Adeline Virginia Woolf (/wʊlf/; née Stephen; 25 January 1882 – 28 March 1941) was an English writer, considered one of the most important modernist 20th-century authors and also a pioneer in the use of stream of consciousness as a narrative device.

Woolf was born into an affluent household in South Kensington, London, the seventh child in a blended family of eight. Her mother, Julia Prinsep Jackson, celebrated as a Pre-Raphaelite artist's model, had three children from her first marriage, while Woolf's father, Leslie Stephen, a notable man of letters, had one previous daughter. The Stephens produced another four children, including the modernist painter Vanessa Bell. While the boys in the family received college educations, the girls were home-schooled in English classics and Victorian literature. An important influence in Virginia Woolf's early life was the summer home the family used in St Ives, Cornwall, where she first saw the Godrevy Lighthouse, which was to become iconic in her novel To the Lighthouse (1927).

Woolf's childhood came to an abrupt end in 1895 with the death of her mother and her first mental breakdown, followed two years later by the death of her stepsister and surrogate mother, Stella Duckworth. From 1897 to 1901, she attended the Ladies' Department of King's College London, where she studied classics and history and came into contact with early reformers of women's higher education and the women's rights movement. Other important influences were her Cambridge-educated brothers and unfettered access to her father's vast library.

Encouraged by her father, Woolf began writing professionally in 1900. Her father's death in 1905 caused another mental breakdown for Woolf. Following his death, the Stephen family moved from Kensington to the more bohemian Bloomsbury, where they adopted a free-spirited lifestyle. It was in Bloomsbury where, in conjunction with the brothers' intellectual friends, the Stephens formed the artistic and literary Bloomsbury Group.

Following her 1912 marriage to Leonard Woolf, the couple founded the Hogarth Press in 1917, which published much of her work. The couple rented a home in Sussex and moved there permanently in 1940. Throughout her life, Woolf was troubled by bouts of mental illness. She was institutionalized several times and attempted suicide at least twice. Her illness is considered to have been bipolar disorder, for which there was no effective intervention during her lifetime. At age 59, Woolf committed suicide in 1941 by putting rocks in her coat pockets and drowning herself in the River Ouse.

During the interwar period, Woolf was an important part of London's literary and artistic society. In 1915 she published her first novel, The Voyage Out, through her half-brother's publishing house, Gerald Duckworth and Company. Her best-known works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928). She is also known for her essays, including A Room of One's Own (1929), in which she wrote the much-quoted dictum, "A woman must have money and a room of her own if she is to write fiction."

Woolf became one of the central subjects of the 1970s movement of feminist criticism and her works have since garnered much attention and widespread commentary for "inspiring feminism." Her works have been translated into more than 50 languages. A large body of literature is dedicated to her life and work, and she has been the subject of plays, novels and films. Woolf is commemorated today by statues, societies dedicated to her work and a building at the University of London.

Fiction and drama
Novels
Main article: The Voyage Out
Her first novel, The Voyage Out, was published in 1915 at the age of 33, by her half-brother's imprint, Gerald Duckworth and Company Ltd. This novel was originally titled Melymbrosia, but Woolf repeatedly changed the draft. An earlier version of The Voyage Out has been reconstructed by Woolf scholar Louise DeSalvo and is now available to the public under the intended title. DeSalvo argues that many of the changes Woolf made in the text were in response to changes in her own life. The novel is set on a ship bound for South America, and a group of young Edwardians onboard and their various mismatched yearnings and misunderstandings. In the novel are hints of themes that would emerge in later work, including the gap between preceding thought and the spoken word that follows, and the lack of concordance between expression and underlying intention, together with how these reveal to us aspects of the nature of love.

Main article: Mrs Dalloway
"Mrs Dalloway (1925) centres on the efforts of Clarissa Dalloway, a middle-aged society woman, to organise a party, even as her life is paralleled with that of Septimus Warren Smith, a working-class veteran who has returned from the First World War bearing deep psychological scars"

Main article: To the Lighthouse
"To the Lighthouse (1927) is set on two days ten years apart. The plot centres on the Ramsay family's anticipation of and reflection upon a visit to a lighthouse and the connected familial tensions. One of the primary themes of the novel is the struggle in the creative process that beset painter Lily Briscoe while she struggles to paint in the midst of the family drama. The novel is also a meditation upon the lives of a nation's inhabitants in the midst of war, and of the people left behind."It also explores the passage of time, and how women are forced by society to allow men to take emotional strength from them.

