Abay Kazakh State Opera and Ballet Theatre tickets 29 March 2026 - Boris Eifman «Red Giselle» | GoComGo.com

Boris Eifman «Red Giselle»

Abay Kazakh State Opera and Ballet Theatre, Main Stage, Almaty, Kazakhstan
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6 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Almaty, Kazakhstan
Starts at: 18:00
Acts: 2
Intervals: 1
Duration: 2h

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Dancer: Asel Askarova
Dancer: Azamat Askarov
Creators
Composer: Alfred Schnittke
Composer: Georges Bizet
Choreographer: Boris Eifman
Overview

The Stanislavsky Theatre, located in XIX century historical building just 750 metres (9-minute walk) from the Bolshoi, presents Boris Eifman’s legendary ballet Red Giselle — a story of genius, passion, and destiny. Ballet at the Stanislavsky Theatre is the great and affordable alternative to the Bolshoi.

The ballet Red Giselle tells us about the fate of the Russian ballerina Olga Spessivtseva. It is a subtle and masterful interpretation by Boris Eifman of the life story of a great dancer who lived through the turmoil of revolutionary events, emigrated from Russia and, after a series of personal dramas and upheavals, ended up in a sanatorium for the insane.

Nearly thirty years after its premiere, the choreographer has reimagined Red Giselle: the choreographic score has been renewed, and the visual design now reflects the full range of contemporary stagecraft. On stage — a world of piercing emotions, where the heroine’s gift becomes both her blessing and her curse.

“Our performance is not a literal retelling of Spessivtseva’s life, but an attempt to capture the fate of many great talents forced to leave Russia and live through tragic exile. She was a brilliant Giselle — so much so that the heroine’s destiny became her own,” says Boris Eifman.

Stunning choreography, evocative sets by Vyacheslav Okunev, and powerful lighting by Gleb Filshtinsky bring to life a ballet that has already become a modern classic.

“Red Giselle” — a requiem for a ballerina, and a celebration of ballet’s limitless power to tell human stories.

Synopsis

Act 1

Revolutionary Petrograd. A lesson of classical dance at the Mariinsky Theatre. Among all dancers a strict Teacher singles out one whose perfect movements embody his ideal of beauty.

A full house applauds the Ballerina. Among her admirers is a Commissar, who personifies the new power. The Ballerina is attracted and overwhelmed by his force.

The Commissar introduces her to his world where destruction and chaos reign. However, Ballerina’s euphoria fades away. She returns to the ballet class and to the Teacher.

Within the walls of the theatre a new regime is established, with its domination over high art. The Teacher is in desperation. His world is in ruins.

The affair with the Commissar is excruciating for the Ballerina, with fear mixed with attraction.

The Commissar gives the Ballerina permission to leave Russia.

Act 2

Paris, Grand Opéra. A young choreographer introduces the Ballerina to a new plastique which is not familiar to her. He becomes her Partner. Together they achieve triumphant success.

Ballerina’s growing feeling for the Partner is not returned. Unrequited love and loneliness in the alien world push her towards a spiritual breakdown.

Ballerina seeks distraction by plunging into the atmosphere of Parisian spree. But the phantoms of the past continue to haunt her.

Even her favorite role of Giselle, Ballerina’s best part, doesn’t bring her peace of mind. The destiny of Giselle awaits herself – betrayal by the loved man and insanity. The mind of the heroine cannot cope with the upheaval. Ballerina’s image dissolves into the mirror-world.

Venue Info

Abay Kazakh State Opera and Ballet Theatre - Almaty
Location   St. Kabanbai batyra, 110

Modern GATOB named after Abay - one of the largest theaters of the Eurasian space in which creative structure, along with the glorified masters of a scene perfect the art and young talents.

The building of the Kazakh state academic theatre named Abay containing 793 seats is one of the most known sights of the city of Almaty.

The Decision of Board of the National Commissariat of Education Kazakh The Assr of September 29, 1933 in Alma-Ata has Created the Musical Studio Consisting of Fifty Actors, Twenty Musicians Symphonic and Twelve People National Orchestras

On January 13, 1934 the first public performance of the musical comedy "Ayman-Sholpan" put by forces of musical studio according to M. O. Auezov's play, which has marked according to Narkompros's decision, the birth of the first "… the Kazakh musical opera and ballet theatre" has taken place.

Construction of the building of theater on the project of the Moscow architect N. A. Kruglov whose work has been recognized as the best in the All-Union competition announced on this occasion in 1933, has begun in 1936 and has been finished in 1941 by architects N. A. Prostakov and T. K. Basenov

On November 7, 1941 the Theatre has opened in own building. Same year the theater has received the status academic, and in 1945 the name of Abay has been appropriated to him.

From June, 1995 to December 13, 2000 in theatre the general reconstruction which has kept the main architectural style – the empire style which is combined with the Italian classicism and traditional elements of a national form in architecture of Kazakhstan has been carried out.

In general the decor and the main art and style solutions of a construction have been kept, modern finishing materials are added, and the stucco molding of the foyer of the second floor and auditorium has included elements of the ornament decorating a suit of "The gold person". The wealth and a variety of traditions of the Kazakh folk art have found application and in finishing of other interiors of theatre.

Important Info
Type: Ballet
City: Almaty, Kazakhstan
Starts at: 18:00
Acts: 2
Intervals: 1
Duration: 2h
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