Bolshoi Theatre tickets 14 February 2026 - Servilia | GoComGo.com

Servilia

Bolshoi Theatre, New Stage, Moscow, Russia
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12 PM
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Important Info
Type: Opera
City: Moscow, Russia
Starts at: 12:00
Acts: 4
Intervals: 2

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Orchestra: Bolshoi Theatre Orchestra
Creators
Composer: Nikolai Rimsky-Korsakov
Stage Director: Olga Ivanova
Overview

Libretto by the composer based on Lev Mey’s drama of the same name

Music Director: Anton Grishanin
Conductor: Alexei Vereshchagin
Stage Director: Olga Ivanova
Set and Costume Designer: Viktor Gerasimenko
Lighting Designer: Andrei Abramov
Video Designer: Artur Rakhimzyanov
Choreographer: Ekaterina Mironova
Chorus Master: Alexander Kritsky

History
Premiere of this production: 30 November 1901, Mariinsky Theatre, St. Petersburg

Servilia is an opera in five acts by Nikolai Rimsky-Korsakov. The work was completed in 1901, and was first performed in 1902 in St. Petersburg, Russia. The composer wrote the libretto, which is based on the drama by Lev Alexandrovich Mey. The story is set in Ancient Rome during Nero's reign.

Synopsis

Act I

“Oh Rome, the city of celebration, city of great victories and achievements — proud, mighty, and invincible!” — perhaps thought the citizens of Ancient Rome, as they were flocking once again to the streets and squares of their glorious city for yet another round of fun. Although every now and then an unpleasant rumor about a new denunciation, a plot or a detention might spread — such matters could never compare to the greatness of the Empire and the faith in the almighty gods! Which is why the Herald proclaims Caesar Nero’s will: the theatre and the circus shall open on the occasion of the celebrations in honor of the goddess Minerva. All praise Caesar.

However, suspicious Hispo does not share the universal complacency — he reports that the Christians have reappeared in Rome. Meanwhile, a strange Old Man, who appeared out of nowhere, is sitting on the roadside and closely watching the scene. Who knows what’s on his mind… But the Romans were not born to ponder the same things over and over again — they need new experiences. Now all eyes turn toward the daughter of a famous Roman senator Soranus — the beautiful Servilia, gliding like a swan through the crowd of astonished onlookers.

A sacred procession appears — and the crowd is humming with pleasant anticipation. Servilia too is watching the sacred rite. Suddenly, in the midst of jubilation, the “cursed” Old Man seems to come to live. He wrathfully accuses the Romans of their impiety and demands them to repent of their sins before the Almighty. The Old Man gets seized; seems like it’s coming to a reprisal. The lynching gets interrupted by Servilia’s scream and the appearance of tribune Valerius. Catching Servilia’s frightened gaze, Valerius immediately restrains the fury of the enraged pagans, thus saving the Old Man from imminent death — at least for the moment.

Act II

During a secret gathering, senators Paconius, Helvidius and Montanus discuss the latest disturbing news. Rome is disturbed: surveillance, ratting and arrests are everywhere… Egnatius, senators’ confidant in word and Tigellinus’s henchman in deed, only fans the flames as he appears. He brings the senators an allegedly intercepted denunciation against themselves — they are accused of treason against Rome and against Caesar Nero himself! Panicking, the senators make a devastating decision: to write to Caesar to justify themselves.

Nothing relieves the statesmen’s nervous strain like a plentiful meal around the beautiful bacchants. The feast begins at Paconius’s sign. Meanwhile, Egnatius obligingly makes the record and gets fairly drunk and careless senators to seal the message with their personal signets. The paper is signed — the trap is closed. Suddenly, the guards appear and arrest the dignitaries, who by now barely understand what is happening. The screams about a fire in the city (it was the beginning of the famous Great Fire of Rome in 64 AD which was to consume almost the entire city) only deepen the sense of hopelessness.

The fire is a misery for the people, but not for their leader. Tigellinus, the almighty praetorian prefect and the de facto ruler of Rome, enters the room. It is to him that the senators “owe” their arrest. Tigellinus is pleased with Egnatius’s work and offers him a reward. But Egnatius seems to not hear his master. Only love is on his mind…

Act III

Unease has taken over Soranus’s household. After the fire, living in Rome is no longer safe — domestic spying is everywhere, prisons are overflowing, executions follow one after another… Gloomy clouds gather over Soranus himself. To protect his beloved daughter from the “all-seeing eye”, Soranus announces to Servilia his will to marry her off to senator Thrasea. Servilia contradicts her father, for she is in love with tribune Valerius. Thrasea’s coming only intensifies the emotional turmoil within her.

Servilia runs away from home. She rushes to her beloved through the dark and empty streets of Rome, only recently rumbling with fireworks. There he is, at his desk — writing, receiving visitors. Coming to his senses after Servilia’s unexpected arrival, Valerius gives a sign for everyone to leave. Painfully beautiful is the scene of two lovers, destined to an eternal farewell…

But the wise Thrasea decides otherwise: he willingly refuses Servilia's hand. It seems as if the way for the blissful love in now open, Servilia and Valerius can tie the knot of a blessed marriage — if not for the sudden arrival of a Centurion and his guards, forever shattering all hope for happiness. Thrasea and Soranus are arrested — and so is Valerius, who tried to defend them. Servilia’s sorrow knows no bounds.

