan conducting Beethoven's 9th Symphony. It was built to replace the old Philharmonie, destroyed by British bombers on 30 January 1944, the eleventh anniversary of Hitler becoming Chancellor. The hall is a singular building, asymmetrical and tentlike, with the main concert hall in the shape of a pentagon. The height of the rows of seats increases irregularly with distance from the stage. The stage is at the centre of the hall, surrounded by seating on all sides. The so-called vineyard-style seating arrangement (with terraces rising around a central orchestral platform) was pioneered by this building, and became a model for other concert halls, including the Sydney Opera House (1973), Denver's Boettcher Concert Hall (1978), the Gewandhaus in Leipzig (1981), Walt Disney Concert Hall in Los Angeles (2003), and the Philharmonie de Paris (2014).

Jazz pianist Dave Brubeck and his quartet recorded three live performances at the hall; Dave Brubeck in Berlin (1964), Live at the Berlin Philharmonie (1970), and We're All Together Again for the First Time (1973). Miles Davis's 1969 live performance at the hall has also been released on DVD.

On 20 May 2008 a fire broke out at the hall. A quarter of the roof suffered considerable damage as firefighters cut openings to reach the flames beneath the roof. The hall interior sustained water damage but was otherwise "generally unharmed". Firefighters limited damage using foam. The cause of the fire was attributed to welding work, and no serious damage was caused either to the structure or interior of the building. Performances resumed, as scheduled, on 1 June 2008 with a concert by the San Francisco Symphony Youth Orchestra.

The main organ was built by Karl Schuke, Berlin, in 1965, and renovated in 1992, 2012 and 2016. It has four manuals and 91 stops. The pipes of the choir organs and the Tuba 16' and Tuba 8' stops are not assigned to any group and can be played from all four manuals and the pedals.

Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00
Duration:
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