Komische Oper Berlin 12 November 2022 - Rise and Fall of the City of Mahagonny | GoComGo.com

Rise and Fall of the City of Mahagonny

Komische Oper Berlin, Main Stage, Berlin, Germany
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7:30 PM
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Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 55min

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Overview

One of the most radical and well-known musical theatre works of the 20th century returns to the stage of the Komische Oper Berlin in a new production by Barrie Kosky, under the musical direction of General Music Director Ainārs Rubiķis—with star tenor Allan Clayton as Jim Mahoney, and audience favourite Nadja Mchantaf as Jenny Hill.

In the middle of a wasteland, far from the federal agents pursuing them, three fugitives on the run from justice become founders of the city of Mahagonny. It’s to be their promised land, a pleasure city where sin reigns unbounded—since nothing less than the sale of love and alcohol will keep the money flowing. Eat! Love! Box! Drink! But alas, who’s going to foot the bill...

A flight from enslavement, from criminal pasts, from poverty—set in an empty desert filled with dreams and yearning, apocalyptic natural disasters, strict proscriptions and voluptuous excesses. Premiered contemporaneously with Arnold Schoenberg's opera of the Old Testament, Moses and Aron, Brecht and Weill's Rise and Fall of the City of Mahagonny is a work in which the references to the Books of Moses are more hidden, but ultimately just as unmistakable. Mahagonny, both opera and anti-opera, thematizes the snares and traps of human existence with the help of biblical images—all carried aloft and driven home by the music of Kurt Weill. His compositions here absorb a disparate group of styles and influences—all in all an unparalleled and inimitable achievement.

History
Premiere of this production: 09 March 1930, Neues Theater, Leipzig

Rise and Fall of the City of Mahagonny (German: Aufstieg und Fall der Stadt Mahagonny) is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed on 9 March 1930 at the Neues Theater in Leipzig.

Synopsis

Act 1

Scene 1: A desolate no-man's land

A truck breaks down. Three fugitives from justice get out and find themselves in the city of Mahagonny: Fatty the Bookkeeper, Trinity Moses, and Leocadia Begbick. Because the federal agents pursuing them will not search this far north, and they are in a good location to attract ships coming south from the Alaskan gold fields, Begbick decides that they can profit by staying where they are and founding a pleasure city, where men can have fun, because there is nothing else in the world to rely on.

Scene 2

The news of Mahagonny spreads quickly, and sharks from all over flock to the bait, including the whore Jenny Smith, who is seen, with six other girls, singing the "Alabama Song", in which she waves goodbye to her home and sets out in pursuit of whiskey, dollars and pretty boys.

Scene 3

In the big cities, where men lead boring, purposeless lives, Fatty and Moses spread the gospel of Mahagonny, city of gold, among the disillusioned.

Scene 4

Four Alaskan Lumberjacks who have shared hard times together in the timberlands and made their fortunes set off together for Mahagonny. Jimmy Mahoney and his three friends – Jacob Schmidt, Bank Account Billy, and Alaska Wolf Joe – sing of the pleasures awaiting them in "Off to Mahagonny", and look forward to the peace and pleasure they will find there.

Scene 5

The four friends arrive in Mahagonny, only to find other disappointed travelers already leaving. Begbick, well-informed about their personal tastes, marks down her prices, but for the penurious Billy they still seem too high. Jimmy impatiently calls for the girls of Mahagonny to show themselves, so he can make a choice. Begbick suggests Jenny as the right girl for Jack, who finds her rates too high. She pleads with Jack to reconsider ("Havana Song"), which arouses Jim's interest, and he chooses her. Jenny and the girls sing a tribute to "the Jimmys from Alaska."

Scene 6

Jimmy and Jenny get to know one another as she asks him to define the terms of their contact: Does he wish her to wear her hair up or down, to wear fancy underwear or none at all? "What is your wish?" asks Jim, but Jenny evades answering.

Scene 7

Begbick, Fatty and Moses meet to discuss the pleasure city's financial crisis: People are leaving in droves, and the price of whiskey is sinking rapidly. Begbick suggests going back to civilization, but Fatty reminds her that the federal agents have been inquiring for her in nearby Pensacola. Money would solve everything, declares Begbick, and she decides to soak the four new arrivals for all they've got.

Scene 8

Jimmy, restless, attempts to leave Mahagonny, because he misses the wife he left in Alaska.

Scene 9

In front of the Rich Man's Hotel, Jimmy and the others sit lazily as a pianist plays Tekla Bądarzewska's "A Maiden's Prayer". With growing anger, Jimmy sings of how his hard work and suffering in Alaska have led only to this. Drawing a knife, he shouts for Begbick, while his friends try to disarm him and the other men call to have him thrown out. Calm again, he tells Begbick that Mahagonny can never make people happy: it has too much peace and quiet.

