Mariinsky Theatre 2 July 2022 - Siegfried | GoComGo.com

Siegfried

Mariinsky Theatre, Mariinsky II, Saint Petersburg, Russia
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Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 17:00
Acts: 3
Intervals: 2
Duration: 5h 10min
Sung in: German
Titles in: English,Russian

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Festival

Stars of the White Nights Festival 2022

The Mariinsky`s Stars of the White Nights International Music Festival directed by Valery Gergiev was held from May 24 to July 17, in St Petersburg for the thirtieth time.

Overview

The second day of the tetralogy Der Ring des Nibelungen in three acts

History
Premiere of this production: 16 August 1876, Bayreuth Festspielhaus

Siegfried is the third of the four music dramas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of The Ring cycle.

Synopsis

Act I
Until recently, the universe shook from the fighting between the gods, giants and Nibelungs in the struggle for the Rhine’s fateful legacy. Now that the storms and disquiet have passed, the earth has become still; everything is peaceful, awaiting the coming of great new events…The dwarf Nibelung gnome Mime, a blacksmith, lives in a cave deep in a dense forest with Siegfried, his pupil. The blacksmith is unable to make sword that does not break into pieces as soon as Siegfried tries it out. Mime calls Siegfried his son, but Siegfried does not believe him, and hates his cowardly, ever-complaining teacher. Reluctantly, Mime tells Siegfried the secret of his birth: one day he found a woman in the woods, exhausted – it was Sieglinde. She herself died giving birth to her son. Before her death, Sieglinde named her son and bequeathed him the splintered fragments of the sword Nothung, which belonged to her murdered husband. To this day, Mime has kept the remains of the sword. Siegfried insists that the Nibelung weld Nothung whole for him immediately. But Mime knows that such a task is beyond him.
A Wanderer appears – it is Wotan himself. He asks Mime for shelter, but is driven out. The Wanderer proposes a wager: whoever can answer three questions wins; the other will forfeit his head. Mime thinks up difficult questions – about Nibelungs, giants and the gods. The Wanderer is able to answer these questions with ease before posing his own three questions. He asks about the race to which Wotan brought woe.
“The race of the Wälsungs,” answers Mime. “Sieglinde and Siegmund, Wotan’s children, loved one another. They had a son, Siegfried – the strongest of the strong.” The second question comes: “Siegfried was raised by a dwarf in order to gain treasure. What sword can complete this feat?” “Nothung,” replies Mime, “Wotan himself plunged that sword into a tree trunk. Siegfried alone can draw it out, but Wotan has smashed his sword.” Wotan asks his last question: “Who will be the one to weld the sword together again?” Mime does not know what to reply. Wotan then answers the question himself: only he who knows no fear can forge the sword. The Wanderer disappears with these words.
Struck with terror, Mime recollects that he has forgotten to teach Siegfried fear, so Mime’s life belongs to the youth. The Nibelung attempts to inculcate fear in Siegfried and tells him that as his mother lay dying, she asked Mime not to send her son forth into the world until he has known the meaning of fear. Siegfried agrees to discover this new emotion. But none of Mime’s stories make the slightest impression on him. Mime promises to take Siegfried to the dragon’s cave. But Siegfried needs the sword and he repairs Nothung himself from the broken shards. Mime then decides to kill Siegfried after his battle with the dragon and seize the treasure.

