The Music Center. Dorothy Chandler Pavilion: Pelléas et Mélisande Tickets | Event Dates & Schedule | GoComGo.com

Pelléas et Mélisande Tickets

The Music Center. Dorothy Chandler Pavilion, Los Angeles, USA
Important Info
Type: Opera
City: Los Angeles, USA
Duration: 3h 5min with 1 interval
Acts: 5
Intervals: 1
Sung in: French
Titles in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
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Overview

Spoiler alert: this one doesn't end well for either of them.

Lost in the forest, a hunter encounters an ethereal beauty with a mysterious past (and the lushest locks in opera—sorry, Samson!). Returning home as his new bride, she grows increasingly close to his handsome younger half-brother. Conducted by James Conlon (who “never fails“ according to Variety), Debussy’s sensual, exquisitely nuanced score captures an enigmatic dream world where forbidden love blossoms.

Kate Lindsey and Yunpeng Wang star as the secret lovers, with Willard White as King Arkel.

"Raptly beautiful...altogether a really classy production"

– The Guardian (UK)

A Scottish Opera production

History
Premiere of this production: 30 April 1902, Opéra-Comique, Paris

Pelléas et Mélisande (Pelléas and Mélisande) is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play Pelléas et Mélisande. It was premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902 with Jean Périer as Pelléas and Mary Garden as Mélisande in a performance conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music.

Synopsis

Act I

Scene 1 – In a forest
Prince Golaud of Allemonde has become lost while hunting. He sees a young girl by a pool. There is a crown in the water, but she refuses to let him retrieve it for her. He gradually learns that she too is lost and that her name is Mélisande. Golaud persuades her to leave the forest with him.

Scene 2 – A room in the castle, six months later
Geneviève, mother to Golaud and his half-brother Pelléas, reads a letter to the almost-blind Arkel, King of Allemonde. It has been written by Golaud to Pelléas. It relates how Golaud has married Mélisande but knows as little about her now as when they met in the forest. Golaud is worried that Arkel, his grandfather, will not accept the marriage, so he asks Pelléas to send a sign that all is well: a light in a tower to signify that Arkel blesses the couple.

Pelléas wants to visit his dying friend, Marcellus, but Arkel reminds him that his own father is very ill too and that he must stay at home. Geneviève tells Pelléas he must light the lamp in the tower for Golaud.

Scene 3 – In front of the castle
Geneviève and Mélisande walk together in the dark gardens, where they encounter Pelléas. They watch a ship put out to sea. Mélisande recognizes it as the one that brought her. She believes it will sink. After Geneviève has left to look after Yniold, Golaud’s son from his first marriage, Pelléas offers Mélisande his hand to guide her. He says that he may have to go away the next morning. She asks him why.

Act II

Scene 1 – A well in the castle gardens
Pelléas brings Mélisande to a shaded well, out of the oppressive heat. Mélisande’s long hair falls into the water. Pelléas asks her about her first meeting with Golaud. She plays with the ring Golaud gave her; she throws it too high and it falls into the well. Mélisande asks Pelléas what she should do. He replies that she should tell Golaud “the truth.”

Scene 2 – A room in the castle
Mélisande sits beside Golaud, who is injured. He had been thrown from his horse as the clock chimed noon, the same time Mélisande lost the ring in the well. Mélisande says she is unhappy in the castle and wants to leave. As Golaud tries to comfort her, he notices her wedding ring is missing. Mélisande says she must have lost it in a cave by the sea where she went looking for shells for Yniold. Golaud demands that she find the ring, and that she take Pelléas to help her.

Scene 3 – A cave
At night, Pelléas accompanies Mélisande to the cave. The moon casts light inside, revealing sleeping beggars. Pelléas explains that there is a famine in the land, and that these impoverished people have sought refuge in the cave.

Act III

Scene 1 – A tower of the castle
Mélisande combs her long hair at a high window. Pelléas intends to leave the following day and would like to kiss her hand. As Mélisande leans out, her hair falls, and he kisses that instead. He traps her by tying it to the nearby branches of the trees. Golaud suddenly arrives. He angrily tells the pair to stop behaving like children.

Scene 2 – The castle vaults
Golaud forces Pelléas to look into a stagnant well.

Scene 3 – The entrance to the vaults, noon
Golaud warns Pelléas not to continue his childish games with Mélisande. She might be pregnant and mustn’t have any unexpected shocks. Pelléas should avoid her as tactfully as possible.

