London Coliseum tickets 8 April 2026 - Kinky Boots | GoComGo.com

Kinky Boots

London Coliseum, London, Great Britain
All photos (8)
Select date and time
7:30 PM
From
US$ 97

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Musical
City: London, Great Britain
Starts at: 19:30
Intervals: 1
Duration: 2h 20min
Sung in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Creators
Composer: Cyndi Lauper
Playwright: Harvey Fierstein
Director: Nikolai Foster
Overview

The multi-award-winning musical is strutting its way to the London Coliseum in Spring 2026 starring Strictly Come Dancing’s Johannes Radebe.

Fall head over heels in Spring 2026! The multi-award-winning musical KINKY BOOTS is strutting its way to London in a joyous, brand-new production starring Strictly Come Dancing’s Johannes Radebe.

The acclaimed West End and Broadway sensation runs at the spectacular London Coliseum from March 2026 for a strictly limited season only.

Winner of the Olivier Award for Best New Musical and based on an uplifting true story and much-loved movie, Kinky Boots features Tony and Grammy Award-winning music and lyrics by pop icon Cyndi Lauper, a hilarious book by Tony Award-winner Harvey Fierstein and is directed by the award-winning Nikolai Foster (Grease and The Wizard of Oz).

When Charlie Price inherits his family’s failing shoe factory, saving the company – and his love life – feel like an impossibly tall order. Until, that is, he meets Lola, the sparkling, larger-than-life drag queen with the unlikeliest of answers. Can they work together to reboot the business and save the day? Perhaps they just need to help each other – and everyone around them – to stand a little taller…

A glorious celebration of friendship and individuality, let Kinky Boots raise you up higher than ever at the legendary London Coliseum for 17 weeks only.

Please note This production contains some strong language, strobe lighting, flashing lights, smoke and haze.

Please note that Johannes Radebe will not perform on the following dates: Thursday 26th March at 2.30pm, and every Monday from 30th March.

History
Premiere of this production: 30 September 2012, Bank of America Theatre, Chicago

Kinky Boots is a musical with music and lyrics by Cyndi Lauper and book by Harvey Fierstein. Based on the 2005 British film Kinky Boots, written by Geoff Deane and Tim Firth and mostly inspired by true events, the musical tells the story of Charlie Price. Having inherited a shoe factory from his father, Charlie forms an unlikely partnership with cabaret performer and drag queen Lola to produce a line of high-heeled boots and save the business. In the process, Charlie and Lola discover that they are not so different after all.

Synopsis

Act 1
Charlie Price grows up as the fourth-generation "son" in his family business, Price & Son, a shoe manufacturing company with its factory in Northampton. Another young boy, growing up in London, is as fascinated by shoes as Charlie is bored by them. But in this case, it is a pair of red women's heels that have attracted his attention, aggravating his strict father. Years pass. Charlie's father is aging and hopes Charlie will take over the factory. Still, Charlie is eager to move to London with his status-conscious fiancée, Nicola, and pursue a real estate career ("The Most Beautiful Thing").

Charlie has barely made it into his new flat in London when his father dies suddenly. Charlie hurries home for the funeral, where he finds the factory near bankruptcy. The factory makes good quality men's shoes, but they are not stylish and not cheap, and the market for them is drying up. Charlie is determined to save the factory and his father's legacy, though he has no desire to run Price & Sons himself. The workers, many of whom have known Charlie his entire life, do not understand why Charlie moved away in the first place, and many are hostile and skeptical of the new management.

Returning to London, Charlie meets his friend and fellow shoe salesman, Harry, in a pub to ask for help. Harry can only offer a temporary solution and advises Charlie not to fight the inevitable ("Take What You Got"). Leaving the pub, Charlie witnesses a woman being accosted by two drunks. He intervenes and is knocked unconscious. He comes to in a seedy nightclub, where the woman he attempted to rescue is revealed to have been the club's drag queen headliner, Lola, who performs with her backup troupe of drag dancers, the "angels" ("Land of Lola"). Recuperating from his ordeal in Lola's dressing room, an uncomfortable Charlie notices the performers' high-heeled boots are not designed to hold a man's weight. Lola explains that the expensive and unreliable footwear is an essential part of any drag act.

