Russian National Ballet Theatre 7 August 2021 - Cinderella | GoComGo.com

Cinderella

Russian National Ballet Theatre, Moscow, Russia
All photos (6)
Select date and time
12 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Moscow, Russia
Starts at: 12:00
Acts: 2
Intervals: 1
Duration: 2h 20min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Festival

Summer Ballet Seasons

When repertory theaters go off-season, a unique ballet marathon starts on Moscow's cultural map! This summer RAMT theater will be hosting the 20th annual fixture of Summer Ballet Seasons!

Overview

A beautiful ballet composed by Sergei Prokofiev to a scenario by Nikolai Volkov between 1940 and 1944.

The famous story of Charles Perrault of the poor orphan, which тиранят stepmother and two daughters, and then she goes to the ball loses a shoe and finds his love. This story is recognized as the most beloved fairy tale of all time. After all, the classic fairy tales do not grow old, because they resonate with our lives now.

"Cinderella" belongs to the largest creative success of the composer. And at the same time, among them a special place. The ballet was written by the hand S. Prokofiev − already a mature master. The composer himself on his new ballet wrote: "For me it was very important to ballet "Cinderella" was the most dance, to dance flowed from the scene of the canvas, are diverse and to the artists of ballet had sufficient opportunity to dance and show their art".

History
Premiere of this production: 21 November 1945, Bolshoi Theatre, Moscow

Cinderella is a ballet composed by Sergei Prokofiev to a scenario by Nikolai Volkov. It is one of his most popular and melodious compositions and has inspired a great many choreographers since its inception.

Synopsis

Act I

Cinderella, a young woman whose domineering step-mother forces her to act as a servant in her own home, helps her step-mother and two step-sisters to prepare for the Spring Ball, at which it is rumoured that the Prince will choose his bride-to-be. As the two step-sisters work together to produce a new shawl, they get into an argument over who will wear it, and end up tearing it in two through their bickering. The pair storm off, while the step-mother orders Cinderella to clear up the remnants and finish her chores, as her father returns home from business. Since her father's remarriage, Cinderella has had to sleep by the kitchen fireplace, leaving her nothing to wear but rags covered in ashes. Her father has never moved past the grief of his first wife's death, and though he is concerned for his daughter, he is just as much under the step-mother's control as Cinderella herself is. Their brief peace is interrupted, however, as the mother and sisters reenter and begin ordering them about. During supper, a beggar woman turns up, asking for shelter. The sisters and mother try to chase her off, but Cinderella offers her a place by the kitchen fire and an old pair of slippers. The beggar thanks her for her kindness and departs, leaving the preparations for the ball to resume. After choosing dresses and a quick dancing lesson, the family finally sets off for the night with the father reluctantly in tow, leaving Cinderella behind.

Although lonely at first, she cheers herself up by dancing with her broom, imagining the Prince himself has asked her for a dance. She is surprised, however, when the beggar woman appears out of nowhere, wishing to return the slippers with her thanks. To Cinderella's amazement, the shoes have been transformed into dancing slippers of glass. The beggar woman throws off her disguise and reveals herself as Cinderella's fairy godmother, come to grant her wish of going to the ball. Summoning the fairies of Spring, Summer, Autumn and Winter for assistance, she turns Cinderella's rags into a beautiful dress, a pumpkin and mice into a carriage and horses, and grasshoppers and dragonflies into a retinue of footmen. As she is about to leave, however, the fairy godmother warns her that the magic will only last until midnight, at which time the spell will break, and everything will revert to its original form. Only the glass slippers will remain as a gift for her kindness. She then summons twelve dwarfs, who will appear to repeat her message if she has not left by midnight. With this warning in mind, Cinderella departs for the ball.

Act II

The Spring Ball is in full swing, with guests arriving from all over the kingdom and beyond to dance and pay respect to the Prince. The two step-sisters attempt to win favour with the royal court by showing off their dancing skills, but have less than successful results, much to their mother's dismay. The Prince then joins the celebrations, but finding state events such as the Spring Ball dull, and being reluctant to enter a marriage without love, he declines any offers for a dance, particularly in the case of the obnoxious step-sisters.

At this point, Cinderella arrives at the palace, transformed beyond recognition into a beautifully dressed princess. The Prince, along with everyone else, is entranced by her beauty and charm, and for the first time, he asks for a dance. As the evening passes, the two become inseparable; Cinderella quickly becomes beloved by the entire court for her graciousness and charm, while the Prince is unusually enthusiastic and cheery in her company. When refreshments are served, he gives her the honour of taking one of three oranges, a delicacy imported to the kingdom from a far-off land. Cinderella offers the other two oranges to her step-sisters, who are so flattered by the attention that they do not recognize the beautiful stranger as their sister. The Prince takes Cinderella out to the royal gardens for an evening walk, where they dance and proclaim the love blossoming between them.

