Russian National Ballet Theatre 6 August 2021 - Don Quixote | GoComGo.com

Don Quixote

Russian National Ballet Theatre, Moscow, Russia
All photos (8)
Select date and time
7 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Moscow, Russia
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h 20min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Festival

Summer Ballet Seasons

When repertory theaters go off-season, a unique ballet marathon starts on Moscow's cultural map! This summer RAMT theater will be hosting the 20th annual fixture of Summer Ballet Seasons!

Overview

A splendid ballet in three acts, based on episodes taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus.

"Don Quixote" is a cheerful and simpleminded show staged to the music of Ludwig Minkus. It very little resembles the original novel by Cervantes. This is the only one of the vintage classical ballets that was born at the Bolshoi Theatre. It was here on December 14, 1869 that Marius Petipa first staged it as a benefit event for the dancer Anna Sobeshchanskaya.

In the novel by Cervantes the figure of sad knight Don Quixote who travels the world to accomplish feats and do golden deeds is the foundation of the story. In the ballet version Don Quixote becomes a supporting character, while the store concentrates on the love store of Kitri and Basilio, who perform their parts at the city square. An experienced bandmaster, Ludwig Minkus was an excellent master of ballet art, he was called a ballet composer. His music, which bubbled like champagne, was pleasing to the ear and made people want to dance. Petipa picked up this effervescent mood embodying it in cheerful Spanish and Gypsy dances full of life and festivity.

Later "Don Quixote" confirmed the talent of the Moscow ballet's reformer Alexander Gorsky: his staging, done in 1900, became the declaration of being true to nature in ballet. Since then "Don Quixote" has repeatedly renewed, renovated and restored and a countless number of sideshows were added to it. Among the stars who shone in its performances were Ekaterina Geltser and Mikhail Mordkin, Olga Lepeshinskaya and Asaf Messerer, Maya Plisetskaya and Gennady Ledyakh, Ekaterina Maksimova and Vladimir Vasilyev, Natalia Bessmertnova and Mikhail Lavrovsky, Lyudmila Semenyaka and Alexander Godunov.

History
Premiere of this production: 26 December 1869, Ballet of the Imperial Bolshoi Theatre of Moscow, Russia

Don Quixote is a ballet in four acts and eight scenes, based on episodes taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by the Ballet of the Imperial Bolshoi Theatre of Moscow, Russia on 26 December [O.S. 14 December] 1869. Petipa and Minkus revised the ballet into a far more expanded and elaborated edition in five acts and eleven scenes for the Imperial Ballet, first presented on 21 November 1871 at the Imperial Bolshoi Kamenny Theatre of St. Petersburg.

Synopsis

Don Quixote's Study

Bachelor Sanson Carrasco is seen covering a bookcase with wallpaper, while Antonina is putting some rusty old armour and a helmet made of pasteboard into a cupboard. Don Quixote de la Mancha enters, reading a book. He goes to the bookcase and, not finding it, believes it has been stolen by evil magicians. Then he settles into an armchair and continues reading. He delights in stories of brave knights, fabulous giants and other fantastical creatures, but most of all Don Quixote dreams of his beloved Dulcinea, a woman that he believes to be so lovely and noble that she must be divinity. Gradually he nods and falls asleep to dream of their romantic adventures. Darkness falls.

Suddenly his servant, Sancho Panza, climbs hurriedly through the window. In pursuit are several angry women from the market from whom he has stolen bread and a chicken. Awakened by the commotion, Don Quixote sends the women away. Don Quixote tells Sancho that he is determined to seek adventures as a knight-errant, all the while searching for his beloved Dulcinea. He shows him the pasteboard helmet, which, with one sweep from his sword, becomes a shapeless mass on the floor. Antonina suggests that he should use a shaving basin instead, which would make a splendid helmet. Don Quixote enthusiastically agrees and, placing it on his head, orders Sancho to bring him his armour, sword and spear, and to make ready his horse, Rocinante.