Scene 10

As if in answer to Jimmy's complaint, the city is threatened by a typhoon. Everyone sings in horror of the destruction awaiting them.

Scene 11

Tensely, people watch for the hurricane's arrival. The men sing a hymn-like admonition not to be afraid. Jim meditatively compares Nature's savagery to the far greater destructiveness of Man. Why do we build, he asks, if not for the pleasure of destroying? Since Man can outdo any hurricane, fear makes no sense. For the sake of human satisfaction, nothing should be forbidden: If you want another man's money, his house or his wife, knock him down and take it; do what you please. As Begbick and the men ponder Jimmy's philosophy, Fatty and Moses rush in with news: The hurricane has unexpectedly struck Pensacola, destroying Begbick’s enemies, the federal agents. Begbick and her cohorts take it as a sign that Jimmy is right; they join him, Jenny, and his three friends in singing a new, defiant song: If someone walks over someone else, then it's me, and if someone gets walked on, then it's you. In the background, the men continue to chant their hymn as the hurricane draws nearer.

Act 2

Scene 12

Magically, the hurricane bypasses Mahagonny, and the people sing in awe of their miraculous rescue. This confirms Begbick's belief in the philosophy of "Do what you want," and she proceeds to put it into effect.

Scene 13 At the renovated "Do It" tavern.

The men sing of the four pleasures of life: Eating, Lovemaking, Fighting and Drinking. First comes eating: To kitschy cafe music, Jimmy's friend Jacob gorges until he keels over and dies. The men sing a chorale over his body, saluting "a man without fear".

Scene 14: Loving.

While Begbick collects money and issues tips on behavior, Moses placates the impatient men queuing to make love to Jenny and the other whores. The men sing the "Mandalay Song", warning that love does not last forever, and urging those ahead of them to make it snappy.

Scene 15: Fighting.

The men flock to see a boxing match between Trinity Moses and Jim's friend Alaska Wolf Joe. While most of the men, including the ever-cautious Billy, bet on the burly Moses, Jim, out of friendship, bets heavily on Joe. The match is manifestly unfair; Moses not only wins but kills Joe in knocking him out.

Scene 16: Drinking.

In an effort to shake off the gloom of Joe's death, Jimmy invites everyone to have a drink on him. The men sing "Life in Mahagonny", describing how one could live in the city for only five dollars a day, but those who wanted to have fun always needed more. Jim, increasingly drunk, dreams of sailing back to Alaska. He takes down a curtain rod for a mast and climbs on the pool table, pretending it is a ship; Jenny and Billy play along. Jimmy is abruptly sobered up when Begbick demands payment for the whiskey as well as for the damage to her property. Totally broke, he turns in a panic to Jenny, who explains her refusal to help him out in the song "Make your own bed" – an adaptation of the ideas he proclaimed at the end of act 1. Jim is led off in chains as the chorus, singing another stanza of "Life in Mahagonny", returns to its pastimes. Trinity Moses assures the crowd that Jimmy will pay for his crimes with his life.

Scene 17

At night, Jim alone and chained to a lamppost, sings a plea for the sun not to rise on the day of his impending trial.

Act 3

Scene 18: In the courtroom

Moses, like a carnival barker, sells tickets to the trials. He serves as prosecutor, Fatty as defense attorney, Begbick as judge. First comes the case of Toby Higgins, accused of premeditated murder for the purpose of testing an old revolver. Fatty invites the injured party to rise, but no one does so, since the dead do not speak. Toby bribes all three, and as a result, Begbick dismisses the case. Next Jimmy's case is called. Chained, he is led in by Billy, from whom he tries to borrow money; Billy of course refuses, despite Jim's plea to remember their time together in Alaska. In virtually the same speech he used to attack Higgins, Moses excoriates him for not paying his bills, for seducing Jenny (who presents herself as a plaintiff) to commit a "carnal act" with him for money, and for inciting the crowd with "an illegal joyous song" on the night of the typhoon. Billy, with the chorus's support, counters that, in committing the latter act, Jimmy discovered the laws by which Mahagonny lives. Moses argues that Jim hastened his friend Joe's death in a prizefight by betting on him, and Billy counters by asking who actually killed Joe. Moses does not reply. But there is no answer for the main count against him. Jim gets short sentences for his lesser crimes, but for having no money, he is sentenced to death. Begbick, Fatty and Moses, rising to identify themselves as the injured parties, proclaim "in the whole human race / there is no greater criminal / than a man without money". As Jim is led off to await execution, everyone sings the "Benares Song", in which they long for that exotic city "where the sun is shining." But Benares has been destroyed by an earthquake. "Where shall we go?" they ask.

