Zurich Opera House tickets 29 April 2026 - La clemenza di Tito | GoComGo.com

La clemenza di Tito

Zurich Opera House, Zurich, Switzerland
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7 PM
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US$ 175

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Zurich, Switzerland
Starts at: 19:00
Acts: 2
Sung in: Italian
Titles in: German,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Marc Minkowski
Bass-Baritone: Andrew Moore (Publio)
Soprano: Jeanine De Bique (Vitellia)
Mezzo-Soprano: Lea Desandre (Sesto)
Orchestra: Orchestra La Scintilla
Tenor: Pene Pati (Tito Vespasian)
Mezzo-Soprano: Siena Licht Miller (Annio)
Soprano: Yewon Han (Servilia)
Choir: Zurich Opera Chorus
Creators
Composer: Wolfgang Amadeus Mozart
Librettist: Caterino Mazzolà
Librettist: Caterino Mazzolaà
Director: Damiano Michieletto
Librettist: Pietro Metastasio
Overview

Conductor Marc Minkowski returns to Opernhaus Zürich with this new production, as does Italian director Damiano Michieletto.

An attempted coup is uncovered, and his best friend is a conspirator – but Tito would rather renounce his office as ruler than base his power on fear and terror. "La clemenza di Tito" is a work that poses timeless questions about how to deal with power, and about guilt and forgiveness. Wolfgang Amadeus Mozart’s late opera seria contains some of his most beautiful arias and ensembles.

History
Premiere of this production: 06 September 1791, Estates Theatre, Prague

La clemenza di Tito is an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after the bulk of Die Zauberflöte (The Magic Flute), the last opera that Mozart worked on, was already written. The work premiered on 6 September 1791 at the Estates Theatre in Prague.

Synopsis

Place and time: Rome, in the year 79.

Act One
Vitellia, daughter of the late emperor Vitellio (who had been deposed by Tito's father Vespasian), wants revenge against Tito. She stirs up Tito's vacillating friend Sesto, who is in love with her, to act against him (duet Come ti piace, imponi). But when she hears word that Tito has sent Berenice of Cilicia, of whom she was jealous, back to Jerusalem, Vitellia tells Sesto to delay carrying out her wishes, hoping Tito will choose her (Vitellia) as his empress (aria Deh, se piacer mi vuoi).

Tito, however, decides to choose Sesto's sister Servilia to be his empress, and orders Annio (Sesto's friend) to bear the message to Servilia (aria Del più sublime soglio). Since Annio and Servilia, unbeknownst to Tito, are in love, this news is very unwelcome to both (duet Ah, perdona al primo affetto). Servilia decides to tell Tito the truth but also says that if Tito still insists on marrying her, she will obey. Tito thanks the gods for Servilia's truthfulness, and immediately forswears the idea of coming between her and Annio (aria Ah, se fosse intorno al trono).

In the meantime, however, Vitellia has heard the news about Tito's interest in Servilia and is again boiling with jealousy. She urges Sesto to assassinate Tito. He agrees, singing one of the opera's most famous arias (Parto, parto, ma tu, ben mio with basset clarinet obbligato). Almost as soon as he leaves, Annio and the guard Publio arrive to escort Vitellia to Tito, who has now chosen her as his empress. She is torn with feelings of guilt and worry over what she has sent Sesto to do.

Sesto, meanwhile, is at the Capitol wrestling with his conscience (recitativo Oh Dei, che smania è questa), as he and his accomplices go about to burn it down. The other characters (except Tito) enter severally and react with horror to the burning Capitol. Sesto reenters and announces that he saw Tito slain, but Vitellia stops him from incriminating himself as the assassin. The others lament Tito in a slow, mournful conclusion to act one.

Act Two
The act begins with Annio telling Sesto that Emperor Tito is in fact alive and has just been seen; in the smoke and chaos, Sesto mistook another for Tito. Sesto wants to leave Rome, but Annio persuades him not to (aria Torna di Tito a lato). Soon Publio arrives to arrest Sesto, bearing the news that it was one of Sesto's co-conspirators who dressed himself in Tito's robes and was stabbed, though not mortally, by Sesto. The Senate tries Sesto as Tito waits impatiently, sure that his friend will be exonerated; Publio expresses his doubts (aria Tardi s'avvede d'un tradimento) and leaves for the Senate. Annio begs Tito to show clemency towards his friend (aria Tu fosti tradito). Publio returns and announces that Sesto has been found guilty and an anguished Tito must sign Sesto's death sentence.

