Abay Kazakh State Opera and Ballet Theatre tickets 15 March 2026 - Les pêcheurs de perles | GoComGo.com

Les pêcheurs de perles

Abay Kazakh State Opera and Ballet Theatre, Main Stage, Almaty, Kazakhstan
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6 PM
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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Almaty, Kazakhstan
Starts at: 18:00
Acts: 2
Intervals: 1
Duration: 2h 15min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Renat Salavatov
Ballet company: Ballet of the Abay Kazakh National Opera and Ballet Theater
Choir: Chorus of the Abay Kazakh National Opera and Ballet Theater
Orchestra: Symphony orchestra of the Abay Kazakh National Opera and Ballet Theater
Creators
Composer: Georges Bizet
Librettist: Eugène Cormon
Choreography: Gulyzhan Tutkibayeva
Librettist: Michel Carré
Overview

Les pêcheurs de perles (“The Pearl Fishers”) is a romantic opera by Georges Bizet set in exotic Ceylon. The story follows two friends, Nadir and Zurga, whose loyalty is challenged when they both fall in love with the mysterious priestess Leïla. Filled with passion and lyrical beauty, the opera is famous for the duet “Au fond du temple saint.”
At the Abay Theatre, the production captivates audiences with expressive vocals, rich orchestration, and atmospheric staging.

Composed in 1863, Les pêcheurs de perles is one of Georges Bizet’s earliest masterpieces, revealing his gift for melody and dramatic expression. Set against the shimmering backdrop of ancient Ceylon, the opera tells a story of friendship, forbidden love, and sacrifice. Nadir and Zurga once swore to renounce their love for the same woman to preserve their bond. Years later, fate reunites them with Leïla, now a sacred priestess bound by vows of purity.

As emotions resurface, jealousy and devotion collide, leading to a powerful and tragic climax. The score blends delicate oriental colors with sweeping romantic harmonies, highlighted by the celebrated duet “Au fond du temple saint” and Nadir’s tender aria “Je crois entendre encore.”

The production at the Abay Kazakh State Academic Opera and Ballet Theatre offers a visually rich interpretation, combining elegant choreography, dramatic lighting, and refined musical performance. This staging brings Bizet’s passionate drama vividly to life, creating an unforgettable operatic experience.

History
Premiere of this production: 30 September 1863, Théâtre Lyrique, Paris

Les pêcheurs de perles (The Pearl Fishers) is an opera in three acts by the French composer Georges Bizet, to a libretto by Eugène Cormon and Michel Carré. It was premiered on 30 September 1863 at the Théâtre Lyrique in Paris, and was given 18 performances in its initial run. Set in ancient times on the island of Ceylon (Sri Lanka), the opera tells the story of how two men's vow of eternal friendship is threatened by their love for the same woman, whose own dilemma is the conflict between secular love and her sacred oath as a priestess. The friendship duet "Au fond du temple saint", generally known as "The Pearl Fishers Duet", is one of the best-known in Western opera.

Synopsis

Place: Ceylon
Time: Ancient times

Act 1
The scene is a desolate seashore, with the ruins of a Hindu temple in the background. A chorus of pearl fishermen sing of the dangerous tasks that lie ahead ("Sur la grève en feu"), and perform ritual dances to drive away evil spirits. They then elect one of their number, Zurga, as their leader, or "king". Nadir enters, and is hailed by Zurga as a long-lost friend. Left alone, the pair reminisce about their past in the city of Kandy, where their friendship was nearly destroyed by their mutual love of a young priestess whose beauty they had glimpsed briefly. They had each renounced their love for this stranger and had sworn to remain true to each other. Now, reunited, they affirm once again that they will be faithful until death ("Au fond du temple saint").

A boat draws up on the beach bearing the veiled figure of Leila, the virgin priestess whose prayers are required to ensure the safety of the fishermen. Although neither Nadir nor Zurga recognises her, she is the woman from Kandy with whom both had been in love. As Zurga is explaining her duties, she recognises Nadir, but she says nothing and shortly afterwards is led up to the temple by the high priest Nourabad. Zurga and the fishermen go down to the sea, leaving Nadir alone. In a troubled soliloquy before he sleeps he recalls how, in Kandy, he had broken his vows to Zurga and pursued his love for the veiled woman ("Je crois entendre encore"). It was the rumour that she might be found in this place that brought him here. Alone in the temple, Leila prays and sings. Nadir wakes and, recognising the voice of his long-desired lover, traces it to the temple. Leila briefly draws her veil aside, he sees it is she and the pair declare their renewed passion. On the beach, the fishermen plead with her to continue protecting them, but she tells Nadir she will sing for him alone ("O Dieu Brahma").

