Royal Opera House (Covent Garden) tickets 5 May 2026 - Peter Grimes | GoComGo.com

Peter Grimes

Royal Opera House (Covent Garden), Main Stage, London, Great Britain
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6:30 PM
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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: London, Great Britain
Starts at: 18:30
Intervals: 2
Duration: 3h 30min
Sung in: English
Titles in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Chorus: Royal Opera Chorus
Creators
Opera Company: The Royal Opera
Composer: Benjamin Britten
Director: Deborah Warner
Poet: George Crabbe
Librettist: Montagu Slater
Overview

In a close-knit village, an exiled man turns to the punishing sea. Britten’s brooding opera returns. Deborah Warner’s staging foregrounds the vulnerability and volatility of the shunned Peter Grimes, and the tragic conflict between the individual and group.

Peter Grimes, a fisherman in a small coastal town, is accused of mistreating his apprentice, who has died under mysterious circumstances at sea. Though cleared of legal guilt, he faces the judgment and hostility of the villagers. Determined to prove himself, Peter takes on another young apprentice. But against the harshness of the sea and increasing pressure from the village, his fragile grip on reality begins to crumble. Tragedy strikes again when the second apprentice dies. Consumed by guilt and madness, the alienated Peter returns to the sea.

Allan Clayton, Bryn Terfel and Maria Bengtsson star in Britten’s bleak operatic parable, in which the dark undercurrents of paranoia and mob mentality lead to a turbulent, haunting end. Deborah Warner’s (Billy Budd, Wozzeck) stunning contemporary staging – which had its premiere in 2022, as part of The Royal Opera's Britten Cycle – illuminates the humanity of the shunned Grimes, while Britten’s evocative score pulses with dread and tension as the villagers close in on their troubled outcast. Music Director of The Royal Opera Jakub Hrůša conducts.

Britten’s work is often characterised by its emotional richness, technical brilliance and ability to connect human drama with larger natural and social forces. Reoccurring elements – thematic motifs, atmospheric orchestration and psychological insight – infuse his operas with layers of meaning, allowing for deeper exploration into the minds of his protagonists. Though rooted in tonality, Britten frequently employs dissonance to heighten tension and portray psychological complexity. Listen out for Peter Grimes' aria ‘Now the Great Bear and Pleiades’, which uses unconventional harmonic shifts to reflect the fisherman’s alienation and inner turmoil.

A co-production with:

Teatro Real, Madrid, Teatro dell'Opera di Roma and L'Opéra National de Paris

History
Premiere of this production: 07 June 1945, Sadler`s Wells, London

Peter Grimes is an opera by Benjamin Britten, with a libretto adapted by Montagu Slater from the narrative poem, "Peter Grimes", in George Crabbe's book The Borough. The "borough" of the opera is a fictional village which shares some similarities with Crabbe's, and later Britten's, own home of Aldeburgh, a town on England's east coast.

Synopsis

Prologue

A Suffolk coastal village, mid-19th century (The date is not specified, but the foghorn in Act III places it later than the date of Crabbe's poem)

Peter Grimes is questioned at an inquest over the death at sea of his apprentice. The townsfolk, all present, make it clear that they think Grimes is guilty and deserving of punishment. Although the coroner, Mr Swallow, determines the boy's death to be accidental and clears Grimes without a proper trial, he advises Grimes not to get another apprentice—a proposal against which Grimes vigorously protests. As the court is cleared, Ellen Orford, the schoolmistress whom Grimes wishes to marry as soon as he gains the Borough's respect, attempts to comfort Grimes as he rages against what he sees as the community's unwillingness to give him a true second chance.

Act 1

The same, some days later

After the first orchestral Interlude (in the Four Sea Interludes concert version entitled "Dawn"), the chorus, who constitute "the Borough", sing of their weary daily round and their relationship with the sea and the seasons. Grimes calls for help to haul his boat ashore, but is shunned by most of the community. Belatedly, Balstrode and the apothecary, Ned Keene, assist Grimes by turning the capstan. Keene tells Grimes that he has found him a new apprentice (named John) from the workhouse. Nobody will volunteer to fetch the boy, until Ellen offers ("Let her among you without fault...").

As a storm approaches, most of the community—after securing windows and equipment—take shelter in the pub. Grimes stays out, and alone with Balstrode confesses his ambitions: to make his fortune with a "good catch", buy a good home and marry Ellen Orford. Balstrode suggests "without your booty Ellen will have you now", only to provoke Grimes's furious "No, not for pity!" Balstrode abandons Grimes to the storm, as the latter ruminates "What harbour shelters peace?" The storm then breaks with a vengeance (second orchestral Interlude).

