London Coliseum 9 November 2022 - The Yeomen of the Guard | GoComGo.com

The Yeomen of the Guard

London Coliseum, London, Great Britain
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7:30 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Operetta
City: London, Great Britain
Starts at: 19:30
Duration: 2h 40min
Sung in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Heartbreak has never been so funny. The Tower of London is the scene for a tangled web of melancholy and mirth in Gilbert & Sullivan’s beloved operetta, The Yeomen of the Guard. The arrival of a travelling troupe of performers sparks forbidden romances, fantastical plots and unrequited love. 

The unjustly imprisoned Colonel Fairfax (Anthony Gregory, previously Nanki-Poo in The Mikado and former Harewood Artist) has a mutual attraction to the young daughter of the righteous Sergeant Meryll, one of the titular Beefeaters (Neal Davies). Phoebe (Heather Lowe) wishes Fairfax be released so they can have the wedding she desires, and enlists the help (and attraction) of Jack Point, a roving performer. A classic Gilbert and Sullivan story ensues, with all the chaos that comes with it – but not necessarily the happy ending we expect from the duo…

Visionary Jo Davies returns to the London Coliseum to direct, with designs by acclaimed theatre designer Anthony Ward. G&S veteran Chris Hopkins conducts the ENO Orchestra, with a score that – despite being darker in tone – remains characteristically playful of Arthur Sullivan.

Book your tickets to the Tower, to see one of the most beloved Gilbert & Sullivan’s operas, The Yeomen of the Guard.

Please be aware that this production contains some adult content which may not be suitable for young audiences.

History
Premiere of this production: 03 October 1888, Savoy Theatre, West End, London

The Yeomen of the Guard (or The Merryman and His Maid) is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888. The opera is set in the Tower of London during the 16th century, and is the darkest, and perhaps most emotionally engaging, of the Savoy Operas, ending with a broken-hearted main character and two very reluctant engagements, rather than the usual numerous marriages.

Synopsis

Act I

Phoebe Meryll sits at the spinning wheel, sighing about the pain of love. Wilfred Shadbolt – the head jailer and assistant torturer at the Tower of London – arrives, and Phoebe mocks him, disgusted by his profession. Wilfred, who is in love with Phoebe, has noticed her interest in one of the prisoners at the Tower, Colonel Fairfax. He gleefully conveys the news that Fairfax is to be beheaded, for the crime of sorcery, that very day. Phoebe replies that Fairfax is merely a scientist and alchemist (and a handsome one at that) and leaves Wilfred to suffer from his love for her. The citizens and Yeomen arrive, singing of the Yeomen's bravery and valiant deeds. Dame Carruthers, the housekeeper of the Tower, dismisses protestations by Phoebe of Fairfax's innocence and, vexed by Phoebe's criticism of the Tower, sings its praises. After everyone leaves, Phoebe is joined by her father, Sergeant Meryll, who reports that her brother Leonard has been appointed a Yeoman for his valour in battle. Leonard is on his way from Windsor, where the court sits, and may bring with him a reprieve for the Colonel. Leonard Meryll enters bearing a dispatch for the Lieutenant of the Tower but no reprieve. Sergeant Meryll is eager to save Fairfax, for the Colonel served with him in battle and twice saved Sergeant Meryll's life. He hatches a plan: Leonard will hide away and Fairfax, sprung from his cell, will assume Leonard's guise. Phoebe is charged with getting the key to Fairfax's cell from the lovesick jailer, Wilfred.

Fairfax enters under guard by an escort of Yeomen. Sir Richard Cholmondeley, the Lieutenant of the Tower, sees him and greets him sadly, as they are old friends. Fairfax bears his impending execution bravely and philosophically, prompting tears from Phoebe and even Sergeant Meryll. Fairfax asks a boon of the Lieutenant: the charge of sorcery was the doing of his wicked cousin Sir Clarence Poltwhistle, a Secretary of State, who will inherit his estate if he dies unmarried. He therefore wishes to be married by his confessor to any available woman, it matters not whom, who will receive a hundred crowns for her hour of matrimony. The Lieutenant agrees and leaves.

Jack Point, a jester, and Elsie Maynard, a young singer, are pursued by a rowdy crowd that demands merriment and threatens the two strolling players. Elsie, objecting to a man's rude attentions, boxes his ears, which gives Point a moment to quieten and amuse the crowd. The two entertainers offer to perform the song of The Merryman and his Maid: it tells of a lovelorn merryman who is jilted by a maiden in favour of an arrogant lord, but the latter rejects her, and she returns on her knees to the merryman to beg for his love, and all ends happily. The song over, the crowd grows unruly again, and violence is averted only by the Lieutenant's arrival. Point and Elsie introduce themselves and explain that Elsie's mother Bridget is very ill and they seek money to buy medicine for her. The Lieutenant offers Elsie a chance to earn a hundred crowns (a very substantial sum) by marrying a condemned gentleman immediately. Point, who intends to marry Elsie someday, is assured that the groom will be beheaded directly after the ceremony. Elsie consents and is blindfolded and led off by Wilfred for the secret ceremony. The Lieutenant tells Point that he has a vacancy for a jester, and Point tells him of his skills and tries out some jokes. The Lieutenant leads Point off to discuss the employment further.

