Berliner Philharmonie 23 September 2020 - Zimmermann, Gerhaher, Widmann, Stefanovich | GoComGo.com

Zimmermann, Gerhaher, Widmann, Stefanovich

Berliner Philharmonie, Main Hall (DOUBLE), Berlin, Germany
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5 PM 9 PM
Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 21:00

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Festival

Musikfest Berlin 2020

33 performances, nine world premieres

Musikfest Berlin 2020 will approach the beginning of the concert season with caution. Its new programme will follow the rules that protective measures from the COVID-19 pandemic have placed on public concerts. Many of the projects that have been prepared across Germany to mark this Beethoven year have fallen victim to the coronavirus crisis and have been postponed until next year.

Programme
Wolfgang Rihm: Sphäre nach Studie, for 6 instrumentalists
Wolfgang Rihm: Stabat Mater, for viola and baritone
Wolfgang Rihm: Male über Male 2, for clarinet and 9 instrumentalists
Overview

Stabat Mater

Tabea Zimmermann, Christian Gerhaher, Jörg Widmann and Tamara Stefanovich – these artists are long-time friends, musicians who have time and again brought Wolfgang Rihm’s compositions to resounding life and continue to do so: Together with members of the Berliner Philharmoniker, they will create an entire evening of the composer’s music. At the centre of the concert stands the world premiere of “Stabat Mater”, a great duo for baritone and viola.

For Christian Gerhaher, Wolfgang Rihm wrote the lied-cycle “Tasso-Gedanken” two years ago; for Tabea Zimmermann, he composed the viola concerto “Über die Linie IV” twenty years ago: “There it is. Again, it’s nothing Paganini-esque … inner monologue from beginning to end … Everything is line, there’s no scraping anywhere, but singing all the time,” he wrote to the dedicatee. The vocal quality is the viola’s strength, says Zimmermann, and this is what she endeavours to do at all times: “to let my instrument sing.” In his new work, Wolfgang Rihm brings together two voices that have always wanted to sing together, a duo of baritone and viola. The work is a “Stabat Mater”, a largely dimensioned duo of two intertwined lines. Rihm has turned to the medieval poem once before: In the Passion pieces according to Luke, “Deus Passus”, he put five of the 20 verses to music for mezzo-soprano, alto, harp and strings. The new “Stabat Mater” includes all of the verses and assigns the text to the male voice. – “Vier Male” was the title of four pieces for solo clarinet, created for his clarinettist and fellow composer Jörg Widmann. This developed into “Male über Male” for clarinet and strings and, finally, into “Male über Male 2” for clarinet, piano, harp, percussion and strings. The clarinet’s line, carried by breath, receives a counteracting sound: the beaten, percussive, torn and resonating sounds of harp, piano and percussion. The composition “Sphäre nach Studie”, which will open the concert, is entirely pervaded by these sounds.

Venue Info

Berliner Philharmonie - Berlin
Location   Herbert-von-Karajan-Str. 1

The Berliner Philharmonie is a concert hall in Berlin, Germany and home to the Berlin Philharmonic Orchestra. The Philharmonie lies on the south edge of the city's Tiergarten and just west of the former Berlin Wall. The Philharmonie is on Herbert-von-Karajan-Straße, named for the orchestra's longest-serving principal conductor. The building forms part of the Kulturforum complex of cultural institutions close to Potsdamer Platz.

The Philharmonie consists of two venues, the Grand Hall (Großer Saal) with 2,440 seats and the Chamber Music Hall (Kammermusiksaal) with 1,180 seats. Though conceived together, the smaller hall was opened in the 1980s, some twenty years after the main building.

Hans Scharoun designed the building, which was constructed over the years 1960–1963. It opened on 15 October 1963 with Herbert von Karajan conducting Beethoven's 9th Symphony. It was built to replace the old Philharmonie, destroyed by British bombers on 30 January 1944, the eleventh anniversary of Hitler becoming Chancellor. The hall is a singular building, asymmetrical and tentlike, with the main concert hall in the shape of a pentagon. The height of the rows of seats increases irregularly with distance from the stage. The stage is at the centre of the hall, surrounded by seating on all sides. The so-called vineyard-style seating arrangement (with terraces rising around a central orchestral platform) was pioneered by this building, and became a model for other concert halls, including the Sydney Opera House (1973), Denver's Boettcher Concert Hall (1978), the Gewandhaus in Leipzig (1981), Walt Disney Concert Hall in Los Angeles (2003), and the Philharmonie de Paris (2014).

Jazz pianist Dave Brubeck and his quartet recorded three live performances at the hall; Dave Brubeck in Berlin (1964), Live at the Berlin Philharmonie (1970), and We're All Together Again for the First Time (1973). Miles Davis's 1969 live performance at the hall has also been released on DVD.

On 20 May 2008 a fire broke out at the hall. A quarter of the roof suffered considerable damage as firefighters cut openings to reach the flames beneath the roof. The hall interior sustained water damage but was otherwise "generally unharmed". Firefighters limited damage using foam. The cause of the fire was attributed to welding work, and no serious damage was caused either to the structure or interior of the building. Performances resumed, as scheduled, on 1 June 2008 with a concert by the San Francisco Symphony Youth Orchestra.

The main organ was built by Karl Schuke, Berlin, in 1965, and renovated in 1992, 2012 and 2016. It has four manuals and 91 stops. The pipes of the choir organs and the Tuba 16' and Tuba 8' stops are not assigned to any group and can be played from all four manuals and the pedals.

Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 21:00
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