Charlie returns to the factory and begins reluctantly laying off his workers. Lauren, one of the women on the assembly line, explodes at Charlie when given her notice and stubbornly tells him that other struggling shoe factories have survived by entering an "underserved niche market." This gives Charlie an idea ("Land of Lola" {Reprise}), and he invites Lola to come to the factory to help him design a women's boot that can be comfortable for a man ("Charlie's Soliloquy"/"Step One").

Lola and the angels arrive at the factory, and she is immediately dissatisfied with Charlie's first design of the boot. Quickly getting the women of the factory on her side, she draws a quick design of a boot, explaining the most important factor is by far the heel ("The Sex is in the Heel"). George, the factory manager, realizes a way to make her design practical. An impressed Charlie begs Lola to stay until a prestigious footwear show in Milan in three weeks to design a new line of "kinky boots" that could save the factory. Lola is reluctant since she is already receiving crass comments from Don, the factory foreman, and some of the other factory workers but is flattered by Charlie's praise and finally agrees.

Charlie announces that the factory will be moving ahead with production on the boots. He thanks Lauren for giving him the idea and offers her a promotion. She accepts and is horrified but thrilled to realize she is falling for him ("The History of Wrong Guys").

The next day, Lola shows up in men's clothes and is mocked by Don and his friends. An upset Lola takes refuge in the bathroom, and Charlie attempts to comfort her. Lola explains that her father trained her as a boxer but disowned her when she showed up for a match in drag. The two discover their similarly complex feelings toward their fathers, and Lola introduces herself by her birth name: Simon ("Not My Father's Son").

Nicola and her boss Richard Bailey arrive from London and present Charlie with a plan for the factory that Richard has drawn up: closing it and converting it into condominiums. Charlie refuses but is shocked to discover that his father had agreed to this plan before he died, presumably because Charlie was not there to run it. He refuses to sell, and soon the workers are celebrating as the first pair of "kinky boots" is finished ("Everybody Say Yeah").

Act 2
Some of the factory workers are not enthusiastic about the radical change in their product line. Some of them, especially the intimidating Don, make Lola feel very unwelcome. Lola taunts him back, enlisting the female factory workers' help to prove that Lola is closer to a woman's ideal man than Don ("What a Woman Wants"). Lola presents Don with a unique wager to see who is the better "man": Lola will do anything that Don specifies if Don will do the same thing for her. Don's challenge is for Lola to fight him in a boxing match at the pub. Charlie, remembering Lola's background, is horrified. Lola easily scores against Don in the ring but ultimately lets Don win the match ("In This Corner"). Afterward, Don asks why she let him win, and Lola replies that she could not be so cruel as to humiliate Don in front of his mates. She gives him her part of the challenge: "accept someone for who they are."

Charlie is pouring his own money into the factory to ensure it will be ready in time for Milan, and he is getting frantic that the product is not right, angrily forcing his staff to redo what he considers to be shoddy work. Nicola arrives, fed up with Charlie's obsession over the factory, and breaks up with him. Lola has been making some decisions about production and preparations without consulting Charlie. When he discovers that she has decided to have her angels wear the boots on the runway rather than hiring professional models, an overwhelmed Charlie lashes out at her, humiliating her in front of the other workers. Lola storms out, and the factory workers go home. Alone, Charlie struggles with the weight of his father's legacy and what it means to be his own man ("Soul of a Man").

Lauren finds Charlie and tells him to come back to the factory. It is revealed Don has persuaded the workers to return to work and to sacrifice a week's pay to ensure the boots can be finished in time for Milan. Charlie is astonished and grateful and asks if Don has paid up on his wager by accepting Lola. Lauren explains that the person that Don has accepted is Charlie himself.

As he heads to the airport for Milan, Charlie leaves a heartfelt apology on Lola's voicemail. Meanwhile, Lola performs her act at a nursing home in her home town. After she leaves the stage, she speaks to her dying father, who uses a wheelchair, and reaches a sense of closure ("Hold Me in Your Heart").

