Abay Kazakh State Opera and Ballet Theatre tickets 12 March 2026 - Lucia di Lammermoor | GoComGo.com

Lucia di Lammermoor

Abay Kazakh State Opera and Ballet Theatre, Main Stage, Almaty, Kazakhstan
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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Almaty, Kazakhstan
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h 50min
Sung in: Italian
Titles in: English,Russian

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Orchestra: Mariinsky Orchestra
Tenor: Aleksandr Smetanin
Choir: Choir of the Kazakh National Opera and Ballet Theatre
Baritone: Khalid Nuraliev
Chorus: Mariinsky Chorus
Soprano: Natalia Mezina
Orchestra: The Symphony Orchestra of the Kazakh National Opera and Ballet Theatre
Creators
Composer: Gaetano Donizetti
Music Director: Valery Gergiev
Costume designer: Alessandro Lai
Directed: Andrea De Rosa
Principal Chorus Master: Andrei Petrenko
Musical Preparation: Ilona Yansons
Light: Pasquale Mari
Librettist: Salvadore Cammarano
Poet: Walter Scott
Overview

Lucia di Lammermoor is one of the greatest masterpieces of Romantic bel canto. It is an outcome of years of bitter rivalry between Donizetti and Bellini. The opera has never fallen into oblivion; it regularly appears on theatre playbills all over the world. The Mariinsky Theatre is no exception. The opera was performed by both Imperial companies – Russian and Italian – more than 200 times over several decades. The current production of the Mariinsky Theatre is the third production staged in the last 18 years. The romantic melodrama has it all: emotions fully taking over the characters, distinct personalities, unrelenting intrigue, unexpected plot twists, and, finally, Donizetti’s delightful music. The composer turned every music element into a veritable masterpiece. All that combined gave Lucia di Lammermoor such a long stage life and made it a huge success with various audiences.
The stage adaptation was prepared by an Italian team that has already staged such operas as Simon Boccanegra and Falstaff at the Mariinsky Theatre.

History
Premiere of this production: 26 September 1835, Teatro di San Carlo, Naples

Lucia di Lammermoor is a dramma tragico (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor.

Synopsis

Part 1. The Departure
Act I
Scene one. An intruder has been spotted at night on the grounds of Ravenswood Castle. Norman, the captain of the guard, sends his men off in search of the stranger. Lord Henry tells Raymond Bidebent, his sister Lucia’s chaplain and tutor, that his family’s fortunes are in danger. Edgar Ravenswood, the son of the castle’s previous owner, can maneuver Henry out of his property and gain back his political influence. Only the arranged marriage of his sister, Lucia, can save them. However, Lucia does not want to accept the marriage. Raymond reminds Henry that the girl is still mourning the death of her mother. But Norman reveals that Lucia is concealing a great love for a mysterious stranger who saved her from the attack of a raging bull. She meets with him in secret. The returning men reveal the identity of the man whom Lucia is secretly meeting each day – it is Edgar Ravenswood. Henry is furious.

Scene two. Lucia is waiting by an old fountain with her maid Alice for a secret meeting with Edgar. Lucia is frightened by the legend of the fountain: a woman was murdered here by an insanely jealous member of the Ravenswood family. The ghost of the murdered woman has recently appeared to her, beckoning Lucia to follow her. When the ghost disappeared, the water in the fountain turned red with blood.

Edgar appears. He explains that he must leave Scotland and go to France on a political mission. Before he leaves, Edgar wants to ask Henry for Lucia's hand. Terrified of her brother’s reaction, Lucia asks Edgar to keep their love a secret. Edgar tells Lucia of his undying hatred of the Ashtons, how he swore a vow of vengeance upon her family. But now the vow is destroyed by love. The young lovers solemnly pledge their troth by exchanging rings.

Part 2. The Marriage Contract
Act II
Scene one. Guests are arriving at the wedding of Lucia and Lord Arthur Bucklaw. Henry is still worried that Lucia will not accept the groom. Norman reassures him: all the letters that Edgar has written during his long absence have been seized and replaced with artful forgeries in which Edgar confesses that he has fallen in love with another woman. As his sister enters, Henry chastises her for being so melancholy on the day of her wedding. She replies that his cruelty is the cause of her grief. Henry tries to persuade his sister to forget her illicit love and hands her a forged letter. Lucia is shattered: all her tears, her hopes, and her yearning have been wasted on an unfaithful man. At Raymondʼs fervent pleading, the exhausted Lucia finally gives in and agrees to marriage.

Scene two. The guests enthusiastically greet Lord Arthur Bucklaw. Arthur assures Henry of his friendship and promises his support. He asks, however, wherever the rumours about Edgar Ravenswood being in love with Lucia are true. Lucia appears.

Lucia is showed into the room with her marriage contract on the table. There is commotion outside: it is Edgar, who has now returned from France. The men draw their swords. Lucia falls unconscious. Raymond intercedes and shows Edgar the contract with Lucia’s signature. Lucia tearfully confesses that the signature is hers. Enraged, Edgar returns his ring and demands that she returns hers.

Act III
Scene one. A heavy thunderstorm rages outside. Henry visits Edgar at the Wolf's Crag. He challenges Edgar to a duel. They agree to fight in the morning by the graveyard of the Ravenswoods.