Main article: Orlando: A Biography
Orlando: A Biography (1928) is one of Virginia Woolf's lightest novels. A parodic biography of a young nobleman who lives for three centuries without ageing much past thirty (but who does abruptly turn into a woman), the book is in part a portrait of Woolf's lover Vita Sackville-West. It was meant to console Vita for the loss of her ancestral home, Knole House, though it is also a satirical treatment of Vita and her work. In Orlando, the techniques of historical biographers are being ridiculed; the character of a pompous biographer is being assumed in order for it to be mocked.

Main article: The Waves
"The Waves (1931) presents a group of six friends whose reflections, which are closer to recitatives than to interior monologues proper, create a wave-like atmosphere that is more akin to a prose poem than to a plot-centred novel".

Main article: Flush: A Biography
Flush: A Biography (1933) is a part-fiction, part-biography of the cocker spaniel owned by Victorian poet Elizabeth Barrett Browning. The book is written from the dog's point of view. Woolf was inspired to write this book from the success of the Rudolf Besier play The Barretts of Wimpole Street. In the play, Flush is on stage for much of the action. The play was produced for the first time in 1932 by the actress Katharine Cornell.

Main article: Between the Acts
"Her last work, Between the Acts (1941), sums up and magnifies Woolf's chief preoccupations: the transformation of life through art, sexual ambivalence, and meditation on the themes of flux of time and life, presented simultaneously as corrosion and rejuvenation—all set in a highly imaginative and symbolic narrative encompassing almost all of English history."This book is the most lyrical of all her works, not only in feeling but in style, being chiefly written in verse. While Woolf's work can be understood as consistently in dialogue with the Bloomsbury Group, particularly its tendency (informed by G. E. Moore, among others) towards doctrinaire rationalism, it is not a simple recapitulation of the coterie's ideals.

Themes
Woolf's fiction has been studied for its insight into many themes including war, shell shock, witchcraft, and the role of social class in contemporary modern British society. In the postwar Mrs. Dalloway (1925), Woolf addresses the moral dilemma of war and its effects and provides an authentic voice for soldiers returning from World War I, suffering from shell shock, in the person of Septimus Smith. In A Room of One's Own (1929) Woolf equates historical accusations of witchcraft with creativity and genius among women "When, however, one reads of a witch being ducked, of a woman possessed by devils, ...then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen". Throughout her work Woolf tried to evaluate the degree to which her privileged background framed the lens through which she viewed class. She both examined her own position as someone who would be considered an elitist snob, but attacked the class structure of Britain as she found it. In her 1936 essay Am I a Snob?, she examined her values and those of the privileged circle she existed in. She concluded she was, and subsequent critics and supporters have tried to deal with the dilemma of being both elite and a social critic.

Despite the considerable conceptual difficulties, given Woolf's idiosyncratic use of language, her works have been translated into over 50 languages. Some writers, such as the Belgian Marguerite Yourcenar having had rather tense encounters with her, while others such as the Argentinian Jorge Luis Borges produced versions that were highly controversial.

Drama
Virginia Woolf researched the life of her great-aunt, the photographer Julia Margaret Cameron, publishing her findings in an essay titled Pattledom (1925),] and later in her introduction to her 1926 edition of Cameron's photographs. She had begun work on a play based on an episode in Cameron's life in 1923, but abandoned it. Finally it was performed on 18 January 1935 at the studio of her sister, Vanessa Bell on Fitzroy Street in 1935. Woolf directed it herself, and the cast were mainly members of the Bloomsbury Group, including herself. Freshwater is a short three act comedy satirizing the Victorian era, that was only performed once in Woolf's lifetime. Beneath the comedic elements, there is an exploratin of both generational change and artistic freedom. Both Cameron and Woolf fought against the class and gender dynamics of Victorianism and the play shows links to both To the Lighthouse and A Room of One's Own that would follow.

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