Charlie and Lauren arrive in Milan. But without models, Charlie is forced to walk the runway himself. Lauren is thrilled by his dedication ("The History of Wrong Guys (Reprise)"), but the show threatens to be a disaster. Just as all seems lost, Lola and her angels arrive to save the day. Lauren and Charlie share their first kiss, and the whole company celebrates the success of the "Kinky Boots" ("Raise You Up/Just Be").

Venue Info

London Coliseum - London
Location   St Martin’s Lane

The London Coliseum (also known as the Coliseum Theatre) is a theatre in St Martin's Lane, Westminster, built as one of London's largest and most luxurious "family" variety theatres.

Opened on 24 December 1904 as the London Coliseum Theatre of Varieties, it was designed by the theatrical architect Frank Matcham for the impresario Oswald Stoll. Their ambition was to build the largest and finest music hall, described as the "people's palace of entertainment" of its age.

The London Coliseum was built by the theatrical architect Frank Matcham who intended it to be one of London's largest and most luxurious "family" variety theatres. Construction began in 1903 and the venue opened on 24 December the following year as the London Coliseum Theatre of Varieties. It is located in St Martin's Lane, London.

Matcham built the theatre for the theatrical impresario Sir Oswald Stoll and had the ambition of it being the largest and finest "People’s palace of entertainment" of the age.

Matcham wanted a Theatre of Variety – not a music hall but equally not highbrow entertainment. The resulting programme was a mix of music hall and variety theatre, with one act - a full scale revolving chariot race - requiring the stage to revolve. The theatre's original slogan was PRO BONO PUBLICO (For the public good). It was opened in 1904 and the inaugural performance was a variety bill on 24 December that year.

English Heritage, in its description of the theatre when it was given listed status in 1960 notes that it is "exuberant Free Baroque ambitious design, the Edwardian "Theatre de Luxe of London" with richly decorated interiors and a vast and grandiose auditorium." The description continues: "Lavish foyer and circulation areas with marble facings, culminating in vast 3-tier auditorium with wealth of eclectic classical detail of Byzantine opulence, some motifs such as the squat columns dividing the lowest tier of slip boxes, backing the stalls, almost Sullivanesque; pairs of 2-tiered bow fronted boxes with domed canopies at gallery level and semi-domed, Ionic-columned pairs of 2 tiered orchestra boxes, contained in arched and pedimented frames surmounted by sculptural groups with lion-drawn chariots. Great, semi-circular, blocked architrave proscenium arch with cartouche- trophy keystone."

The inaugural performance was a variety bill on 24 December 1904, but it "was a total failure and closed down completely only two years after opening in 1906 and remained closed until December of 1907 when it was reopened and at last became successful." In 1908, the London Coliseum was host to a cricket match between Middlesex and Surrey. In 1911, dramatist W. S. Gilbert produced his last play here, The Hooligan.

The theatre changed its name from the London Coliseum to the Coliseum Theatre between 1931 and 1968 when a run of 651 performances of the musical comedy White Horse Inn began on 8 April 1931. Additionally, Arthur Lewis notes that:

Pantomimes began in 1936 with Cinderella and continued regularly until 1946. In 1947 the musical Annie Get Your Gun was staged at the Coliseum and had a staggeringly successful run for the time, of 1,304 performances and three continuous years which was the longest run in theatrical history. There then followed a long run of major American hits beginning with Kiss Me, Kate in 1951, Guys And Dolls in 1953, Pajama Game in 1955, and Damn Yankees in 1957. But this exceptional period did at last come to an end in 1957 when the production of The Bells Are Ringing failed to enthrall anyone.
The Coliseum reverted to the original name when the Sadler's Wells Opera Company moved there in 1968 and, in 1974, the Company changed its name to become the English National Opera; it bought the freehold of the building for £12.8 million in 1992. The Coliseum hosted both the 2004 and 2006 Royal Variety Performances and is also the London base for performances by English National Ballet, which perform regular seasons throughout the year when not on tour.

The Who performed there and recorded their concert, on 14 December 1969.

Important Info
Type: Musical
City: London, Great Britain
Starts at: 19:30
Intervals: 1
Duration: 2h 20min
Sung in: English
Top of page