Medici Acquaviva Palace 23 January 2022 - La Traviata | GoComGo.com

La Traviata

Medici Acquaviva Palace, Naples, Italy
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7 PM
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Important Info
Type: Opera
City: Naples, Italy
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h
Sung in: Italian

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If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

“This Opera of love and loss is totally stunning, fully engaging and sometimes raises the hairs on the back of your neck.“
THE ARGUS

The mise en scène of ‘La Traviata’ by Giuseppe Verdi was first performed at the Gran Teatro La Fenice on March 6th 1853.
Musica a Palazzo join to the ‘indications for contemporaneity’ requested by Verdi on the first performance (which then caused a scandal due to its brazen realism).
At Musica a Palazzo the first act begins in the Party Hall and the spectators will realize with amazement that they are actually playing the role of Violetta’s guests (Traviata): she drinks a toast with them and among these, she will meet Alfredo.
The second act is staged in Salotto Barbaja, whose beauty and privacy are the perfect setting in which to appreciate the fineness of the character’s ‘inner speech’ and to be moved by her vicissitudes.
The drama of Violetta’s illness and death takes place in the Studio Rossini and nothing is able to distract the spectator from the emotional intensity of the song: the voices of the performers that are so intimately close will tug at your heartstrings.

History
Premiere of this production: 06 March 1853, Teatro La Fenice, Venice

La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.

Synopsis

Set in and around Paris in about 1850.

Act I

Violetta Valéry, a Parisian courtesan, greets the guests at her salon. Among them are Flora Bervoix, the Marchese D’Obigny, Baron Douphol and Gastone, who introduces Violetta to a new admirer of hers, Alfredo Germont. The young Germont, who has been admiring her from afar, joins her in a drinking song. An orchestra strikes up in an adjacent room, inviting the guests to dance. As the guests make their way to the ballroom, Violetta, who is suffering from consumption, feels faint; she therefore sends the guests on ahead and retires to her boudoir to recover. Alfredo enters and, realising that they are alone, admits his love for her. She replies that love means nothing to her. She
is, however, touched by the young man’s sincerity and promises to meet him the following day.
When the guests have departed, she asks herself whether Alfredo is the man she could love. Despite
the strains of Alfredo’s love song drifting in from outside, she decides she prefers her freedom.

Act II

scene 1
A few months later: Alfredo and Violetta have set up house together in the country, outside Paris. Alfredo says how happy they are, but when Violetta’s maid Annina lets on that Violetta has been selling her belongings to pay for the house, he hastens into town to raise the money himself. Violetta comes in search of him and discovers an invitation from her friend Flora to a soirée that very night. Violetta has no intention of returning to her former life, but she is forced to reconsider
on encountering Alfredo’s father. He is very taken with Violetta and her civilised manners but orders her to renounce Alfredo: his son’s scandalous liaison with Violetta is threatening his daughter’s forthcoming marriage. Violetta considers his demand unreasonable, but before long Germont succeeds in persuading her. Alone and desolate, Violetta sends a reply to Flora accepting her invitation and sits down to write a farewell letter to Alfredo. His return takes her by surprise, and she can barely restrain herself as she passionately reminds him how much she loves him before
rushing out. As the maid brings him Violetta’s farewell letter, Germont returns to console his son and reminds him of life in their family home in Provence. Alfredo spots Flora’s invitation and suspects that Violetta has left him for another man. In a rage, he decides to confront her at the soirée.

scene 2
At the soirée, Flora hears from the Marchese that Violetta and Alfredo have parted. Flora asks the guests to make way for a visiting troupe of performing gypsies. They are followed by matadors and a song about Piquillo and his sweetheart. Alfredo rushes in and delivers some bitter comments about love and gambling. Violetta appears on the arm of Baron Douphol, who challenges Alfredo to a game of cards and loses a small fortune to him. As the guests go in to supper, Violetta asks to have a word with Alfredo in private. She is afraid the Baron will be enraged by his loss and urges Alfredo to leave. Alfredo misunderstands her and orders her to admit she loves the Baron. Disappointed by Alfredo’s reaction, Violetta lies and confesses that yes, she does. Alfredo calls the other guests to gather round in order to denounce his former beloved in public and throws the money he has won at her feet. Germont, arriving at that very moment, expresses his disapproval of his son’s behaviour. The guests likewise rebuke Alfredo and Douphol challenges him to a duel.

Act III

Violetta’s bedroom, six months later. Dr Grenvil tells Annina that her mistress has not long to live –
the consumption has taken its toll. Alone, Violetta rereads a letter from Germont saying that the Baron was only slightly wounded in his duel with Alfredo, that Alfredo has heard the truth and is
coming to beg her pardon. But Violetta realises it is too late. It is carnival time in Paris and, the sounds of the revellers having passed, Annina rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris. Germont enters with the doctor just as Violetta rises from her bed with the last of her strength. Feeling a sudden rush of life, she sways and falls dead at her lover’s feet.

Venue Info

Medici Acquaviva Palace - Naples
Location   Via Toledo, 55

The Medici-Acquaviva Palace is a historic building in Naples, located in central Via Toledo.

Overlooking Via Toledo, the main artery of the City Center, this noble Neapolitan palace of the end ì600, previously belonged to the councilor D. Giuseppe Borgia, bears the name of the family who bought it in the mid-eighteenth century. It presents the portal of clear neoclassical inspiration. The southern side of the palace is built along with the layout of the Aragonese walls demolished by Don Pedro de Toledo in 1532.
On the second floor, there are the Barbaja salons, the descendants of that Domenico Barbaja, which was one of the greatest Italian theatrical impresarios of all time. To him, we owe the celebrity of the greatest operas of his time, one for all Gioachino Rossini. To him and to a Neapolitan nobles commission, including Michele dË Medici, there is to admit the reconstruction in 1816 in just 10 months, after the burning of Real Teatro San Carlo in Naples.

Important Info
Type: Opera
City: Naples, Italy
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h
Sung in: Italian
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