Wilfred leads Elsie back from her anonymous meeting with the priest and the prisoner and leaves her to reflect on her impending widowhood. Meanwhile, Wilfred wonders what they were up to in Fairfax's cell. Phoebe arrives and seductively distracts him as she steals his keys, which she gives surreptitiously to her father, who goes to free Fairfax from his cell. She keeps Wilfred busy until her father returns the keys, which she returns to Wilfred's belt, and leaves the confused and hopeful jailer to his fantasies of marrying her. Meryll disguises Fairfax as his son Leonard.

The Yeomen come to greet "Leonard", who insists that the tales of his bravery are exaggerated. He flounders when Phoebe greets him, not having been introduced to her, but Wilfred helpfully identifies her, telling Fairfax (with a strong dose of wishful thinking) that he, Wilfred, is betrothed to Phoebe. He commends her to the care of her "brother" until the marriage. The headsman enters, and all is ready for the execution. Wilfred, Fairfax (still disguised as Leonard) and two Yeomen go to fetch Fairfax. The Yeomen return and Fairfax announces his own disappearance. The Lieutenant blames the jailer, Wilfred, and declares his life forfeit instead. Wilfred protests his innocence and all wonder – not all honestly – how the prisoner could have escaped. Point is distraught at the escape of Elsie's husband, and Elsie faints into Fairfax's arms, as all rush off to hunt for Fairfax.

Act II

Two days have passed, and the Yeomen continue searching in vain for the escaped prisoner. Dame Carruthers enters with her niece Kate and berates the Yeomen for letting Fairfax escape. Jack Point (now employed by the Lieutenant), sits brushing up on his jests and bitterly reflecting on his profession, when Wilfred comes by. Point taunts the failed jailer, and Wilfred says he'd rather be a jester. This gives Point an idea. He reveals the secret wedding and agrees to teach the oaf the art of jesting if Wilfred will publicly swear that Wilfred shot Fairfax dead as he swam across the river to escape. Wilfred agrees to swear to this lie.

Meanwhile, Fairfax, still disguised as Leonard Meryll, laments his hurried marriage to a bride he cannot identify, for her face was concealed by the blindfold. Sergeant Meryll says that Elsie, the girl who fainted at the execution, and who has been placed in Meryll's charge, has recovered, but that her illness gave Dame Carruthers an excuse to take up quarters in his house while she nursed the girl. He has spurned the old woman's obvious overtures for years. Carruthers then happens by, together with her niece Kate, and notes that the latter heard Elsie talking in her sleep about her secret wedding. The other three leave Fairfax alone, pleased to find that his mystery wife is the fair Elsie. He decides to test her loyalty by pretending to woo his own wife, still disguised as Leonard. She rejects "Leonard's" overtures, as a married woman should, and he is about to reveal himself to her.

Just then, a shot is heard from the wharf and everyone enters. Wilfred, with the jester's corroboration, declares that he struggled with someone creeping about, discovered it was Colonel Fairfax, who dived into the river, and seizing an arquebus, Wilfred shot him dead. The Lieutenant orders the Yeomen to search for the body, and Wilfred is celebrated as a hero. Elsie, Fairfax, Phoebe and Point are left alone, and Point asks Elsie, as she is now free, to marry him. Fairfax, still disguised as "Leonard", tells Point that he doesn't know how to woo (it is not to be done in the manner of a jester!), and he undertakes to instruct Point in this art, following this up with a most effective demonstration on Elsie. Point, slow to see that Fairfax is wooing the girl for himself (and that Elsie has fallen for the heroic "Leonard"), finally protests. Fairfax tells Point that he has shown him how to woo and that he should apply the teachings "elsewhere". Phoebe, seeing her adored Fairfax pledged to another, bursts into tears, while Point, shocked by the turn of events, wishes he was dead.

Wilfred sees Phoebe weeping and she, rendered incautious by anger and hurt, and by her scorn for the jailer, inadvertently reveals that "Leonard" is in fact Fairfax. Realizing the game is up, she desperately buys Wilfred's silence by agreeing to marry him (after a long engagement). The real Leonard then returns and announces that Fairfax's reprieve has finally arrived. Sergeant Meryll enters, followed surreptitiously by Dame Carruthers. Phoebe tells him of her folly and goes with Wilfred, whereupon Dame Carruthers reveals herself to Meryll and threatens to expose the three schemers who had freed Fairfax illegally. He resignedly buys her silence with his offer of marriage.