Scene 19: At the gallows

Jim says a tender goodbye to Jenny, who, dressed in white, declares herself his widow. He surrenders her to Billy, his last remaining companion from Alaska. When he tries to delay the execution by reminding the people of Mahagonny that God exists, they play out for him, under Moses' direction, the story of "God in Mahagonny", in which the Almighty condemns the town and is overthrown by its citizens, who declare that they can not be sent to Hell because they are already in Hell. Jim, chastened, asks only for a glass of water, but is refused even this as Moses gives the signal for the trap to be sprung.

Scene 20

A caption advises that, after Jim's death, increasing hostility among the city's various factions has caused the destruction of Mahagonny. To a potpourri of themes from earlier in the opera, groups of protesters are seen on the march, in conflict with one another, while the city burns in the background. Jenny and the whores carry Jim's clothing and accessories like sacred relics; Billy and several men carry his coffin. In a new theme, they and the others declare, "Nothing you can do will help a dead man". Begbick, Fatty and Moses appear with placards of their own, joining the entire company in its march and declaring "Nothing will help him or us or you now," as the opera ends in chaos.

Venue Info

Komische Oper Berlin - Berlin
Location   Behrenstraße 55-57

The Komische Oper Berlin is a German opera company based in Berlin. The company produces opera, operetta and musicals.

The opera house is located on Behrenstraße, just a few steps from Unter den Linden. Since 2004, the Komische Oper Berlin, along with the Berlin State Opera, the Deutsche Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation.

The theatre was built between 1891 and 1892 by architects Ferdinand Fellner and Hermann Helmer for a private society. It first opened on 24 September 1892 as "Theater Unter den Linden" with Adolf Ferron's operetta Daphne and Gaul and Haßreiter's ballet Die Welt in Bild und Tanz.

The theatre was primarily a vehicle for operetta, but was also used for various other events and balls. Around 800 people could be seated in the stalls, and the balconies and various en-suite dinner rooms housed about a further 1,700 seats. Its directors went bankrupt in 1896 and the theatre was forced to close its doors.

On 3 September 1898 the theatre was reopened as Metropol-Theater with Julius Freund's revue Paradies der Frauen. It then grew to become one of Berlin's most famous and successful variety theatres. During the 1920s and early 1930s, it was leased by the brothers Alfred and Fritz Rotter. Under their management, it saw the premieres of two operettas by Franz Lehár - Friederike (opera) in 1928 and Das Land des Lächelns in 1929, both starring Richard Tauber. However, due to a decline of variety and music hall entertainment the theatre was again closed in 1933.

In 1934 the theatre was nationalised and renamed Staatliches Operettentheater. It operated as part of the Nazi Kraft durch Freude entertainment and leisure programmes. During World War II, the auditorium was damaged by Allied bombing on 7 May 1944. The façade, entrance hall, and auditorium ceiling murals were destroyed by bombs on 9 March 1945.

After the war, the theatre was in East Germany, being that the building was in the eastern part of Berlin. Following repair works and provisional rebuilding, the theatre reopened on 23 December 1947, as the Komische Oper with Johann Strauss's operetta Die Fledermaus.

The 1950s saw various further alterations and extensions. The theatre was completely rebuilt in 1965/1966 by Architektenkollektiv Kunz Nierade, adding functional extensions and giving the theatre a completely new exterior. The theatre reopened again on 4 December 1966, with Mozart's Don Giovanni. The auditorium underwent further restoration in 1986, and the stage technology was further modernised by 1989. Today the theatre seats 1,270.

In 1947, Walter Felsenstein founded and led the resident opera company, the Komische Oper, until his death in 1975. Götz Friedrich was an assistant to Felsenstein at the company. Joachim Herz became general director after Felsenstein's death and served until 1981. Subsequently, Harry Kupfer directed the company for 21 seasons, until 2002. The company specializes in German language productions of opera, operetta and musicals. In 2007 the company won, jointly with Oper Bremen, the "Opera house of the year" award by the German magazine Opernwelt. From 2002 to 2012, the company's chief director and Intendant was Andreas Homoki. In June 2008, the company announced the appointment of Barrie Kosky to succeed Homoki as its next Intendant, as of the 2012/2013 season. In October 2014, his contract with the company was extended through 2022. Since 2005, the company's managing director has been Susanne Moser.

From 1966 to 2004, the theatre was also home to a resident ballet company – first as the "Tanztheater der Komischen Oper", and then from 1999 as "BerlinBallett – Komische Oper". In 2004, due to budgetary problems, the separate ballet companies of Berlin's three opera houses were merged into a single company called the Staatsballett Berlin.

Past General Music Directors (GMD) of the company have included Kurt Masur, Rolf Reuter, Yakov Kreizberg, Kirill Petrenko, Carl St.Clair, and Patrick Lange. Since 2012, the GMD of the company is Henrik Nánási. Nánási is scheduled to conclude his tenure at the end of the 2017-2018 season. In May 2017, the company announced the appointment of Ainārs Rubiķis as its next GMD, effective with the 2018-2019 season, with an initial contract of 3 seasons.

Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 55min
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