Act I

A market-place in Barcelona

Kitri, an inn-keeper's daughter, steals out of her house to meet her beloved, the barber Basilio. Her father, Lorenzo, sees the lovers and sends Basilio away, bringing Kitri to tears. Now comes the rich nobleman Gamache, who, likewise in love with Kitri, goes to Lorenzo and asks for his daughter's hand. The innkeeper accepts with delight but Kitri, appalled at the thought of wedding the foppish nobleman, runs away.

Dancing begins in the square and some toreadors try to kidnap the girls they fancy, but their relatives and lovers hasten to their aid. At this moment Don Quixote arrives mounted on Rocinante, followed by Sancho, who is riding a donkey. At his master's command Sancho sounds his rusted horn, causing the townspeople to cover their ears. Lorenzo runs out of his inn, and Don Quixote, taking him for the lord of a famous castle, dismounts Rocinante and, falling to his knees, begs to be allowed to serve him. Charmed, Lorenzo invites the knight to sit on his balcony. Sancho remains in the square where he is surrounded by girls who induce him to take part in a game of blind man's bluff. Then some boys bring in a blanket on which they place Sancho and proceed to toss him into the air. Don Quixote hurries to his assistance and sets him free.

Peasants gather in the square and dancing resumes. Kitri returns and, noticing her, Don Quixote acclaims her as his Dulcinea, whom evil magicians have reduced to human form. Becoming jealous of her affection for Basilio, Don Quixote attempts to woo her by partnering her in a minuet. Lorenzo berates Kitri for carrying on with Basilio. Kitri and Basilio then run away, and Lorenzo and Gamache follow them. Don Quixote orders Sancho to bring Rocinante, so that he may also set out in pursuit.

Act II

Scene 1 – A camp of gypsies among the windmills outside the village

Kitri, disguised as a boy is seen walking with Harlequin from a troupe of travelling actors. They guess she is a girl and ask her to stay with them.

Scene 2 - The Puppet Theatre

A clown is seen walking with Graziosa, the gypsy chief's daughter. A gypsy tells the chief of the approach of Don Quixote. The chief plans a trick for his benefit and, putting on a mantle crown, sits down as though he were a king on a throne. Don Quixote is deceived and kneels to the chief in homage. The chief bids that he sit beside him and orders a festival to be given in his honor. This begins with Gypsy dances and is followed by a performance of the marionette theatre. Don Quixote is delighted with the entertainment but, mistaking the heroine for his Dulcinea and the marionettes for soldiers attacking her, he rises to assault them. The gypsies are terrified. At this moment the clown and Graziosa run away.

Scene 3 - The Windmills

Flushed with victory, the knight kneels and renders thanks to heaven. Seeing the moon, he takes it for his Dulcinea and tries to get to her. As he approaches the windmills he can see the moon no longer and thinks that evil magicians have hidden his beloved mistress. So, spear in hand, he tilts at the wings of the windmill, which he mistakes for a giant. Alas, the knight is caught by one of the wings and flung into the air. He falls unconscious at Sancho's feet.

Scene 4 – A forest

Through the trees appears Sancho leading Rocinante, upon which sits the wounded Don Quixote. The servant lifts his master down and places him on the grass, so that he may rest. Then, tying up the horse, he goes to sleep. Don Quixote also tries to sleep, but is troubled by fantastic dreams.

Scene 5 – The enchanted Garden of Dulcinea

Fairies appear surrounded by gnomes and Don Quixote finds himself dressed in shining armor. Then comes a succession of fearsome monsters, the last being a gigantic spider, who spins a web. The knight attacks the spider, which he slashes in half with his sword. At that same moment the spider's web vanishes to reveal a beautiful garden, filled with dryads and beautiful women, presided over by the Queen of the Dryads and Amor. Among them is Dulcinea and Don Quixote kneels before his beloved. At this moment everything vanishes.