Act II
That night, in a thicket in the forest by the entrance to the cave, Alberich meets the Wanderer. The hoard of gold and the Ring that will give unlimited power over the world lie inside the cave. Wotan, the supreme god, had cheated Alberich of the treasure and gave it to the giants in exchange for their building the impregnable fortress of Valhalla. Fafner, one of the giants, killed his brother, transformed himself into a dragon and now guards the treasure in the cave. The Nibelung is powerless before the dragon and Wotan must observe the agreements they made. If Alberich ever has the Ring again, he will destroy Valhalla and make the world bend at his knee. “Mime himself has the same dream,” Wotan warns Alberich. The worried Alberich foretells the death of the gods.
Mime brings Siegfried to the dragon’s cave – here the hero will discover the meaning of fear. Tired by the long journey, Siegfried lies down to sleep. He dreams of his father and mother. The forest stirs, the birds begin to sing, and Siegfried calls back to them with his silver horn. Woken by the noise, the dragon creeps out of cave. Siegfried is not afraid of the monster and slays it. Before he dies, Fafner warns his victor: whoever put him up to this deed wishes to kill him. A drop of the dragon’s hot blood falls on Siegfried’s arm. He automatically licks the blood and is instantly able to comprehend what the birds are saying. They tell him secret power of the Ring and the helmet hidden in the cave. Of all the treasures that lie there, Siegfried must take only these two things. Siegfried hides in the cave.
Mime and Alberich appear. They are arguing over who now owns the treasure. The perfidious Mime intends to dispose of Siegfried, but now Siegfried can read the secret thoughts of men and he kills Mime. Alberich hides in the thicket.
The Woodbird tells Siegfried that the beautiful Brünnhilde lies asleep on a high mountain surrounded by flames. Only he who knows no fear will be able to pass through the fire. Brünnhilde will be Siegfried’s and the Woodbird will show him the way to her.

Act III
One stormy, thunderous night, Wotan calls Erda, Goddess of Fate, from the depths of the earth in order to know what the future holds. When she bore Wotan’s child Brünnhilde, however, she lost her prophetic gift: Mother Earth’s material wisdom passed to her daughter. However, Brünnhilde is unable to answer Wotan either, since he renounced his daughter when she opposed his will. And now the supreme god must freely surrender his rule over the world: a young hero is coming, fearless and free from the power of the gods. With the Ring of the Nibelung, the value of which he does not know, he will free the earth from the curse of the gold.
Day breaks. The storm has passed. Siegfried appears in the distance. Wotan tries to prevent the young hero from passing, blocking his path with his spear – the very spear that once shattered Nothung. This time, however, it is the spear which shatters into pieces. Wotan disappears.
The fiery wall parts before Siegfried and, at the top of crag, he sees a sleeping warrior clad in his armour. Siegfried removes the helmet and rips apart the armour with his sword – a beautiful girl lies before him. He is seized by an unknown feeling – could it be fear? He kisses her. The spell is broken and Brünnhilde awakes to new life and worldly love.

Act 1

Scene 1
A cave in rocks in the forest. An orchestral introduction includes references to leitmotifs including themes relating to the original hoard plundered by the Nibelung Alberich, and one in B-flat minor associated with the Nibelungs themselves. As the curtain rises, Alberich's brother, the dwarf Mime, is forging a sword. Mime is plotting to obtain the ring of power originally created by his brother Alberich. He has raised the human boy Siegfried as a foster child, to kill Fafner, who obtained the ring and other treasures in the opera Das Rheingold and has since transformed himself from a giant to a dragon. Mime needs a sword for Siegfried to use, but the youth has contemptuously broken every sword Mime has made. Siegfried returns from his wanderings in the forest with a wild bear in tow, and immediately breaks the new sword. After a whining speech by Mime about ingratitude, and how Mime has brought him up from a mewling infant ("Als zullendes Kind"), Siegfried senses why he keeps coming back to Mime although he despises him: he wants to know his parentage. Mime is forced to explain that he encountered Siegfried's mother, Sieglinde when she was in labor; she died giving birth to Siegfried. He shows Siegfried the broken pieces of the sword Nothung, which she had left in his custody. Siegfried orders him to reforge the sword; Mime, however, is unable to accomplish this. Siegfried departs, leaving Mime in despair.

Scene 2
An old man (Wotan in disguise) arrives at the door and introduces himself as the Wanderer. In return for the hospitality due a guest, he wagers his head on answering any three questions Mime may ask. The dwarf asks the Wanderer to name the races that live beneath the ground, on the earth, and in the skies. These are the Nibelung, the Giants, and the Gods, as the Wanderer answers correctly. The Wanderer then induces Mime to wager his own head on three further riddles: the race most beloved of Wotan, but most harshly treated; the name of the sword that can destroy Fafner; and the person who can repair the sword. Mime answers the first two questions: the Wälsungs (Siegmund and Sieglinde whose tale is told in the opera Die Walküre) and the sword Nothung. Mime has no problem with the first two questions, but cannot answer the last one. Wotan spares Mime, telling him that only "he who does not know fear" can reforge Nothung, and leaves Mime's head forfeit to that person.

