Royal Opera House (Covent Garden) tickets 14 February 2026 - Giselle | GoComGo.com

Giselle

Royal Opera House (Covent Garden), Main Stage, London, Great Britain
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7 PM
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E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: London, Great Britain
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h 20min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Creators
Composer: Adolphe Adam
Choreographer: Jean Coralli
Choreographer: Jules Perrot
Choreographer: Marius Petipa
Poet: Heinrich Heine
Librettist: Jules-Henri Vernoy de Saint-Georges
Additional choreography: Peter Wright
Librettist: Théophile Gautier
Overview

A love that haunts. Peter Wright’s acclaimed production of the greatest of all Romantic ballets is superbly atmospheric in its telling of Marius Petipa’s classic tale of love, betrayal and the supernatural.

The world turns upside down for the peasant girl Giselle when she discovers her lover Albrecht is actually a nobleman promised to another. In despair, she kills herself. Her spirit joins the Wilis, the vengeful ghosts of women who have been jilted and die before their wedding day. The Wilis are hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost. Will he survive?

 

From earthly to otherworldly

Peter Wright’s production for The Royal Ballet was created in 1985. With designs by John Macfarlane and set to Adolphe Adam’s score, this production conjures up two distinctly vivid realms, transporting audiences from the pastoral idyll of Act I to the menacingly moonlit graveyard of Act II as the tragic story unfolds.

The quintessential Romantic ballet

The supernatural power of Giselle makes it one of the best balletic examples of the 19th-century Romantic genre. The plot’s themes of love, betrayal and redemption were inspired by Heinrich Heine’s De l’Allemagne and Victor Hugo’s poem Fantômes. The spectral beauty of the ballet is at its height during the Dance of the Wilis in Act II, where the Wilis gather around Giselle’s grave – also a moment of technical brilliance for the Company’s corps de ballet. Since its first performance in Paris in 1841, Giselle continues to captivate audiences worldwide.

The prolific opera and ballet composer Adolphe Adam composed the music. Jean Coralli and Jules Perrot created the original choreography. The role of Giselle was intended for Carlotta Grisi as her debut piece for the Paris public, and she was the only ballerina to dance it at the Paris Opera for many years. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg. One of the world's most-often performed classical ballets, it is also one of its most challenging to dance.

History
Premiere of this production: 28 June 1841, Salle Le Peletier, Paris, France

Giselle is a romantic ballet in two acts. It was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. The ballet was an unqualified triumph. Giselle became hugely popular and was staged at once across Europe, Russia, and the United States. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg.

 

Synopsis

Act I

The ballet opens on a sunny autumnal morning in the Rhineland during the Middle Ages. The grape harvest is in progress. Duke Albrecht of Silesia, a young nobleman, has fallen in love with a shy, beautiful peasant girl, Giselle, despite being betrothed to Bathilde, the daughter of the Duke of Courland. Albrecht disguises himself as a humble villager called "Loys" in order to court the enchanting and innocent Giselle, who knows nothing of his true identity. With the help of his squire, Albrecht hides his fine attire, hunting horn, and sword before coaxing Giselle out of her house to romance her as the harvest festivities begin.

Hilarion, a local gamekeeper, is also in love with Giselle and is highly suspicious of the newcomer who has won Giselle's affections. He tries to convince the naive Giselle that her beau cannot be trusted, but she ignores his warnings. Giselle's mother, Berthe, is very protective of her daughter, as Giselle has a weak heart that leaves her in delicate health. She discourages a relationship between Giselle and Loys, thinking Hilarion would be a better match, and disapproves of Giselle's fondness for dancing, due to the strain on her heart.

A party of noblemen seeking refreshment following the rigors of the hunt arrive in the village, Albrecht's betrothed, Bathilde, among them. Albrecht hurries away, knowing he would be recognized and greeted by Bathilde, exposing him as a nobleman. The villagers welcome the party, offer them drinks, and perform several dances. Bathilde is charmed with Giselle's sweet and demure nature, not knowing of her relationship with Albrecht. Giselle is honored when the beautiful and regal stranger offers her a necklace as a gift before the group of nobles depart.