As they return to the ballroom for the next waltz, Cinderella has completely forgotten about the time in her happiness. However, at the first stroke of midnight, the twelve dwarfs spring from the great palace clock and remind Cinderella of her godmother's warning. Terrified of being unmasked as a lowly servant in rags, she flees from the ballroom to the astonishment of the other guests. Though the Prince pursues her, she vanishes into the night moments before the spell breaks, losing one of her glass slippers in her haste and panic. The Prince is heartbroken at the thought of losing his love so soon after discovering her, but upon finding the lost slipper, he vows not to rest until he is once again reunited with her.

Act III

The morning after the ball, the Prince summons every shoemaker in the kingdom, in order to find out who the slipper was made for. However, none of them claim to have crafted the shoe, or sold it to anybody recently, and he concludes that the princess must be from a foreign land. His desperate search brings him first to the Mediterranean, then to the Orient, and lands further beyond. After travelling across the world and meeting various beautiful princesses with no success, the Prince begins to search his own kingdom, trying the slipper on every maiden who attended the ball.

Back at Cinderella's home, love has allowed the Prince to defy the laws of time and space; though she is only awakening the morning after the ball, he has already traveled the world and back again in search of his lost love. Upon waking, Cinderella initially believes that the events of the previous night were only a dream. As she relives some of the dances of the ball, she discovers the remaining glass slipper and realizes that it was all true. At breakfast, the step-sisters reminisce about the ball, and argue about who made the greater impression on the Prince at the ball. Their fighting is interrupted when the father and step-mother hurry in with the news that the Prince is on his way to their house, desperately trying a glass slipper on every girl he encounters. Upon his arrival, he tries the slipper on the two step-sisters, to no avail. The step-mother, however, demands to be given a chance and tries to force her foot into the shoe, ordering Cinderella to help her. As she bends down to assist, the remaining slipper falls from her pocket and the Prince finally recognizes Cinderella for who she is. As Cinderella successfully tries on both glass slippers, her step-family beg for her forgiveness, which she happily bestows upon them. Overjoyed to have rediscovered each other, Cinderella and the Prince are then transported away to a secret garden by the fairy godmother, where they confess their love for one another and are happily married.

Venue Info

Russian National Ballet Theatre - Moscow
Location   Teatralnaya Square, 2

Russian National Ballet Theare (RAMT) is the traditional home of the Summer Ballet Seasons. It is located in a grand historical building at the heart of Moscow – Teatralnaya Square, right next to the Bolshoi and Maly Theaters. The stage remembers performances of Zimin Private Opera (where Fyodor Shalyapin appeared regularly in 1907), Moscow Art Theatre the Second run by Mikhail Chekhov, and many other famous theater companies.

In 1871, on the Theater Square, to the left of the Bolshoi Theater and opposite the building of the Malyi Theater, architects F. Shestakov and O.Bove built the house of Major General K.M. Poltoratsky. This house quickly became one of the centers of Moscow's cultural life: it was a place where the balls drew the creme de la creme of Moscow's high society, and it was frequented by the owner's niece Anna Kern.

In 1840 the house was bought by the merchant P.A. Bronnikov. Between 1869 and 1882 the merchant rented the second floor to the theater of Moscow's "Artistic circle". This group of prominent literary men and artists was established by playwright Alexander Ostrovsky. The "Artistic Circle" theater was one of Russia's first private theaters.

In 1882 the building was rented out by the famous actor, director and entrepreneur M.V. Leontovsky. He hired architect B.Freidenberg to reconstruct the house, changing it significantly. The building has been preserved pretty much unchanged to this day. Leontovsky, who was a student of M.S. Tschepkin, strove to create an exemplary drama theater with a diverse repertoire that would combine operetta, extravaganza and the art of drama. Such theater was opened on December 29, 1882, but it did not last long.

In September 1898 the building became a home to the Imperial New Theater, which lent its stage to the youth troupes of Bolshoi and Malyi theaters. The young actors' troupe of the Malyi Theater was headed by the actor, director and pedagogue A.N. Lensky.

In the beginning of the 20th century the stage housed performances by the private opera of S.I. Zimin. In 1909 the building was rented out by a well-known entrepreneur, director and actor K.N. Nezlobin.

In 1920s the opera and ballet performances of Bolshoi Theater took place in this building. In the fall of 1924 the First Studio of the Art Theater was given the name of MKhAT (Moscow Art Academic Theater). The new theater was given the building on Theater Square. It lasted until 1936.

Starting in 1936 the building houses the Central Children's Theater that was established in 1921 by Natalia Satz. It has started the professional careers of Anatoly Efros, Georgy Tovstonogov, Oleg Efremov, Viktor Rozov, Valentina Sperantova and many others.
In 1992 the theater was given a new name – Russian Academic Youth Theater.

The project's mission is to keep Russian ballet's rich traditions, an important part of Russia's cultural heritage. Another, equally important, goal is to attract the mass audience to the art of ballet. The Seasons organizers are in constant search of new professional troupes and brightest performers, preserving continuity of generations in the Art of Dance.

Important Info
Type: Ballet
City: Moscow, Russia
Starts at: 12:00
Acts: 2
Intervals: 1
Duration: 2h 20min
Top of page