In the pub, tensions are rising due both to the storm and to the fiery Methodist fisherman, Bob Boles, getting increasingly drunk and lecherous after the pub's main attraction, the two "nieces". Grimes suddenly enters ("Now the Great Bear and Pleiades..."), and his wild appearance unites almost the entire community in their fear and mistrust of his "temper". Ned Keene saves the situation by starting a round ("Old Joe has gone fishing"). Just as the round reaches a climax, Ellen arrives with the apprentice, both drenched. Grimes immediately sets off with the apprentice to his hut, despite the terrible storm.

Act 2

The same, some weeks later

On Sunday morning (the third orchestral Interlude), while most of the Borough is at church, Ellen talks with John, the apprentice. She is horrified when she finds a bruise on his neck. When she confronts Grimes about it, he brusquely claims that it was an accident. Growing agitated at her mounting concern and interference, he strikes her and runs off with the boy. This does not go unseen: first Keene, Auntie, and Bob Boles, then the chorus comment on what has happened, the latter developing into a mob to investigate Grimes's hut. As the men march off, Ellen, Auntie, and the nieces sing sadly of the relationship of women with men. The fourth interlude (Passacaglia) follows as the scene changes.

At the hut, Grimes impatiently drives the ever silent John into changing out of his Sunday clothes and into fisherman's gear, and then becomes lost in his memories of his previous, now dead apprentice, reliving the boy's death of thirst. When he hears the mob of villagers approaching, he quickly comes back to reality, stirred both by a paranoid belief that John has been "gossiping" with Ellen, so provoking the "odd procession", and at the same time feeling defiant. He gets ready to set out to sea, and he tells John to be careful climbing down the cliff to his boat, but to no avail: the boy falls to his death. When the mob reaches the hut Grimes is gone, and they find nothing out of order, so they disperse.

Act 3

The same, two days later, night time in the Borough ("Moonlight" in the Sea Interludes).

While a dance is going on, Mrs Sedley tries to convince the authorities that Grimes is a murderer, but to no avail. Ellen and Captain Balstrode confide in each other: Grimes has disappeared, and Balstrode has discovered a jersey washed ashore: a jersey that Ellen recognises as one she had knitted for John. Mrs Sedley overhears this, and with the knowledge that Grimes has returned, she is able to instigate another mob. Singing "Him who despises us we'll destroy", the villagers go off in search of Grimes. The sixth interlude, not included in the Sea Interludes, covers the change of scene.

While the chorus can be heard searching for him, Grimes appears onstage, singing a long monologue sparsely accompanied by cries from the off-stage chorus, and a fog horn (represented by a solo tuba): John's death has seemingly shattered Grimes's sanity. Ellen and Balstrode find him, and the old captain encourages Grimes to take his boat out to sea and sink it. Grimes leaves. The next morning, the Borough begins its day anew, as if nothing has happened. There is a report from the coastguard of a ship sinking off the coast. This is dismissed by Auntie as "one of these rumours."

Venue Info

Royal Opera House (Covent Garden) - London
Location   Bow St, Covent Garden

The Royal Opera House (ROH) is an opera house and major performing arts venue in London and Great Britain. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House.

The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. Originally called the Theatre Royal, it served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, Handel's first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.

The current building is the third theatre on the site following disastrous fires in 1808 and 1856. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, making it the third largest in London, and consists of four tiers of boxes and balconies and the amphitheatre gallery. The proscenium is 12.20 m wide and 14.80 m high. The main auditorium is a Grade I listed building.

The Royal Opera, under the direction of Antonio Pappano, is one of the world’s leading opera companies. Based in the iconic Covent Garden theatre, it is renowned both for its outstanding performances of traditional opera and for commissioning new works by today’s leading opera composers, such as Harrison Birtwistle, Mark-Anthony Turnage and Thomas Adès.

The Royal Ballet is one of the world’s greatest ballet companies. Under the directorship of Kevin O’Hare, the Company unites tradition and innovation in world-class performances at our Covent Garden home.

The Company’s extensive repertory embraces 19th-century classics, the singular legacy of works by Founder Choreographer Frederick Ashton and Principal Choreographer Kenneth MacMillan and a compelling new canon by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon.

The Orchestra performs in concerts of their own, including performances at the Royal Opera House with Antonio Pappano. They have also performed at venues worldwide including Symphony Hall (Birmingham), Cadogan Hall, the Vienna Konzerthaus and on tour with The Royal Opera.

Members of the Orchestra play an active role in events across the Royal Opera House, including working with the Learning and Participation teams. The Orchestra accompanies performances that are streamed all over the world, including through cinema screenings and broadcasts. They appear on many CDs and DVDs including Pappano’s acclaimed studio recording of Tristan und Isolde with Plácido Domingo and Nina Stemme.

The Orchestra of the Royal Opera House was founded in 1946 when the Royal Opera House reopened after World War II.

Important Info
Type: Opera
City: London, Great Britain
Starts at: 18:30
Intervals: 2
Duration: 3h 30min
Sung in: English
Titles in: English
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