Royal Opera House (Covent Garden) tickets 30 September 2025 - The Sicilian Vespers | GoComGo.com

The Sicilian Vespers

Royal Opera House (Covent Garden), Main Stage, London, Great Britain
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6:30 PM
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US$ 92

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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: London, Great Britain
Starts at: 18:30
Intervals: 2
Duration: 4h
Sung in: French
Titles in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Soprano: Marina Rebeka (Elena)
Bass-Baritone: Ildebrando D'Arcangelo (Giovanni da Procida)
Baritone: Quinn Kelsey (Monforte)
Conductor: Speranza Scappucci
Chorus: Royal Opera Chorus
Tenor: SeokJong Baek (Henri)
Creators
Opera Company: The Royal Opera
Composer: Giuseppe Verdi
Librettist: Charles Duveyrier
Librettist: Eugène Scribe
Director: Stefan Herheim
Overview

Revolutionary spirit and bloodthirsty tragedy in Verdi’s spectacular grand opera.

Verdi’s enthralling tale of loyalty and revenge unfolds against the backdrop of opulent 19th-century Paris.

Sicily is living under French occupation. Hélène, a Sicilian noblewoman, seeks revenge for her brother’s execution at the hands of the French. Meanwhile her lover, Henri, is torn between his Sicilian roots and his loyalty to Montfort, the French governor – whom he learns is his father. As the young couple’s romance begins to fracture and political tensions rise, the Sicilians plot a rebellion against their French occupiers, culminating in a climactic confrontation during the evening prayers.

Speranza Scappucci makes her debut as Principal Guest Conductor of The Royal Opera, bringing Verdi's grand opera to electrifying life. Stefan Herheim's enthralling production features an all-star cast, including Marina Rebeka, SeokJong Baek, Ildebrando D'Arcandelo and Quinn Kelsey.

The Real Sicilian Vespers

The Sicilian Vespers was a real historical event that took place on 30 March 1282, in Palermo, Sicily. It began as a bloody uprising by the Sicilian people against the oppressive rule of Charles I of Anjou, the French king who had taken control of the Italian island in 1266. Frustrated by high taxes, forced labour and foreign rule, the Sicilians were ready to revolt. The spark for their rebellion came on Easter Monday during evening prayers – or ‘vespers’ – when a conflict erupted between Sicilians and French soldiers at the Church of the Holy Spirit. According to legend, a French soldier insulted a Sicilian woman, leading to outrage among the Sicilians, who attacked and killed him. This set off a spontaneous uprising across the island, with Sicilians slaughtering thousands of French civilians in an attempt to rid Sicily of foreign domination.

Verdi’s Version

Verdi’s Les Vêpres siciliennes (also I vespri siciliani, in Verdi’s later-composed Italian version) draws directly from the events of the rebellion, its foundation in Sicilian defiance against French rule setting the scene for a rich drama of divided loyalties and revenge. The opera’s political message resonated with Verdi’s own times, as Italy in the 19th century was embroiled in a struggle for unification – known as the ‘Risorgimento’ – and independence from foreign rule. By reimagining a historical rebellion, Verdi not only dramatised the timeless themes of oppression and resistance, but also subtly aligned the opera with Italian nationalistic sentiments.

Grand Opera at its Finest

Weaving elements of French grand opera – elaborate choruses, ballet and monumental set pieces – with Verdi's signature Italianate lyricism and emotional directness, Les Vêpres siciliennes captures both the grandeur of historical epics and the intimacy of personal conflict. Pairing sweeping orchestration with intense vocal writing, the score is marked by striking contrasts between soaring arias, powerful ensembles and moments of lyrical tenderness.

History
Premiere of this production: 26 December 1855, Teatro Regio, Parma

I vespri siciliani (Les vêpres siciliennes) is a five-act Italian opera originally written in French for the Paris Opéra by the Italian romantic composer Giuseppe Verdi and translated into Italian shortly after its premiere in June 1855. The story is loosely based on a historical event, the Sicilian Vespers of 1282, using material drawn from the medieval Sicilian tract Lu rebellamentu di Sichilia.

Synopsis

Place: Palermo, Italy
Time: 1282

Act 1

Palermo's main square

Tebaldo, Roberto, and other French soldiers have gathered in front of the Governor's palace. As they offer a toast to their homeland, they are observed by the local Sicilians, unhappy with the occupation.

Elena enters dressed in mourning for her executed brother. Somewhat drunk, Roberto demands that she sing and she calmly agrees. Her song, about the perils of seamen and God's cry of "let dangers be scorned", (Deh! tu calma, o Dio possente / "Pray, O mighty God, calm with thy smile both sky and sea"), only incites the Sicilians to rebellion against the occupiers. When the governor, Montforte, enters the crowd calms down. Then Arrigo announces that he has been released from prison. Alone with Arrigo, Montforte offers him a position with the French as long as he stays away from Elena. He refuses, and immediately follows Elena into the palace.

Act 2

Beside the sea

Procida lands on the shore from a small fishing boat. It is clear that he is returning from exile and he expresses his joy at returning to his native land and city: O tu Palermo / "O thou Palermo, adored land...". He is surrounded by Manfredo and other companions and he quickly orders his men to bring Elena and Arrigo to him (Nell'ombra e nel silenzio / "In darkness and in silence"). The three make plans for an uprising during the impending festivities leading to the marriages of a group of young people. After Procida leaves, Elena asks Arrigo what reward he seeks. Swearing that he will avenge her brother's death, he asks for nothing but her love.