Act 2
In the temple with Nourabad, Leila expresses fear at being left alone, but Nourabad exhorts her to be brave and to fulfil her vows to Brahma on pain of her own death. She tells him of the courage she once displayed when, as a child, she had hidden a fugitive from his enemies and refused to give him up even when threatened with death ("J'étais encore enfant"). The fugitive had rewarded her with a necklace that he asked her always to wear. She had kept this promise, as she would her vows. On the priest's departure, Leila quietly muses on the former times when she and Nadir would meet together secretly ("Comme autrefois dans la nuit sombre"). Nadir then enters; in her fear of Nourabad's threats Leila begs him to leave, but he remains and the two declare their love in a passionate duet ("Léïla! Léïla!...Dieu puissant, le voilà!"). He goes, promising to return next night, but as he leaves he is captured by the fishermen and brought back to the temple. Zurga, as the fishermen's leader, at first resists the fishermen's calls for Nadir's execution and advocates mercy. However, after Nourabad removes Leila's veil, Zurga recognises her as his former love; consumed by jealousy and rage, he orders that both Nadir and Leila be put to death. A violent storm erupts, as the fishermen unite in singing a hymn to Brahma ("Brahma divin Brahma!").

Act 3
In his tent on the beach, Zurga notes that the storm has abated, as has his rage; he now feels remorse for his anger towards Nadir ("L'orage s'est calmé"). Leila is brought in; Zurga is captivated by her beauty as he listens to her pleas for Nadir's life, but his jealousy is rekindled. He confesses his love for her, but refuses mercy ("Je suis jaloux"). Nourabad and some of the fishermen enter to report that the funeral pyre is ready. As Leila is taken away, Zurga observes her giving one of the fishermen her necklace, asking for its return to her mother. With a shout, Zurga rushes out after the group and seizes the necklace.

Outside the temple, Nadir waits beside the funeral pyre as the crowd, singing and dancing, anticipates the dawn and the coming double execution ("Dès que le soleil"). He is joined by Leila; resigned now to their deaths, the pair sing of how their souls will soon be united in heaven. A glow appears in the sky, and Zurga rushes in to report that the fishermen's camp is ablaze. As the men hurry away to save their homes, Zurga frees Leila and Nadir. He returns the necklace to Leila, and reveals that he is the man she saved when she was a child. He recognises now that his love for her is in vain, and tells her and Nadir to flee. As the couple depart, singing of the life of love that awaits them, Zurga is left alone, to await the fishermen's return ("Plus de crainte...Rêves d'amour, adieu!").

(In the revised version of the ending introduced after the opera's 1886 revival, Nourabad witnesses Zurga's freeing of the prisoners and denounces him to the fishermen, one of whom stabs Zurga to death as the last notes sound of Leila and Nadir's farewell song. In some variations Zurga meets his death in other ways, and his body is consigned to the pyre.)

Venue Info

Abay Kazakh State Opera and Ballet Theatre - Almaty
Location   St. Kabanbai batyra, 110

Modern GATOB named after Abay - one of the largest theaters of the Eurasian space in which creative structure, along with the glorified masters of a scene perfect the art and young talents.

The building of the Kazakh state academic theatre named Abay containing 793 seats is one of the most known sights of the city of Almaty.

The Decision of Board of the National Commissariat of Education Kazakh The Assr of September 29, 1933 in Alma-Ata has Created the Musical Studio Consisting of Fifty Actors, Twenty Musicians Symphonic and Twelve People National Orchestras

On January 13, 1934 the first public performance of the musical comedy "Ayman-Sholpan" put by forces of musical studio according to M. O. Auezov's play, which has marked according to Narkompros's decision, the birth of the first "… the Kazakh musical opera and ballet theatre" has taken place.

Construction of the building of theater on the project of the Moscow architect N. A. Kruglov whose work has been recognized as the best in the All-Union competition announced on this occasion in 1933, has begun in 1936 and has been finished in 1941 by architects N. A. Prostakov and T. K. Basenov

On November 7, 1941 the Theatre has opened in own building. Same year the theater has received the status academic, and in 1945 the name of Abay has been appropriated to him.

From June, 1995 to December 13, 2000 in theatre the general reconstruction which has kept the main architectural style – the empire style which is combined with the Italian classicism and traditional elements of a national form in architecture of Kazakhstan has been carried out.

In general the decor and the main art and style solutions of a construction have been kept, modern finishing materials are added, and the stucco molding of the foyer of the second floor and auditorium has included elements of the ornament decorating a suit of "The gold person". The wealth and a variety of traditions of the Kazakh folk art have found application and in finishing of other interiors of theatre.

Important Info
Type: Opera
City: Almaty, Kazakhstan
Starts at: 18:00
Acts: 2
Intervals: 1
Duration: 2h 15min
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