Elsie arrives joyfully for her wedding to the man she still knows as "Leonard", but the Lieutenant arrives and announces that her husband Fairfax lives. Fairfax arrives dressed for the wedding, but Elsie, distraught over the loss of "Leonard", does not turn to see his face. He teases his wife, keeping up the pretence for another minute. Elsie begs for his mercy, to free her to go to her love, "Leonard", but he says that his heart is like a "massive rock" and claims her as his bride. Finally Elsie turns to see his face, and finally recognises him as her adored one. All once again erupt into joy, except the broken-hearted Jack Point. Tearfully, he reprises the song that he had earlier sung with Elsie, The Merryman and his Maid, with wrenching sorrow. Elsie "drops a tear" for Point, but turns back to her love. As the chorus turns away to celebrate the marriage of Fairfax and Elsie, Point falls insensible at their feet.

Venue Info

London Coliseum - London
Location   St Martin’s Lane

The London Coliseum (also known as the Coliseum Theatre) is a theatre in St Martin's Lane, Westminster, built as one of London's largest and most luxurious "family" variety theatres.

Opened on 24 December 1904 as the London Coliseum Theatre of Varieties, it was designed by the theatrical architect Frank Matcham for the impresario Oswald Stoll. Their ambition was to build the largest and finest music hall, described as the "people's palace of entertainment" of its age.

The London Coliseum was built by the theatrical architect Frank Matcham who intended it to be one of London's largest and most luxurious "family" variety theatres. Construction began in 1903 and the venue opened on 24 December the following year as the London Coliseum Theatre of Varieties. It is located in St Martin's Lane, London.

Matcham built the theatre for the theatrical impresario Sir Oswald Stoll and had the ambition of it being the largest and finest "People’s palace of entertainment" of the age.

Matcham wanted a Theatre of Variety – not a music hall but equally not highbrow entertainment. The resulting programme was a mix of music hall and variety theatre, with one act - a full scale revolving chariot race - requiring the stage to revolve. The theatre's original slogan was PRO BONO PUBLICO (For the public good). It was opened in 1904 and the inaugural performance was a variety bill on 24 December that year.

English Heritage, in its description of the theatre when it was given listed status in 1960 notes that it is "exuberant Free Baroque ambitious design, the Edwardian "Theatre de Luxe of London" with richly decorated interiors and a vast and grandiose auditorium." The description continues: "Lavish foyer and circulation areas with marble facings, culminating in vast 3-tier auditorium with wealth of eclectic classical detail of Byzantine opulence, some motifs such as the squat columns dividing the lowest tier of slip boxes, backing the stalls, almost Sullivanesque; pairs of 2-tiered bow fronted boxes with domed canopies at gallery level and semi-domed, Ionic-columned pairs of 2 tiered orchestra boxes, contained in arched and pedimented frames surmounted by sculptural groups with lion-drawn chariots. Great, semi-circular, blocked architrave proscenium arch with cartouche- trophy keystone."

The inaugural performance was a variety bill on 24 December 1904, but it "was a total failure and closed down completely only two years after opening in 1906 and remained closed until December of 1907 when it was reopened and at last became successful." In 1908, the London Coliseum was host to a cricket match between Middlesex and Surrey. In 1911, dramatist W. S. Gilbert produced his last play here, The Hooligan.

The theatre changed its name from the London Coliseum to the Coliseum Theatre between 1931 and 1968 when a run of 651 performances of the musical comedy White Horse Inn began on 8 April 1931. Additionally, Arthur Lewis notes that:

Pantomimes began in 1936 with Cinderella and continued regularly until 1946. In 1947 the musical Annie Get Your Gun was staged at the Coliseum and had a staggeringly successful run for the time, of 1,304 performances and three continuous years which was the longest run in theatrical history. There then followed a long run of major American hits beginning with Kiss Me, Kate in 1951, Guys And Dolls in 1953, Pajama Game in 1955, and Damn Yankees in 1957. But this exceptional period did at last come to an end in 1957 when the production of The Bells Are Ringing failed to enthrall anyone.
The Coliseum reverted to the original name when the Sadler's Wells Opera Company moved there in 1968 and, in 1974, the Company changed its name to become the English National Opera; it bought the freehold of the building for £12.8 million in 1992. The Coliseum hosted both the 2004 and 2006 Royal Variety Performances and is also the London base for performances by English National Ballet, which perform regular seasons throughout the year when not on tour.

The Who performed there and recorded their concert, on 14 December 1969.

Important Info
Type: Operetta
City: London, Great Britain
Starts at: 19:30
Duration: 2h 40min
Sung in: English
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