Scene two. The guests continue to celebrate the wedding. Raymond breaks up the festivities with terrible news: Lucia has gone mad and stabbed Arthur to death. The crazed Lucia, her nightgown stained with blood, appears in the hall. She thinks that she is once more in the garden, on the way to meet her beloved Edgar. However, her happiness quickly turns into horror as she sees the ghost. Lucia begs Edgar to hide and leads him to the altar decorated with roses. She sees a church, where she is married to Edgar, not Arthur. Lucia collapses.

Scene three. Edgar is at the graveyard of the Ravenswoods, where he is to duel Henry. He laments that he has to live without Lucia and hopes that his duel with Henry will end his own life. Guests coming from the Castle tell him that Lucia has gone mad and is dying. The bell tolls.

Time: Early 18th century
Place: Scotland

Act 1

Scene 1: The gardens of Ravenswood Castle

Normanno, captain of the castle guard, and other retainers are searching for an intruder. He tells Enrico that he believes that the man is Edgardo of Ravenswood, and that he comes to the castle to meet Enrico's sister, Lucia. It is confirmed that Edgardo is indeed the intruder. Enrico reaffirms his hatred for the Ravenswood family and his determination to end the relationship.

Scene 2: By a fountain at the entrance to the park, beside the castle

Lucia waits for Edgardo. In her famous aria "Regnava nel silenzio", Lucia tells her maid Alisa that she has seen the ghost of a girl killed on the very same spot by a jealous Ravenswood ancestor. Alisa tells Lucia that the apparition is a warning and that she must give up her love for Edgardo. Edgardo enters; for political reasons, he must leave immediately for France. He hopes to make his peace with Enrico and marry Lucia. Lucia tells him this is impossible, and instead they take a sworn vow of marriage and exchange rings. Edgardo leaves.

Act 2

Scene 1: Lord Ashton's apartments

Preparations have been made for the imminent wedding of Lucia to Arturo. Enrico worries about whether Lucia will really submit to the wedding. He shows his sister a forged letter seemingly proving that Edgardo has forgotten her and taken a new lover. Enrico leaves Lucia to further persuasion, this time by Raimondo, Lucia's chaplain and tutor, that she should renounce her vow to Edgardo, for the good of the family, and marry Arturo.

Scene 2: A hall in the castle

Arturo arrives for the marriage. Lucia acts strangely, but Enrico explains that this is due to the death of her mother. Arturo signs the marriage contract, followed reluctantly by Lucia. At that point Edgardo suddenly appears in the hall. Raimondo prevents a fight, but he shows Edgardo Lucia's signature on the marriage contract. Edgardo curses her, demanding that they return their rings to each other. He tramples his ring on the ground, before being forced out of the castle.

Act 3

Scene 1: Wolfcrag

Enrico visits Edgardo to challenge him to a duel. He tells him that Lucia is already enjoying her bridal bed. Edgardo agrees to fight him. They will meet later by the graveyard of the Ravenswoods, near the Wolf's Crag.

Scene 2: A Hall

Raimondo interrupts the marriage celebrations to tell the guests that Lucia has gone mad and killed her bridegroom Arturo. Lucia enters. In the aria "Il dolce suono" she imagines being with Edgardo, soon to be happily married. Enrico enters and at first threatens Lucia but later softens when he realizes her condition. Lucia collapses. Raimondo blames Normanno for precipitating the whole tragedy.

Scene 3: The graveyard of the Ravenswood family

Edgardo is resolved to kill himself on Enrico's sword. He learns that Lucia is dying and then Raimondo comes to tell him that she has already died. Edgardo stabs himself with a dagger, hoping to be reunited with Lucia in heaven.

Venue Info

Abay Kazakh State Opera and Ballet Theatre - Almaty
Location   St. Kabanbai batyra, 110

Modern GATOB named after Abay - one of the largest theaters of the Eurasian space in which creative structure, along with the glorified masters of a scene perfect the art and young talents.

The building of the Kazakh state academic theatre named Abay containing 793 seats is one of the most known sights of the city of Almaty.

The Decision of Board of the National Commissariat of Education Kazakh The Assr of September 29, 1933 in Alma-Ata has Created the Musical Studio Consisting of Fifty Actors, Twenty Musicians Symphonic and Twelve People National Orchestras

On January 13, 1934 the first public performance of the musical comedy "Ayman-Sholpan" put by forces of musical studio according to M. O. Auezov's play, which has marked according to Narkompros's decision, the birth of the first "… the Kazakh musical opera and ballet theatre" has taken place.

Construction of the building of theater on the project of the Moscow architect N. A. Kruglov whose work has been recognized as the best in the All-Union competition announced on this occasion in 1933, has begun in 1936 and has been finished in 1941 by architects N. A. Prostakov and T. K. Basenov

On November 7, 1941 the Theatre has opened in own building. Same year the theater has received the status academic, and in 1945 the name of Abay has been appropriated to him.

From June, 1995 to December 13, 2000 in theatre the general reconstruction which has kept the main architectural style – the empire style which is combined with the Italian classicism and traditional elements of a national form in architecture of Kazakhstan has been carried out.

In general the decor and the main art and style solutions of a construction have been kept, modern finishing materials are added, and the stucco molding of the foyer of the second floor and auditorium has included elements of the ornament decorating a suit of "The gold person". The wealth and a variety of traditions of the Kazakh folk art have found application and in finishing of other interiors of theatre.

Important Info
Type: Opera
City: Almaty, Kazakhstan
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h 50min
Sung in: Italian
Titles in: English,Russian
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