Scene 4 – In front of the castle, dawn
Golaud asks Yniold what he knows about Pelléas and Mélisande. The boy offers few answers. Golaud lifts him onto his shoulders so that he can see into Mélisande’s room. She is there with Pelléas. Yniold reports that they are looking at the light. Frightened, he struggles and begs to be let down. They leave.

Intermission

Act IV

Scene 1 – A room in the castle
Pelléas tells Mélisande that his father is recovering his health and has urged Pelléas to leave on his travels. Pelléas and Mélisande arrange to meet for a final time at the well in the gardens.

Scene 2 – The same room
Arkel tells Mélisande that he felt deeply sorry for her when she first arrived, but now hopes for a brighter future. Golaud storms in, bleeding—wounded apparently by a thorn. When Mélisande tries to help him, he demands his sword. Mélisande is terrified. Mocking her innocent demeanor, he grabs his wife by her hair and drags her across the floor. With her husband out of the room, Mélisande tells Arkel that Golaud doesn’t love her any more.

Scene 3 – A well in the castle gardens
Yniold is trying to free a ball from under a stone. He sees a shepherd approach with his flock. The sheep are bleating in fear. He calls out to the shepherd to ask why. A voice replies that this isn’t the way to the fold. Frightened, Yniold runs off.

Scene 4 – The same well, night
Pelléas is joined by Mélisande. They finally declare their love for each other. They hear the castle doors being locked and are resigned to their fate. As they kiss, Golaud emerges from the shadows. He kills Pelléas. Wounded, Mélisande flees, pursued by Golaud.

Act V

A room in the castle
Mélisande has given birth to a baby girl. A doctor is bewildered as to why she is fading away. Alone with her, Golaud asks for Mélisande’s forgiveness. Mélisande maintains her innocence, though Golaud continues to press her for the truth. Arkel returns with the baby. Mélisande sees that the baby doesn’t cry. Mélisande dies.

Synopsis courtesy of Scottish Opera

Act 1

Scene 1: A forest

Prince Golaud, grandson of King Arkel of Allemonde, has become lost while hunting in the forest. He discovers a frightened, weeping girl sitting by a spring in which a crown is visible. She reveals her name is Mélisande but nothing else about her origins and refuses to let Golaud retrieve her crown from the water. Golaud persuades her to come with him before the forest gets dark.

Scene 2: A room in the castle

Six months have passed. Geneviève, the mother of the princes Golaud and Pelléas, reads a letter to the aged and nearly blind King Arkel. It was sent by Golaud to his brother Pelléas. In it Golaud reveals that he has married Mélisande, although he knows no more about her than on the day they first met. Golaud fears that Arkel will be angry with him and tells Pelléas to find how he reacts to the news. If the old man is favourable then Pelléas should light a lamp from the tower facing the sea on the third day; if Golaud does not see the lamp shining, he will sail on and never return home. Arkel had planned to marry the widowed Golaud to Princess Ursule in order to put an end to "long wars and ancient hatreds", but he bows to fate and accepts Golaud's marriage to Mélisande. Pelléas enters, weeping. He has received a letter from his friend Marcellus, who is on his deathbed, and wants to travel to say goodbye to him. Arkel thinks Pelléas should wait for the return of Golaud, and also reminds Pelléas of his own father, lying sick in bed in the castle. Geneviève tells Pelléas not to forget to light the lamp for Golaud.

Scene 3: Before the castle

Geneviève and Mélisande walk in the castle grounds. Mélisande remarks how dark the surrounding gardens and forest are. Pelléas arrives. They look out to sea and notice a large ship departing and a lighthouse shining, Mélisande foretells that it will sink. Night falls. Geneviève goes off to look after Yniold, Golaud's young son by his previous marriage. Pelléas attempts to take Melisande's hand to help her down the steep path but she refuses saying that she is holding flowers. He tells her he might have to go away tomorrow. Mélisande asks him why.

Act 2

Scene 1: A well in the park

It is a hot summer day. Pelléas has led Mélisande to one of his favourite spots, the "Blind Men's Well". People used to believe it possessed miraculous powers to cure blindness but since the old king's eyesight started to fail, they no longer come there. Mélisande lies down on the marble rim of the well and tries to see to the bottom. Her hair loosens and falls into the water. Pelléas notices how extraordinarily long it is. He remembers that Golaud first met Mélisande beside a spring and asks if he tried to kiss her at that time but she does not answer. Mélisande plays with the ring Golaud gave her, throwing it up into the air until it slips from her fingers into the well. Pelléas tells her not to be concerned but she is not reassured. He also notes that the clock was striking twelve as the ring dropped into the well. Mélisande asks him what she should tell Golaud. He replies, "the truth."