The villagers continue the harvest festivities, and Albrecht emerges again to dance with Giselle, who is named the Harvest Queen. Hilarion interrupts the festivities. He has discovered Albrecht's finely made sword and presents it as proof that the lovesick peasant boy is really a nobleman who is promised to another woman. Using Albrecht's hunting horn, Hilarion calls back the party of noblemen. Albrecht has no time to hide and has no choice but to greet Bathilde as his betrothed. All are shocked by the revelation, but none more than Giselle, who becomes inconsolable when faced with her lover's deception. Knowing that they can never be together, Giselle flies into a mad fit of grief in which all the tender moments she shared with "Loys" flash before her eyes. She begins to dance wildly and erratically, ultimately causing her weak heart to give out. She collapses before dying in Albrecht's arms. Hilarion and Albrecht turn on each other in rage before Albrecht flees the scene in misery. The curtain closes as Berthe weeps over her daughter's body.

In the original version, taken up again recently by a production of the ROB, Giselle stabs herself with Albrecht's sword, which explains why her body is laid to rest in the forest, in unhallowed ground, where the Wilis have the power to summon her. Most modern versions are sanitized and have edited out the suicide.

Act II

Late at night, Hilarion mourns at Giselle's forest grave, but is frightened away by the arrival of the Wilis, the ghostly spirits of maidens betrayed by their lovers. Many Wili were abandoned on their wedding days, and all died of broken hearts. The Wilis, led by their merciless queen Myrtha, dance and haunt the forest at night to exact their revenge on any man they encounter, regardless of who he may be, forcing their victims to dance until they die of exhaustion.

Myrtha and the Wilis rouse Giselle's spirit from her grave and induct her into their clan before disappearing into the forest. Albrecht arrives to lay flowers on Giselle's grave and he weeps with guilt over her death. Giselle's spirit appears and Albrecht begs her forgiveness. Giselle, her love undiminished unlike her vengeful sisters, gently forgives him. She disappears to join the rest of the Wilis and Albrecht desperately follows her.

Meanwhile, the Wilis have cornered a terrified Hilarion. They use their magic to force him to dance until he is nearly dead, and then drown him in a nearby lake. Then they spy Albrecht, and turn on him, sentencing him to death as well. He pleads to Myrtha for his life, but she coldly refuses. Giselle's pleas are also dismissed and Albrecht is forced to dance until sunrise. However, the power of Giselle's love counters the Wilis' magic and spares his life. The other spirits return to their graves at daybreak, but Giselle has broken through the chains of hatred and vengeance that control the Wilis, and is thus released from their powers and will haunt the forest no longer. After bidding a tender farewell to Albrecht, Giselle returns to her grave to rest in peace.

Venue Info

Royal Opera House (Covent Garden) - London
Location   Bow St, Covent Garden

The Royal Opera House (ROH) is an opera house and major performing arts venue in London and Great Britain. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House.

The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. Originally called the Theatre Royal, it served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, Handel's first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.

The current building is the third theatre on the site following disastrous fires in 1808 and 1856. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, making it the third largest in London, and consists of four tiers of boxes and balconies and the amphitheatre gallery. The proscenium is 12.20 m wide and 14.80 m high. The main auditorium is a Grade I listed building.

The Royal Opera, under the direction of Antonio Pappano, is one of the world’s leading opera companies. Based in the iconic Covent Garden theatre, it is renowned both for its outstanding performances of traditional opera and for commissioning new works by today’s leading opera composers, such as Harrison Birtwistle, Mark-Anthony Turnage and Thomas Adès.

The Royal Ballet is one of the world’s greatest ballet companies. Under the directorship of Kevin O’Hare, the Company unites tradition and innovation in world-class performances at our Covent Garden home.

The Company’s extensive repertory embraces 19th-century classics, the singular legacy of works by Founder Choreographer Frederick Ashton and Principal Choreographer Kenneth MacMillan and a compelling new canon by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon.

The Orchestra performs in concerts of their own, including performances at the Royal Opera House with Antonio Pappano. They have also performed at venues worldwide including Symphony Hall (Birmingham), Cadogan Hall, the Vienna Konzerthaus and on tour with The Royal Opera.

Members of the Orchestra play an active role in events across the Royal Opera House, including working with the Learning and Participation teams. The Orchestra accompanies performances that are streamed all over the world, including through cinema screenings and broadcasts. They appear on many CDs and DVDs including Pappano’s acclaimed studio recording of Tristan und Isolde with Plácido Domingo and Nina Stemme.

The Orchestra of the Royal Opera House was founded in 1946 when the Royal Opera House reopened after World War II.

Important Info
Type: Ballet
City: London, Great Britain
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h 20min
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