Scene 3
Mime despairs as he imagines the ferocity of the dragon Fafner, while "the orchestra paints a dazzling picture of flickering lights and roaring flames". Siegfried returns and is annoyed by Mime's lack of progress. Mime realizes that Siegfried is "the one who does not know fear" and that unless he can instill fear in him, Siegfried will kill him as the Wanderer foretold. He tells Siegfried that fear is an essential craft; Siegfried is eager to learn it, and Mime promises to teach him by taking him to Fafner. Since Mime was unable to forge Nothung, Siegfried decides to do it himself. He succeeds by shredding the metal, melting it, and casting it anew. In the meantime, Mime brews a poisoned drink to offer Siegfried after the youth has defeated the dragon. After he finishes forging the sword, Siegfried demonstrates its strength by chopping the anvil in half with it.

Act 2

Scene 1
Deep in the forest. The Wanderer arrives at the entrance to Fafner's cave, where Alberich is keeping vigil. The two enemies recognize each other. Alberich boasts of his plans to regain the ring and rule the world. Wotan states that he does not intend to interfere, only to observe. He even offers to awaken the dragon so that Alberich can bargain with him. Alberich warns the dragon that a hero is coming to kill him, and offers to prevent the fight in exchange for the ring. Fafner dismisses the threat, declines Alberich's offer, and returns to sleep. Wotan leaves and Alberich withdraws, muttering threats.

Scene 2
At daybreak, Siegfried and Mime arrive. After assuring Siegfried that the dragon will teach him what fear is, Mime withdraws. As Siegfried waits for the dragon to appear, he hears a woodbird singing. He attempts to mimic the bird's song using a reed pipe, but is unsuccessful. He then plays a tune on his horn, which brings Fafner out of his cave. After a short exchange, they fight; Siegfried stabs Fafner in the heart with Nothung. In his last moments, Fafner learns Siegfried's name, and tells him to beware of treachery. When Siegfried withdraws his sword from Fafner's body, his hands are burned by the dragon's blood and he puts his finger in his mouth. On tasting the blood, he finds that he can understand the woodbird's song. Following its instructions, he takes the ring and the magic helmet Tarnhelm from Fafner's hoard.

Scene 3
Outside the cave, Alberich and Mime quarrel over the treasure. Alberich hides as Siegfried comes out of the cave. Siegfried complains to Mime that he has still not learned the meaning of fear. Mime offers him the poisoned drink; however, the magic power of the dragon's blood allows Siegfried to read Mime's treacherous thoughts, and he stabs him to death. He throws Mime's body into the treasure cave and places Fafner's body in the cave entrance to block it. The woodbird now sings of a woman sleeping on a rock surrounded by magic fire. Siegfried, wondering if he can learn fear from this woman, follows the bird towards the rock.

Act 3

Scene 1
At the foot of Brünnhilde's rock. The Wanderer summons Erda, the earth goddess. Erda, appearing confused, is unable to offer any advice. Wotan informs her that he no longer fears the end of the gods; indeed, it is his desire. His heritage will be left to Siegfried the Wälsung, and Brünnhilde (Erda's and Wotan's child), who will "work the deed that redeems the World." Dismissed, Erda sinks back into the earth.

Scene 2
Siegfried arrives, and the Wanderer questions the youth. Siegfried, who does not recognize his grandfather, answers insolently and starts down the path toward Brünnhilde's rock. The Wanderer blocks his path, but Siegfried mocks him, laughing at his floppy hat and his missing eye, and breaks his spear (the symbol of Wotan's authority) with a blow from Nothung. Wotan calmly gathers up the pieces and vanishes.

Scene 3
Siegfried passes through the ring of fire, emerging on Brünnhilde's rock. At first, he thinks the sleeping armored figure is a man. However, when he removes the armor, he finds a woman beneath. At the sight of the first woman he has ever seen, Siegfried at last experiences fear. In desperation, he kisses Brünnhilde, waking her from her magic sleep. Hesitant at first, Brünnhilde is won over by Siegfried's love, and renounces the world of the gods. Together, they hail "light-bringing love, and laughing death."

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 17:00
Acts: 3
Intervals: 2
Duration: 5h 10min
Sung in: German
Titles in: English,Russian
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