Scene 2: A room in the castle

Golaud is lying in bed with Mélisande at the bedside. He is wounded, having fallen from his horse while hunting. The horse suddenly bolted for no reason as the clock struck twelve. Mélisande bursts into tears and says she feels ill and unhappy in the castle. She wants to go away with Golaud. He asks her the reason for her unhappiness but she refuses to say. When he asks her if the problem is Pelléas, she replies that he is not the cause but she does not think he likes her. Golaud tells her not to worry: Pelléas can behave oddly and he is still very young. Mélisande complains about the gloominess of the castle, today was the first time she saw the sky. Golaud says that she is too old to be crying for such reasons and takes her hands to comfort her and notices the wedding ring is missing. Golaud becomes furious, Mélisande claims she dropped it in a cave by the sea where she went to collect shells with little Yniold. Golaud orders her to go and search for it at once before the tide comes in, even though night has fallen. When Mélisande replies that she is afraid to go alone, Golaud tells her to take Pelléas along with her.

Scene 3: Before a cave

Pelléas and Mélisande make their way down to the cave in pitch darkness. Mélisande is frightened to enter, but Pelléas tells her she will need to describe the place to Golaud to prove she has been there. The moon comes out lighting the cave and reveals three beggars sleeping in the cave. Pelléas explains there is a famine in the land. He decides they should come back another day.

Act 3

Scene 1: One of the towers of the castle

Mélisande is at the tower window, singing a song (Mes longs cheveux) as she combs her hair. Pelléas appears and asks her to lean out so he can kiss her hand as he is going away the next day. He cannot reach her hand but her long hair tumbles down from the window and he kisses and caresses it instead. Pelléas playfully ties Mélisande's hair to a willow tree in spite of her protests that someone might see them. A flock of doves takes flight. Mélisande panics when she hears Golaud's footsteps approaching. Golaud dismisses Pelléas and Mélisande as nothing but a pair of children and leads Pelléas away.

Scene 2: The vaults of the castle

Golaud leads Pelléas down to the castle vaults, which contain the dungeons and a stagnant pool which has "the scent of death". He tells Pelléas to lean over and look into the chasm while he holds him safely. Pelléas finds the atmosphere stifling and they leave.

Scene 3: A terrace at the entrance of the vaults

Pelléas is relieved to breathe fresh air again. It is noon. He sees Geneviève and Mélisande at a window in the tower. Golaud tells Pelléas that there must be no repeat of the "childish game" between him and Mélisande last night. Mélisande is pregnant and the least shock might disturb her health. It is not the first time he has noticed there might be something between Pelléas and Mélisande but Pelléas should avoid her as much as possible without making this look too obvious.

Scene 4: Before the castle

Golaud sits with his little son, Yniold, in the darkness before dawn and questions him about Pelléas and Mélisande. The boy reveals little that Golaud wants to know since he is too innocent to understand what he is asking. He says that Pelléas and Mélisande often quarrel about the door and that they have told Yniold he will one day be as big as his father. Golaud is puzzled when learning that they (Pelléas and Mélisande) never send Yniold away because they are afraid when he is not there and keep on crying in the dark. He admits that he once saw Pelléas and Mélisande kiss "when it was raining". Golaud lifts his son on his shoulders to spy on Pelléas and Mélisande through the window but Yniold says that they are doing nothing other than looking at the light. He threatens to scream unless Golaud lets him down again. Golaud leads him away.

Act 4

Scene 1: A room in the castle

Pelléas tells Mélisande that his father is getting better and has asked him to leave on his travels. He arranges a last meeting with Mélisande by the Blind Men's Well in the park.

Scene 2: The same

Arkel tells Mélisande how he felt sorry for her when she first came to the castle "with the strange, bewildered look of someone constantly awaiting a calamity". But now that is going to change and Mélisande will "open the door to a new era that I foresee". He asks her to kiss him. Golaud bursts in with blood on his forehead — he claims it was caused by a thorn hedge. When Mélisande tries to wipe the blood away, he angrily orders her not to touch him and demands his sword. He says that another peasant has died of starvation. Golaud notices Mélisande is trembling and tells her he is not going to kill her with the sword. He mocks the "great innocence" Arkel says he sees in Mélisande's eyes. He commands her to close them or "I will shut them for a long time." He tells Mélisande that she disgusts him and drags her around the room by her hair. When Golaud leaves, Arkel asks if he is drunk. Mélisande simply replies that he does not love her any more. Arkel comments: "If I were God, I would have pity on the hearts of men".