Act III

The Square

Back at the square, Kitri and Basilio join those who are dancing. At the height of the merriment, Lorenzo and Gamache arrive, followed by Don Quixote and Sancho. Seeing his daughter, Lorenzo decides to give his blessing to her union with the nobleman Gamache. Basilio becomes annoyed and, reproaching Kitri for her unfaithfulness, draws a sword and stabs himself. As he lies dying he begs Lorenzo to unite him with Kitri, but Lorenzo and Gamache refuse. Don Quixote approaches Gamache and challenges him to a duel for having refused a dying man's wish. Gamache declines to fight and the merrymakers drive him out of the inn. Taking pity, Lorenzo agrees to unite Basilio and Kitri. At this moment, Basilio pulls out the sword and tells everyone it was a joke.

Act IV

The Tavern

A magnificent feast is held in honour of Don Quixote. Suddenly the Knight of the Silver Moon challenges him to a duel, which results in the latter being vanquished. The victorious knight proves to be none other than Bachelor Sanson Carrasco, who forces Don Quixote to vow that he will not unsheathe his sword for a whole year. The sorrowful knight, true to his vow, takes up his warlike gear and, followed by Sancho, sets out for home.

Venue Info

Russian National Ballet Theatre - Moscow
Location   Teatralnaya Square, 2

Russian National Ballet Theare (RAMT) is the traditional home of the Summer Ballet Seasons. It is located in a grand historical building at the heart of Moscow – Teatralnaya Square, right next to the Bolshoi and Maly Theaters. The stage remembers performances of Zimin Private Opera (where Fyodor Shalyapin appeared regularly in 1907), Moscow Art Theatre the Second run by Mikhail Chekhov, and many other famous theater companies.

In 1871, on the Theater Square, to the left of the Bolshoi Theater and opposite the building of the Malyi Theater, architects F. Shestakov and O.Bove built the house of Major General K.M. Poltoratsky. This house quickly became one of the centers of Moscow's cultural life: it was a place where the balls drew the creme de la creme of Moscow's high society, and it was frequented by the owner's niece Anna Kern.

In 1840 the house was bought by the merchant P.A. Bronnikov. Between 1869 and 1882 the merchant rented the second floor to the theater of Moscow's "Artistic circle". This group of prominent literary men and artists was established by playwright Alexander Ostrovsky. The "Artistic Circle" theater was one of Russia's first private theaters.

In 1882 the building was rented out by the famous actor, director and entrepreneur M.V. Leontovsky. He hired architect B.Freidenberg to reconstruct the house, changing it significantly. The building has been preserved pretty much unchanged to this day. Leontovsky, who was a student of M.S. Tschepkin, strove to create an exemplary drama theater with a diverse repertoire that would combine operetta, extravaganza and the art of drama. Such theater was opened on December 29, 1882, but it did not last long.

In September 1898 the building became a home to the Imperial New Theater, which lent its stage to the youth troupes of Bolshoi and Malyi theaters. The young actors' troupe of the Malyi Theater was headed by the actor, director and pedagogue A.N. Lensky.

In the beginning of the 20th century the stage housed performances by the private opera of S.I. Zimin. In 1909 the building was rented out by a well-known entrepreneur, director and actor K.N. Nezlobin.

In 1920s the opera and ballet performances of Bolshoi Theater took place in this building. In the fall of 1924 the First Studio of the Art Theater was given the name of MKhAT (Moscow Art Academic Theater). The new theater was given the building on Theater Square. It lasted until 1936.

Starting in 1936 the building houses the Central Children's Theater that was established in 1921 by Natalia Satz. It has started the professional careers of Anatoly Efros, Georgy Tovstonogov, Oleg Efremov, Viktor Rozov, Valentina Sperantova and many others.
In 1992 the theater was given a new name – Russian Academic Youth Theater.

The project's mission is to keep Russian ballet's rich traditions, an important part of Russia's cultural heritage. Another, equally important, goal is to attract the mass audience to the art of ballet. The Seasons organizers are in constant search of new professional troupes and brightest performers, preserving continuity of generations in the Art of Dance.

Important Info
Type: Ballet
City: Moscow, Russia
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h 20min
Top of page