Deutsche Oper Berlin tickets 7 April 2026 - Nureyev | GoComGo.com

Nureyev

Deutsche Oper Berlin, Main Stage, Berlin, Germany
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7:30 PM
From
US$ 104

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Berlin, Germany
Starts at: 19:30
Intervals: 1
Duration: 2h 20min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Orchestra: Orchestra of the Deutsche Oper Berlin
Ballet company: Staatsballett Berlin
Ensemble: Vocalconsort Berlin
Creators
Composer: Ilya Demutsky
Librettist: Kirill Serebrennikov
Choreography: Yuri Possokhov
Overview

The multi-award-winning ballet Nureyev, choreographed by Yuri Possokhov, composed by Ilya Demutsky and staged by visionary director Kirill Serebrennikov, premiered in December 2017 at Moscow’s world-famous Bolshoi Theatre. Even before its debut, the work caused a stir internationally. Now, the Staatsballett Berlin is bringing this extraordinary production to the stage for the first time outside Russia.

In this ambitious production, ballet, opera and drama, supported by a large ensemble, merge into a powerful homage to the life and career of Rudolf Nureyev, one of the greatest dancers of the 20th century. His artistic brilliance and his refusal to bow to social or political boundaries made him an icon of both ballet and the wider art world.

The story unfolds through a lavishly staged auction, where Nureyev’s personal belongings are put under the hammer. Yuri Possokhov and Kirill Serebrennikov interweave classical and contemporary aesthetics in striking scenes from Nureyev’s life, from his extraordinary career in the Soviet Union and his dramatic defection to the West, to his lasting influence on Western ballet. His relationships and his open expression of his homosexuality are also part of the narrative. Possokhov’s breathtaking choreography is a deeply layered artistic reflection on Nureyev’s personality and creative legacy, reviving both the classical ballet repertoire and the spirit of the age. The rich physical language of the Russian ballet tradition demands exceptional technical and dramatic skill from the ensemble.

Following its acclaimed premiere in Russia, the ballet was praised for its emotional depth and visual power, and provoked intense debate. After the tightening of LGBTQ laws in 2022, Nureyev was removed from the Bolshoi’s repertoire on the grounds that it violated the ban on so-called "propaganda of non-traditional values."

This monumental dance event marks not only a major moment for the Staatsballett Berlin but also a rare chance to experience the extraordinary story of an artist who not only transformed the world of ballet but stood as a symbol of artistic freedom and individual self-determination.

History
Premiere of this production: 09 December 2017

Nureyev – this name says it all! No wonder that such a brilliant artist with exuberant personality, with a soul wide open, flaunting his life on display provokes to explore unconceivable twists of his life, imagination frenzy and extremes of his ardent heart. All of the above are good elements for biopics. Ballet, which is not the easiest genre for biography, became our main hero’s real passion and his entire life. It will take own place in this endless list of biopics (where you can find biographical books and articles, TV programs, movies, docudramas, series of talking photo portraits and even a novel).
 

Venue Info

Deutsche Oper Berlin - Berlin
Location   Bismarckstraße 35

Venue's Capacity: 1698

The Deutsche Oper Berlin is an opera company located in the Charlottenburg district of Berlin, Germany. The resident building is the country's second-largest opera house and also home to the Berlin State Ballet. Since 2004 the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation.

The company's history goes back to the Deutsches Opernhaus built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on November 7, 1912 with a performance of Beethoven's Fidelio, conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to Städtische Oper (Municipal Opera).

With the Nazi seizure of power in 1933, the opera was under control of the Reich Ministry of Public Enlightenment and Propaganda. Minister Joseph Goebbels had the name changed back to Deutsches Opernhaus, competing with the Berlin State Opera in Mitte controlled by his rival, the Prussian minister-president Hermann Göring. In 1935, the building was remodeled by Paul Baumgarten and the seating reduced from 2300 to 2098. Carl Ebert, the pre-World War II general manager, chose to emigrate from Germany rather than endorse the Nazi view of music, and went on to co-found the Glyndebourne opera festival in England. He was replaced by Max von Schillings, who acceded to enact works of "unalloyed German character". Several artists, like the conductor Fritz Stiedry and the singer Alexander Kipnis, followed Ebert into emigration. The opera house was destroyed by a RAF air raid on 23 November 1943. Performances continued at the Admiralspalast in Mitte until 1945. Ebert returned as general manager after the war.

After the war, in what was now West Berlin, the company, again called Städtische Oper, used the nearby Theater des Westens; its opening production was Fidelio, on 4 September 1945. Its home was finally rebuilt in 1961 but to a much-changed, sober design by Fritz Bornemann. The opening production of the newly named Deutsche Oper, on 24 September, was Mozart's Don Giovanni.

Past Generalmusikdirektoren (GMD, general music directors) have included Bruno Walter, Kurt Adler, Ferenc Fricsay, Lorin Maazel, Gerd Albrecht, Jesús López-Cobos, and Christian Thielemann. In October 2005, the Italian conductor Renato Palumbo was appointed GMD as of the 2006/2007 season. In October 2007, the Deutsche Oper announced the appointment of Donald Runnicles as their next Generalmusikdirektor, effective August 2009, for an initial contract of five years. Simultaneously, Palumbo and the Deutsche Oper mutually agreed to terminate his contract, effective November 2007.

On the evening of 2 June 1967, Benno Ohnesorg, a student taking part in the German student movement, was shot in the streets around the opera house. He had been protesting against the visit to Germany by the Shah of Iran, who was attending a performance of Mozart's The Magic Flute.

In 1986 the American Berlin Opera Foundation was founded.

In April 2001, the Italian conductor Giuseppe Sinopoli died at the podium while conducting Verdi's Aida, at age 54.

In September 2006, the Deutsche Oper's Intendantin (general manager) Kirsten Harms drew criticism after she cancelled the production of Mozart's opera Idomeneo by Hans Neuenfels, because of fears that a scene in it featuring the severed heads of Jesus, Buddha and Muhammad would offend Muslims, and that the opera house's security might come under threat if violent protests took place. Critics of the decision include German Ministers and the German Chancellor Angela Merkel. The reaction from Muslims has been mixed — the leader of Germany's Islamic Council welcomed the decision, whilst a leader of Germany's Turkish community, criticising the decision, said:

This is about art, not about politics ... We should not make art dependent on religion — then we are back in the Middle Ages.

At the end of October 2006, the opera house announced that performances of Mozart's opera Idomeneo would then proceed. Kirsten Harms, after announcing in 2009 that she would not renew her contract beyond 2011, was bid farewell in July of that year.

Important Info
Type: Ballet
City: Berlin, Germany
Starts at: 19:30
Intervals: 1
Duration: 2h 20min
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