Theater Basel: Fin de partie Tickets | Event Dates & Schedule | GoComGo.com

Fin de partie Tickets

Theater Basel, Basel, Switzerland
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Available Dates: 12 Apr - 18 Jun, 2026 (11 events)
Important Info
Type: Opera
City: Basel, Switzerland
Duration: 2h
Acts: 1
Sung in: French
Titles in: German,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: György Kurtág
Director: David Marton
Librettist: György Kurtág
Writer: Samuel Beckett
Overview

Swiss premiere. Beckett's classic of absurd theatre as an opera.

Four people, perhaps the last of all. They play with power and powerlessness, memory and repression, affection and humiliation, while the world outside crumbles. A lifelong fascination with Samuel Beckett's ‹Endspiel› inspired the Hungarian composer György Kurtág to write his only opera in 2018. Kurtág's 100th birthday is the occasion for the Swiss premiere of his work in Basel, where the composer regularly worked. In his Basel debut, director David Marton takes a look into the abysses, but also at the absurd comedy of the characters.

History
Premiere of this production: 15 November 2018, Teatro alla Scala, Milan

Fin de partie is a one-act opera by György Kurtág, set to a French-language libretto adapted by the composer from the play Endgame (French title: Fin de partie) by Samuel Beckett, with the inclusion of a setting of Beckett's English-language poem "Roundelay" at the start of the opera.

Synopsis

The setting is a house by the sea, where four people reside:

Hamm, an elderly gentleman confined to a wheelchair
Clov, servant to Hamm, who cannot sit down
Nagg and Nell, Hamm's very old parents, each trapped in a dustbin, without legs
The tensions between the four characters exasperate each of them:

Hamm cannot abide his parents and their chatter.
Nell can barely tolerate Nagg.
Clov regards the others wearily.
All four wait for an end to the inertia and claustrophobia of their situation.

Prologue: Nell is the first character to appear, and delivers the setting of 'Roundelay' to begin the opera. Her words hazily allude to memories, with the sound of footsteps as the only sound to be heard on the beach.
Clov's Pantomime: Clov and Hamm appear. Clov is troubled and uneasy on his legs. He makes repetitive gestures, the same gestures every day, during his domestic chores, interspersed with short, nervous laughter.
Clov's First Monologue: Clov speaks of the possibility that the current situation may come to some sort of end soon.
Hamm's First Monologue: by contrast, Hamm thinks about his and his parents' sufferings. With feelings of despondency and exhaustion, he claims that he cannot resolve the current circumstances.
Bin: Nagg and Nell, both severely handicapped, are tired out from their long-term bickering, and their mutual incomprehension. During their conversation, they recall the cycling accident in the Ardennes that caused them both to lose their legs. Memories also surface of a boat trip on Lake Como. These memories are their sole happy memories and, at least superficially, give them a little nostalgia for their life spent together. Yet, Hamm, who wants to sleep, finds his parents' chatter irritating, and orders Clov to throw the bins, including Nagg and Nell, into the sea. Nell dies in the meantime, apparently unnoticed by the others.
Novel: Hamm wants to tell Nagg a story. In past days, a father had come to him on Christmas Eve asking for bread for his son. Hamm had decided to take him on.
Nagg's Monologue: Nagg remembers when Hamm was young and needed him.
Hamm's Penultimate Monologue: Hamm ponders his difficult relations with others.
Hamm and Clov's Dialogue: Hamm asks Clov for his tranquilliser. Clov replies that no tranquillisers are left.
"It's over, Clov" and Clov's Vaudeville: Hamm tells Clov that he no longer needs him, but then asks Clov to say something that he may remember before departing. Clov remarks that Hamm had never spoken to him until that moment. Only now, as he is about to leave, does Hamm pay any notice of him.
Clov's Last Monologue: Clov reflects on his condition. He has never understood what words like 'love' and 'friendship' mean. He also feels old, tired, and unable to form new habits. He is bound to his repetitive, never-changing daily routine.
Transition to the Finale: Hamm thanks Clov as Clov is about to leave.
Hamm's Last Monologue: Clov is about to leave, but has not yet moved. Hamm realises that he has been left alone.
Epilogue: Hamm grasps that it is now up to him – and him alone – to continue playing the endgame.

Venue Info

Theater Basel - Basel
Location   Theaterstrasse 7

In the heart of Switzerland’s cultural capital, Theater Basel stands as a beacon of artistic brilliance and innovation. As the largest and most versatile theatre in the country, it unites opera, ballet, and drama under one roof, offering an unforgettable experience for every lover of the performing arts.

Housed in a striking modernist building just steps from Basel’s Old Town, the theatre is known for its bold programming that seamlessly blends classical masterpieces with daring contemporary works. From Mozart’s Don Giovanni and Puccini’s Madama Butterfly to avant-garde productions that challenge the imagination, each performance is crafted to move, inspire, and surprise.

The Basel Ballet is celebrated for its expressive choreography and world-class dancers, while the opera company regularly features internationally acclaimed soloists and conductors. The drama ensemble, too, has earned a reputation for its depth, emotion, and artistic precision, making Theater Basel a place where every night brings a new discovery.

Elegant, welcoming, and alive with creativity, Theater Basel is more than a venue—it is a living expression of Basel’s cultural spirit. Whether you come for grand opera, a daring premiere, or a stirring piece of modern dance, you will leave with your heart full and your imagination alight.

Important Info
Type: Opera
City: Basel, Switzerland
Duration: 2h
Acts: 1
Sung in: French
Titles in: German,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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