Royal Opera House (Covent Garden) tickets 21 October 2025 - Like Water for Chocolate | GoComGo.com

Like Water for Chocolate

Royal Opera House (Covent Garden), Main Stage, London, Great Britain
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7:30 PM
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E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: London, Great Britain
Starts at: 19:30
Acts: 3
Intervals: 2
Duration: 2h 45min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: The Royal Ballet
Conductor: Jonathan Lo
Creators
Composer: Joby Talbot
Choreographer: Christopher Wheeldon
Overview

Nothing tastes better than forbidden love.

Passion, mystery and magic combine as potent ingredients in this ballet by Artistic Associate Christopher Wheeldon, inspired by author Laura Esquivel’s modern Mexican classic Like Water for Chocolate.

Fruitful Collaborations 

Christopher Wheeldon’s delectable ballet returns for its first revival since its premiere in 2022, when it was created for The Royal Ballet. Wheeldon’s dramatic choreography combines with Joby Talbot’s score and Bob Crowley’s designs to propel us into the passion and chaos of Tita’s family ranch in Mexico. The ballet is the third in a series of collaborations between Wheeldon, Talbot, Crowley and lighting designer Natasha Katz – fruitful collaborations that also yielded Alice’s Adventures in Wonderland and The Winter’s Tale.  

As part of the ballet’s creation process, Wheeldon worked closely with author Laura Esquivel to reshape her richly-layered story as an engrossing new ballet. Mexican conductor Alondra de la Parra also acted as musical consultant for Talbot’s original score. 

A Work of Magical Realism  

Like Water for Chocolate is inspired by Laura Esquivel’s novel of the same name, considered a classic of the magical realism genre. Stories of magical realism feature the inclusion of supernatural or magical elements in everyday settings – other authors considered to write in a magical realist tradition include Isabel Allende, Gabriel García Márquez and Jorge Luis Borges. Some have critiqued the genre itself as an ethnocentric conception of Latin American writing.

History
Premiere of this production: 02 June 2022, Royal Opera House (Covent Garden), London

Like Water for Chocolate is a 2022 narrative ballet in three acts with a scenario by Christopher Wheeldon and Joby Talbot, based on a 1989 novel by Mexican novelist Laura Esquivel and its 1992 film adaptation, both with the same title. The ballet was choreographed by Wheeldon to music by Talbot with orchestrations by Ben Foskett. It was premiered on June 2, 2022, by The Royal Ballet in London with Francesca Hayward as Tita and Marcelino Sambé as Pedro. It was given its United States premiere on March 28, 2023, by American Ballet Theatre at the Segerstrom Center for the Arts in Costa Mesa, California, with Cassandra Trenary as Tita and Herman Cornejo as Pedro. The latter company took it to New York's Metropolitan Opera House, beginning on June 22. A shared production of The Royal Ballet and American Ballet Theatre, both runs were conducted by Alondra de la Parra, who was also credited as Music Consultant.

Synopsis

Like Water for Chocolate follows the life of Tita De La Graza, a woman living during the Mexican Revolution, as she yearns for her one true love, Pedro Muzquiz. The ballet spans the length of 20 years, as Tita, Pedro, and the other members of the De La Graza Ranch are caught between tradition, the cycles of generations, war, and romance.

Act 1
Scene 1: The De la Garza Ranch

The ballet opens inside the De la Garza Ranch kitchen, as a young Tita cooks with the family cook, Nacha. Nacha and Tita express their affection for each other while cooking, and Tita as well expresses her love and affection for her neighbor, Pedro. Tita and Pedro long for each other and Pedro proposes marriage to Tita. However, according to family tradition, the youngest daughter cannot marry in order to care for her mother as she ages. When Pedro and his father approach Tita's mother, Elena De la Garza, to ask for Tita's hand in marriage, Elena refuses, and redirects Pedro's proposal to Tita's older sister, Rosaura. Tita is devastated by this, and weeps into the batter she prepares to celebrate Pedro and Rosaura's wedding. Nacha tastes the cake that was baked with Tita's tears and is filled with grief over her lost love, and dies.

Scene 2: Rosaura and Pedro's Wedding
The guests arrive to celebrate Rosaura and Pedro's wedding. Tita, still consumed with sadness over the marriage is reassured by Pedro that they will still be able to be together, as Pedro gives Tita a rose as a symbol of their love. The guests consume the cake filled with Tita's tears, and become violently ill. Nacha is also revealed to have passed.

Scene 3: Baby Roberto
One year later, Rosaura and Pedro have had a baby boy, Roberto. However, Rosaura is struggling to feed him, and Doctor John Brown is called in as assistance. As the baby cries, Tita is left alone for a moment with the baby and Pedro, as they are both filled with love for each other. Mama Elana walks in on the two, interrupting the moment, and Mama Elana grows suspicious of both of them.

Scene 4: Quail in Rose Petal Sauce
Tita prepares a meal for the family using the rose that Pedro gave her at the wedding. After eating the meal, Gertrudis, Tita's sister, is filled with sensuality and romance, and tears off her clothes in an act of lust. She is spotted by a revolutionary soldier, who picks up Gertrudis as the two are wrapped up in sexual desire, and carries Gertrudis away.