Bethune arrives with an invitation from Montforte to attend a ball. Arrigo refuses and is arrested and dragged off. Led by Roberto, a group of French soldiers arrive and Procida returns and sees that it is too late to save Arrigo, since the young people have come into the square and have begun to dance. As the dance becomes more lively, Roberto signals to his men, who seize many of the young women, dragging them off in spite of the protests of the young Sicilian men. The dejected young men witness a passing boat filled with French nobles and Sicilian women, all bound for the ball. Procida and others determine to gain entrance to the ball and seek their revenge.

Act 3

Scene 1: Montforte's palace

Montforte reads a paper from the woman whom he abducted, which reveals that Arrigo is his son: Si, m'abboriva ed a ragion! / "Yes, she despised me, and rightly!". Bethune tells him that Arrigo has been brought by force, but Montforte exalts in the fact that his son is close by: In braccio alle dovizie / "Given over to riches, surrounded by honors, an immense, horrid void...". The two men confront one another and Arrigo is somewhat puzzled by the way he is being treated. Finally, Montforte reveals the letter written by Arrigo's mother. Taken aback but still defiant, Arrigo insults his father who reacts in anger as the younger man rushes out: Parole fatale, Insulto mortale / "Fatal word!, Mortal insult! The joy has vanished...".

Scene 2: A ball at Montforte's palace

When Montforte enters, he gives the signal for the ballet to begin. In the crowd, but disguised, are Elena, Arrigo, and Procida. Arrigo is surprised when the two reveal themselves and they declare that their purpose is to save the young man. However, he is disturbed to hear that they intend to kill Montforte and when the father approaches the son, there is a hint of warning given. As approaching assassins close in, Arrigo leaps in front of his father just as Elena approaches. The Sicilians are horrified to see that Arrigo is being spared as the ensemble contemplates the situation. Elena, Procida, Danieli and the Sicilians curse Arrigo as they are dragged away, while he wants to follow, but is restrained by Montforte.

Act 4

A prison

Arrigo arrives at the prison gate and, on Montforte's orders, waits to be admitted. He contemplates the situation that his friends are in: Giorno di pianto / "Day of weeping, of fierce sorrow!". Elena is brought out and confronts him. Finally, he admits that Montforte is his father and she begins to be willing to sympathise: Arrigo! Ah, parli a un core... / "Arrigo! Ah, you speak to a heart already prepared to forgive." Not seeing Arrigo, Procida approaches Elena and reveals a letter telling him of awaiting freedom. But Montforte arrives and orders a priest and the execution of the prisoners while Procida is amazed to discover the truth of Arrigo's situation. Arrigo begs for mercy for his friends and Montforte confronts him with one thing: Dimme sol, di "Mio padre / "Say to me only, say "My father...". Arrigo says nothing as the executioner appears and the couple are led away, followed by Arrigo. Montforte steps in to prevent him from joining them. As Elena is led towards the executioner, Montforte steps in and announces a pardon for the Sicilians. Furthermore, he agrees to the marriage of Elena and Arrigo and announces to the crowd: "I find a son again!". There is general rejoicing.

Act 5

The gardens of Montforte's palace

As Knight and maidens gather, Elena gives thanks to all: Mercé, dilette amiche / "Thank you, beloved friends". Arrigo arrives, exclaiming his joy: La brezza aleggia intorno / "La brise souffle au loin" / "The breeze hovers about...". He leaves to find his father, but Procida arrives, announcing a plan to outwit his enemies with their massacre to take place at the foot of the altar after the vows have been said. She is torn, the more so following Arrigo's return, between her love and her duty: Sorte fata! Oh, fier cimento! / "Fatal destiny! Oh, fierce conflict!". Finally, she can go no further and she tells Arrigo that they cannot be married. Both men are furious with her for her seeming betrayal. Then Montforte arrives, takes the couple's hands, joins them together, and pronounces them married as the bells begin to ring. This is the signal for the Sicilians to rush in and hurl themselves upon Montforte and the French.

Venue Info

Royal Opera House (Covent Garden) - London
Location   Bow St, Covent Garden

The Royal Opera House (ROH) is an opera house and major performing arts venue in London and Great Britain. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House.

The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. Originally called the Theatre Royal, it served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, Handel's first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.

The current building is the third theatre on the site following disastrous fires in 1808 and 1856. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, making it the third largest in London, and consists of four tiers of boxes and balconies and the amphitheatre gallery. The proscenium is 12.20 m wide and 14.80 m high. The main auditorium is a Grade I listed building.

The Royal Opera, under the direction of Antonio Pappano, is one of the world’s leading opera companies. Based in the iconic Covent Garden theatre, it is renowned both for its outstanding performances of traditional opera and for commissioning new works by today’s leading opera composers, such as Harrison Birtwistle, Mark-Anthony Turnage and Thomas Adès.

The Royal Ballet is one of the world’s greatest ballet companies. Under the directorship of Kevin O’Hare, the Company unites tradition and innovation in world-class performances at our Covent Garden home.

The Company’s extensive repertory embraces 19th-century classics, the singular legacy of works by Founder Choreographer Frederick Ashton and Principal Choreographer Kenneth MacMillan and a compelling new canon by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon.

The Orchestra performs in concerts of their own, including performances at the Royal Opera House with Antonio Pappano. They have also performed at venues worldwide including Symphony Hall (Birmingham), Cadogan Hall, the Vienna Konzerthaus and on tour with The Royal Opera.

Members of the Orchestra play an active role in events across the Royal Opera House, including working with the Learning and Participation teams. The Orchestra accompanies performances that are streamed all over the world, including through cinema screenings and broadcasts. They appear on many CDs and DVDs including Pappano’s acclaimed studio recording of Tristan und Isolde with Plácido Domingo and Nina Stemme.

The Orchestra of the Royal Opera House was founded in 1946 when the Royal Opera House reopened after World War II.

Important Info
Type: Opera
City: London, Great Britain
Starts at: 18:30
Intervals: 2
Duration: 4h
Sung in: French
Titles in: English
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