Prague National Theatre tickets 4 June 2027 - Giselle | GoComGo.com

Giselle

Prague National Theatre, The State Opera, Prague, Czech Republic
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7 PM
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US$ 72

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Prague, Czech Republic
Starts at: 19:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Czech National Ballet
Orchestra: The State Opera Orchestra
Creators
Composer: Adolphe Adam
Choreographer: Filip Barankiewicz
Poet: Heinrich Heine
Librettist: Jules-Henri Vernoy de Saint-Georges
Librettist: Théophile Gautier
Overview

A quintessentially Romantic ballet, Giselle is a masterpiece of the classical performance canon.

With its original version premiered in Paris in 1841, Giselle is one of the major staples of the ballet repertoire and part of the global cultural legacy. The widely popular piece tells the story of tragic love, which even endures betrayal and prevails over death.

Giselle juxtaposes and blends two contrasting worlds. While Act 1 provides a realistic, natural picture of the countryside, abounding in colour, sunshine and simple joy, Act 2 unfurls amid the dreamy atmosphere of ballet blanc, the ethereal supernatural universe of fairies, featuring enthralling, and much quoted, passages.

Over the centuries, Giselle has remained a frequently performed ballet owing to the continuous passing down of the tradition. Even though the choreography has undergone modifications (from Coralli and Perrot’s original ballet in France to major changes made by Marius Petipa in Russia), the core has remained the same. Portraying the title role is a daunting challenge for every ballerina, as it entails the transformation of a naïve village girl, losing her mind and ultimately becoming a spectre, protecting her beloved even from the Underworld. 

Our new production of Giselle will be created by Filip Barankiewicz, Artistic Director of the Czech National Ballet, who explains his concept as follows: “This new production is conceived as an adaptation of choreography based on traditional versions and shaped through dramaturgical work and deep respect for stylistic legacy. I will be serving as the curator of this new Giselle, drawing upon my ample professional experience with multiple interpretations of the work as a performer and close collaboration on other productions. The adaptation reflects a considered artistic view of how Giselle can speak with renewed clarity and emotional truth to contemporary.

History
Premiere of this production: 28 June 1841, Salle Le Peletier, Paris, France

Giselle is a romantic ballet in two acts. It was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. The ballet was an unqualified triumph. Giselle became hugely popular and was staged at once across Europe, Russia, and the United States. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg.

 

Synopsis

Act I

The ballet opens on a sunny autumnal morning in the Rhineland during the Middle Ages. The grape harvest is in progress. Duke Albrecht of Silesia, a young nobleman, has fallen in love with a shy, beautiful peasant girl, Giselle, despite being betrothed to Bathilde, the daughter of the Duke of Courland. Albrecht disguises himself as a humble villager called "Loys" in order to court the enchanting and innocent Giselle, who knows nothing of his true identity. With the help of his squire, Albrecht hides his fine attire, hunting horn, and sword before coaxing Giselle out of her house to romance her as the harvest festivities begin.

Hilarion, a local gamekeeper, is also in love with Giselle and is highly suspicious of the newcomer who has won Giselle's affections. He tries to convince the naive Giselle that her beau cannot be trusted, but she ignores his warnings. Giselle's mother, Berthe, is very protective of her daughter, as Giselle has a weak heart that leaves her in delicate health. She discourages a relationship between Giselle and Loys, thinking Hilarion would be a better match, and disapproves of Giselle's fondness for dancing, due to the strain on her heart.

A party of noblemen seeking refreshment following the rigors of the hunt arrive in the village, Albrecht's betrothed, Bathilde, among them. Albrecht hurries away, knowing he would be recognized and greeted by Bathilde, exposing him as a nobleman. The villagers welcome the party, offer them drinks, and perform several dances. Bathilde is charmed with Giselle's sweet and demure nature, not knowing of her relationship with Albrecht. Giselle is honored when the beautiful and regal stranger offers her a necklace as a gift before the group of nobles depart.

The villagers continue the harvest festivities, and Albrecht emerges again to dance with Giselle, who is named the Harvest Queen. Hilarion interrupts the festivities. He has discovered Albrecht's finely made sword and presents it as proof that the lovesick peasant boy is really a nobleman who is promised to another woman. Using Albrecht's hunting horn, Hilarion calls back the party of noblemen. Albrecht has no time to hide and has no choice but to greet Bathilde as his betrothed. All are shocked by the revelation, but none more than Giselle, who becomes inconsolable when faced with her lover's deception. Knowing that they can never be together, Giselle flies into a mad fit of grief in which all the tender moments she shared with "Loys" flash before her eyes. She begins to dance wildly and erratically, ultimately causing her weak heart to give out. She collapses before dying in Albrecht's arms. Hilarion and Albrecht turn on each other in rage before Albrecht flees the scene in misery. The curtain closes as Berthe weeps over her daughter's body.