He decides to send for Sesto first, attempting to obtain further details about the plot. Sesto takes all the guilt on himself and says he deserves death (rondo Deh, per questo istante solo), so Tito tells him he shall have it and sends him away. But after an extended internal struggle, Tito tears up the execution warrant for Sesto. He determines that, if the world wishes to accuse him (Tito) of anything, it should charge him with showing too much mercy, rather than with having a vengeful heart (aria Se all'impero).

Vitellia at this time is torn by guilt, but Servilia warns her that tears alone will not save Sesto (aria S'altro che lagrime). Vitellia finally decides to confess all to Tito, giving up her hopes of empire (rondo Non più di fiori with basset horn obbligato). In the amphitheatre, the condemned (including Sesto) are waiting to be thrown to the wild beasts. Tito is about to show mercy, when Vitellia offers her confession as the instigator of Sesto's plot. Although shocked, the emperor includes her in the general clemency he offers (recitativo accompagnato Ma che giorno è mai questo?). The opera concludes with all the subjects praising the extreme generosity of Tito; he then asks that the gods cut short his days, should he ever cease to care for the good of Rome.

Venue Info

Zurich Opera House - Zurich
Location   Sechseläutenplatz 1

Zürich Opera House is a main opera house in Zürich and Switzerland. Located at the Sechseläutenplatz, it has been the home of the Zürich Opera since 1891, and also houses the Bernhard-Theater Zürich. It is also home to the Zürich Ballet. The Opera House also holds concerts by its Philharmonia orchestra, matinees, Lieder evenings and events for children. The Zürich Opera Ball is organised every year in March, and is usually attended by prominent names.

The first permanent theatre, the Aktientheater, was built in 1834 and it became the focus of Richard Wagner’s activities during his period of exile from Germany.

The Aktientheater burnt down in 1890. The new Stadttheater Zürich (municipal theatre) was built by the Viennese architects Fellner & Helmer, who changed their previous design for the theatre in Wiesbaden only slightly. It was opened in 1891. It was the city's main performance space for drama, opera, and musical events until 1925, when it was renamed Opernhaus Zürich and a separate theatre for plays was built: The Bernhard Theater opened in 1941, in May 1981 the Esplanada building was demolished, and the present adjoint building opened on 27/28 December 1984 after three years of transition in the Kaufhaus building nearby Schanzengraben.

By the 1970s, the opera house was badly in need of major renovations; when some considered it not worth restoring, a new theatre was proposed for the site. However, between 1982 and 1984, rebuilding took place but not without huge local opposition which was expressed in street riots. The rebuilt theatre was inaugurated with Wagner’s Die Meistersinger von Nürnberg and the world première of Rudolf Kelterborn’s Chekhov opera Der Kirschgarten.

As restored, the theatre is an ornate building with a neo-classical façade of white and grey stone adorned with busts of Weber, Wagner, and Mozart. Additionally, busts of Schiller, Shakespeare, and Goethe are to be found. The auditorium is built in the neo-rococo style and seats approximately 1200 people. During the refurbishment, the issue of sightlines was not adequately addressed. As a result, the theatre has a high number of seats with a limited view, or no view, of the stage. This is unusual in international comparison, where sightlines in historic opera houses have been typically enhanced over time.

Corporate archives and historical library collections are held at the music department of the Predigerkirche Zürich.

The Zürich Opera House is also home of the International Opera Studio (in German: Internationales Opernstudio IOS) which is a educational program for young singers and pianists. The studio was created in 1961 and has renowned artists currently teaching such as Brigitte Fassbaender, Hedwig Fassbender, Andreas Homocki, Rosemary Joshua, Adrian Kelly, Fabio Luisi, Jetske Mijnssen, Ann Murray, Eytan Pessen or Edith Wiens.

Important Info
Type: Opera
City: Zurich, Switzerland
Starts at: 19:00
Acts: 2
Sung in: Italian
Titles in: German,English
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