Scene 3: A well in the park

Yniold tries to lift a boulder to free his golden ball, which is trapped between it and some rocks. As darkness falls, he hears a flock of sheep suddenly stop bleating. A shepherd explains that they have turned onto a path that doesn't lead back to the sheepfold, but does not answer when Yniold asks where they will sleep. Yniold goes off to find someone to talk to.

Scene 4: The same

Pelléas arrives alone at the well. He is worried that he has become deeply involved with Mélisande and fears the consequences. He knows he must leave but first, he wants to see Mélisande one last time and tell her things he has kept to himself. Mélisande arrives. She was able to slip out without Golaud's noticing. At first she is distant but when Pelléas tells her he is going away she becomes more affectionate. After admitting his love for her, Mélisande confesses that she has loved him since she first saw him. Pelléas hears the servants shutting the castle gates for the night. Now they are locked out, but Mélisande says that it is for the better. Pelléas is resigned to fate too. After the two kiss, Mélisande hears something moving in the shadows. It is Golaud, who has been watching the couple from behind a tree. Golaud strikes down a defenseless Pelléas with his sword and kills him. Mélisande is also wounded but she flees into the woods saying to a dying Pelléas that she does not have courage.

Act 5

A bedroom in the castle

Mélisande sleeps in a sick bed after giving birth to her child. The doctor assures Golaud that despite her wound, her condition is not serious. Overcome with guilt, Golaud claims he has killed for no reason. Pelléas and Mélisande merely kissed "like a brother and sister". Mélisande wakes and asks for a window to be opened so she can see the sunset. Golaud asks the doctor and Arkel to leave the room so he can speak with Mélisande alone. He blames himself for everything and begs Mélisande's forgiveness. Golaud presses Mélisande to confess her forbidden love for Pelléas. She maintains her innocence in spite of Golaud's increasingly desperate pleas to her to tell the truth. Arkel and the doctor return. Arkel tells Golaud to stop before he kills Mélisande, but he replies "I have already killed her". Arkel hands Mélisande her newborn baby girl but she is too weak to lift the child in her arms and remarks that the baby does not cry and that she will live a sad existence. The room fills with serving women, although no one can tell who has summoned them. Mélisande quietly dies. At the moment of death, the serving women fall to their knees. Arkel comforts the sobbing Golaud.

Venue Info

The Music Center. Dorothy Chandler Pavilion - Los Angeles
Location   135 N. Grand Avenue, 90012

As one of the nation’s largest performing arts centers, and as a cultural anchor in Los Angeles County, The Music Center convenes artists, communities and ideas with the goal of enriching the cultural lives of every resident.

With America’s most diverse population, Los Angeles is the cultural hub of the country and the location for more entertainment options and venues than anywhere else in the U.S. As one of the nation’s largest performing arts centers, and as a cultural anchor in Los Angeles County, The Music Center brings together artists, communities and ideas with the goal of enriching the cultural lives of every Angeleno. With our vision, The Music Center is poised to become a multidisciplinary arts center for the 21st century and a driving artistic voice for diversity and inclusion that reflects and responds to the ever-evolving landscape of Los Angeles. By offering compelling cultural and civic programs that are relevant to a wide range of audiences, The Music Center is both the home and the force behind some of the greatest creative expression today. 

The non-profit Music Center organization has three divisions: TMC Arts, TMC Ops and TMC Business Services. TMC Arts, The Music Center’s programming engine, provides year-round programming inside our four theatres, on Jerry Moss Plaza, outside at Grand Park—a 12-acre adjacent green space—in schools and neighborhoods all over Los Angeles County and on a variety of digital platforms. TMC Arts also has a comprehensive K-12 arts learning program. TMC Ops manages The Music Center’s four theatres, Jerry Moss Plaza and Grand Park on behalf of the County of Los Angeles, while TMC Business Resources includes services provided by our Advancement, Finance and Marketing and Communications teams. The Music Center has four renowned resident companies—Center Theatre Group, Los Angeles Master Chorale, LA Opera and LA Phil. 

Visit The Music Center, and you’ll find many ways you can experience arts and cultural experiences. The Music Center’s programming arm, TMC Arts, creates inclusive arts and cultural experiences across numerous genres—for, with and by the community—both on our stages and in our outdoor spaces including on Jerry Moss Plaza and in Grand Park. Our four resident companies offer world-class presentations on our stages with an emphasis on theatre, choral music, opera and classical music. 

Important Info
Type: Opera
City: Los Angeles, USA
Duration: 3h 5min with 1 interval
Acts: 5
Intervals: 1
Sung in: French
Titles in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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