In the original version, taken up again recently by a production of the ROB, Giselle stabs herself with Albrecht's sword, which explains why her body is laid to rest in the forest, in unhallowed ground, where the Wilis have the power to summon her. Most modern versions are sanitized and have edited out the suicide.

Act II

Late at night, Hilarion mourns at Giselle's forest grave, but is frightened away by the arrival of the Wilis, the ghostly spirits of maidens betrayed by their lovers. Many Wili were abandoned on their wedding days, and all died of broken hearts. The Wilis, led by their merciless queen Myrtha, dance and haunt the forest at night to exact their revenge on any man they encounter, regardless of who he may be, forcing their victims to dance until they die of exhaustion.

Myrtha and the Wilis rouse Giselle's spirit from her grave and induct her into their clan before disappearing into the forest. Albrecht arrives to lay flowers on Giselle's grave and he weeps with guilt over her death. Giselle's spirit appears and Albrecht begs her forgiveness. Giselle, her love undiminished unlike her vengeful sisters, gently forgives him. She disappears to join the rest of the Wilis and Albrecht desperately follows her.

Meanwhile, the Wilis have cornered a terrified Hilarion. They use their magic to force him to dance until he is nearly dead, and then drown him in a nearby lake. Then they spy Albrecht, and turn on him, sentencing him to death as well. He pleads to Myrtha for his life, but she coldly refuses. Giselle's pleas are also dismissed and Albrecht is forced to dance until sunrise. However, the power of Giselle's love counters the Wilis' magic and spares his life. The other spirits return to their graves at daybreak, but Giselle has broken through the chains of hatred and vengeance that control the Wilis, and is thus released from their powers and will haunt the forest no longer. After bidding a tender farewell to Albrecht, Giselle returns to her grave to rest in peace.

Venue Info

Prague National Theatre - Prague
Location   Národní 2

The National Theatre is the prime stage of the Czech Republic. It is also one of the symbols of national identity and a part of the European cultural space, with a tradition spanning more than 130 years. It is the bearer of the national cultural heritage, as well as a space for free artistic creation.

The National Theatre (Czech: Národní divadlo) in Prague is known as the alma mater of Czech opera, and as the national monument of Czech history and art.

The National Theatre belongs to the most important Czech cultural institutions, with a rich artistic tradition, which helped to preserve and develop the most important features of the nation–the Czech language and a sense for a Czech musical and dramatic way of thinking.

Today, the National Theatre is made up of four artistic companies – the Opera, Drama, Ballet and Laterna magika. It artistically manages four stages – the three historical buildings: the National Theatre (1883), the State Opera (1888), and the Estates Theatre (1783), and the more recently opened New Stage (1983). The Opera, Drama and Ballet companies perform not only titles from the ample classical legacy, in addition to Czech works, they also focus on contemporary international creation.

Grand opening

The National Theatre was opened for the first time on 11 June 1881, to honour the visit of Crown Prince Rudolf of Austria. Bedřich Smetana's opera Libuše was given its world premiere, conducted by Adolf Čech. Another 11 performances were presented after that. Then the theatre was closed down to enable the completion of the finishing touches. While this work was under way a fire broke out on 12 August 1881, which destroyed the copper dome, the auditorium, and the stage of the theatre.

The fire was seen as a national catastrophe and was met with a mighty wave of determination to take up a new collection: Within 47 days a million guldens were collected. This national enthusiasm, however, did not correspond to the behind-the-scenes battles that flared up following the catastrophe. Architect Josef Zítek was no longer in the running, and his pupil architect Josef Schulz was summoned to work on the reconstruction. He was the one to assert the expansion of the edifice to include the block of flats belonging to Dr. Polák that was situated behind the building of the Provisional Theatre. He made this building a part of the National Theatre and simultaneously changed somewhat the area of the auditorium to improve visibility. He did, however, take into account with utmost sensitivity the style of Zítek's design, and so he managed to merge three buildings by various architects to form an absolute unity of style.

Important Info
Type: Ballet
City: Prague, Czech Republic
Starts at: 19:00
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