Scene 5: A Hot, Sleepless Night
In the middle of the night, Tita and Pedro meet each other amidst the hanging sheets of laundry. As Tita and Pedro become swept up in each other, Mama Elana and Rosaura each prowl the home, suspicious of the two. As Tita and Pedro kiss, they are interrupted by a furious Mama Elana, who orders Pedro and Rosaura to leave the ranch.

Scene 6: Tita's Breakdown
Tita is devastated that Pedro and Roberto are now gone. When Chencha brings news that Roberto has died, Tita and Mama Elana blame each other for the death of the baby. During the fight, Mama Elana beats Tita, causing Tita to have a breakdown. Dr. John Brown is brought in to care for Tita.

Act II
Scene 1: Dr. John's House

Tita's health is improved by living with Dr. John and his son from his first wife. Dr. John proposes marriage to Tita. Tita and Dr. John are informed that Mama Elana has died.

Scene 2: Mama Elana's Wake:
Tita, Dr. John, Pedro, Rosaura, and their young daughter, Esperanza, arrive at the ranch to mourn Mama Elana. The group gather around the table that Mama Elana's body was placed on, as Tita discovers through a diary left in a box by Mama Elana, that Mama Elana too once has a forbidden love. A young Mama Elana rises to reenact her love to José, a man who she loved dearly but was forbidden from marrying by her parents. Young Mama Elana was forced instead to marry another man, and in spite her efforts to escape before her marriage with José.

Scene 3: The Engagement Dinner
Dr. John announces his engagement to Tita, as Pedro continues to declare his love to Tita when they are alone together. When Tita and Pedro once again become swept up in their love for each other, a ghost of Mama Elana appears, haunting their love. Suddenly, Gertrudis and soldiers from the revolutionary army arrive, along with the commander that Gertrudis has married, bringing a joyous surprise and celebration to the sisters.

Scene 4: Campfires
Celebrating the return of Gertrudis, a party is thrown outside, littered with bright campfires. Tita returns her engagement ring to Dr. John, wishing to be with Pedro, her true love. As Tita and Pedro join the group of happy dancers, they continue to be haunted by the ghost of Mama Elana, who follows and confronts them as they dance. Mama Elana's ghost reveals herself to Pedro, causing him to have a heart attack.

Act III
Scene 1: Three Rooms

As Pedro, being treated by Dr. John, improves, Rosaura's health fails. Dr. John and Tita work to care for both Pedro and Rosaura as John's son dances with Esperanza, raising Rosaura's jealousy and possessiveness over her daughter. Holding Esperanza back in the same way that Mama Elana held back Tita, Rosaura, grips her daughter until Rosaura suddenly dies.

Scene 2: The Ranch
20 years later, Tita, Pedro, and Dr. John return to celebrate the marriage of Dr. John's son to Esperanza, all celebrating that the oppressive tradition has been broken. After the wedding, Tita and Pedro are left alone, where they can finally consummate their love together. As they have sex, the house bursts into flames, fueled by the passion Tita and Pedro have for each other.

Venue Info

Royal Opera House (Covent Garden) - London
Location   Bow St, Covent Garden

The Royal Opera House (ROH) is an opera house and major performing arts venue in London and Great Britain. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House.

The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. Originally called the Theatre Royal, it served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, Handel's first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.

The current building is the third theatre on the site following disastrous fires in 1808 and 1856. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, making it the third largest in London, and consists of four tiers of boxes and balconies and the amphitheatre gallery. The proscenium is 12.20 m wide and 14.80 m high. The main auditorium is a Grade I listed building.

The Royal Opera, under the direction of Antonio Pappano, is one of the world’s leading opera companies. Based in the iconic Covent Garden theatre, it is renowned both for its outstanding performances of traditional opera and for commissioning new works by today’s leading opera composers, such as Harrison Birtwistle, Mark-Anthony Turnage and Thomas Adès.

The Royal Ballet is one of the world’s greatest ballet companies. Under the directorship of Kevin O’Hare, the Company unites tradition and innovation in world-class performances at our Covent Garden home.

The Company’s extensive repertory embraces 19th-century classics, the singular legacy of works by Founder Choreographer Frederick Ashton and Principal Choreographer Kenneth MacMillan and a compelling new canon by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon.

The Orchestra performs in concerts of their own, including performances at the Royal Opera House with Antonio Pappano. They have also performed at venues worldwide including Symphony Hall (Birmingham), Cadogan Hall, the Vienna Konzerthaus and on tour with The Royal Opera.

Members of the Orchestra play an active role in events across the Royal Opera House, including working with the Learning and Participation teams. The Orchestra accompanies performances that are streamed all over the world, including through cinema screenings and broadcasts. They appear on many CDs and DVDs including Pappano’s acclaimed studio recording of Tristan und Isolde with Plácido Domingo and Nina Stemme.

The Orchestra of the Royal Opera House was founded in 1946 when the Royal Opera House reopened after World War II.

Important Info
Type: Ballet
City: London, Great Britain
Starts at: 19:30
Acts: 3
Intervals: 2
Duration: 2h 45min
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