Act IV

When one’s last hope gets taken away, in a fit of despair they seek solace in supernatural forces… Left completely alone after losing her home, social status, her father, and her beloved, Servilia turns for help to Locusta, known at the time as the “great enchantress” of Rome.

Locusta’s house is crowded. But the visitors of a famous Roman poisoner resemble rather the spirits of the dead than the living people. After receiving rich gifts, Locusta agrees to help Servilia and begins to cast a spell. The summoned Apparition declares that the hope of rescue shall come from the one whom Servilia doesn't notice for no good reason.

The oracle vanishes, and Egnatius steps out towards the scared Servilia. No, never before had Ancient Rome heard such an ardent and passionate confession from a man who had committed heinous crimes only for the sake of love for his one-and-only beloved! Servilia is shocked by Egnatius’s confession. In turn, he demands reciprocation. Appalled, the woman curses the torturer of her father, fiancé, and a family friend. In a fit of rage that took over the outpouring of love, Egnatius makes an oath: Servilia shall leave Locusta’s house only as his wife.

Left alone, Servilia implores the gods to help her. Yet help comes from where she could never have imagined: Nevolea, a timid Christian slave, offers her the path to salvation…

Act V

A trial. The tribunal condemns the betraying senators to eternal exile — Thrasea and Soranus among others. Like in a nightmare, the exhausted Servilia hears the voices of the court as if they're reaching her from another life. Seems like the Praetor calls Servilia herself before the tribunal and makes charges. Like in a delirium, Servilia mutters in response that she did go to the enchantress Locusta, but her father is innocent, and she begs the judges to show him mercy. She hears the angry shouts of the crowd making the lictors let the citizens into the forum. Afer, Valerius’s loyal follower, asserts under oath Servilia's innocence. She sees her father calling out to her. And there he is — her beloved! Suddenly appearing, Valerius exclaims “Veto!” — and by the power granted to him he adjourns the meeting. Servilia can’t help but feel that this whole court nightmare is merely a shadow of what has been lost forever…

Valerius and Egnatius stand before Servilia: the man who could have brought her happiness, and the one who took it away forever. Like two angels — black and white — they hover over Servilia. Yet someone says: “She is gone”. How odd — could this be about her? Awaking as if from a heavy dream, Servilia confesses that she has converted to Christianity; she forgives her enemies and asks Valerius to give up on revenge and turn to God. Valerius is stunned. Slowly, Servilia ascends higher and higher, followed by invisible voices…

Olga Ivanova, the director

Servilia, daughter of the senator Soranus, is desired by her father to contract an alliance with Trasea, but the latter, hearing of her preference for his adopted son Valerius, withdraws his suit. Egnatius, the freedman of Soranus, being enamoured of Servilia, conspires against his master and Trasea, and intimates to Servilia that her submission alone will secure their safety. Valerius has mysteriously disappeared, and Servilia, becoming a convert to Christianity, renounces the World. Called before the tribunal, Trasea and Soranus are sentenced to banishment, while Servilia is awarded to Egnatius. Valerius now returns, bearing a proclamation from Nero that the tribunal is dissolved. The sudden reappearance of her lover causes Servilia's death, and Valerius is only prevented from destroying himself by the intervention of his foster-father. Egnatius, in his woe, invokes the Divine Being, and the rest join him in acclaiming the Christian God.

Venue Info

Bolshoi Theatre - Moscow
Location   Teatralnaya Square 1

The Bolshoi Theatre is one of the world’s most iconic cultural landmarks, renowned for its grandeur, history, and artistic excellence. Located in the heart of Moscow, this legendary theatre has been home to unforgettable performances of opera and ballet for over two centuries. Its majestic architecture, world-class acoustics, and rich tradition make every event at the Bolshoi a truly unforgettable experience.

On 28 March (17 according to the old style) 1776, Catherine II granted the prosecutor, Prince Pyotr Urusov, the "privilege" of "maintaining" theatre performances of all kinds, including masquerades, balls and other forms of entertainment, for a period of ten years. And it is from this date that Moscow’s Bolshoi Theatre traces its history.

The Bolshoi building, which for many years now has been regarded as one of Moscow’s main sights, was opened on 20 October 1856, on Tsar Alexander II’s coronation day.

On 29 October 2002 the Bolshoi was given a New Stage and it was here it presented its performances during the years the Main Stage was undergoing massive reconstruction and refurbishment.

The reconstruction project lasted from l July 2005 to 28 October 2011. As a result of this reconstruction, many lost features of the historic building were reinstated and, at the same time, it has joined the ranks of most technically equipped theatre buildings in the world.

The Bolshoi Theatre is a symbol of Russia for all time. It was awarded this honor due to the major contribution it made to the history of the Russian performing arts. This history is on-going and today Bolshoi Theatre artists continue to contribute to it many bright pages.

The Bolshoi Ballet and Bolshoi Opera are among the oldest and best known ballet and opera companies in the world. It is by far the world's biggest ballet company, with more than 200 dancers.

Important Info
Type: Opera
City: Moscow, Russia
Starts at: 12:00
Acts: 4
Intervals: 2
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